999 resultados para NARRATIVA URUGUAYA
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Il s'agit ici d'ébaucher quelques aspects de la pensée - dans son sens conceptuel et systématique - de Stendhal, son discours refléxive, exprès dans l'style narrative à travers le roman, surtout dans Le rouge et le Noir.
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This paper presents some reflections on the use of narrative analysis as a possible approach to study the History of (Mathematics) Education, mainly to interpret historical situations and biographical data. Its perspective is linked to Walter Benjamin's ideas about the figure of the narrator and how the dialogue between narrator and historian can be seen. Following the perspective of another author, Benedito Nunes, we try to establish relations among narratives, fiction and historiography, also highlighting the ideas of Jorge Larrosa regarding the transmission of experiences. Finally, our focus is turned to Antonio Bolivar and his alternative statements about why and how analysis of investigations, in which narratives are the main source of data, can be done.
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Because it belongs to a cultural practice, the adaptation of a novel into a feature film will always exist within a context and, for being subject to changes, corresponding modifications in the political sphere and even variations in the meaning of the story may occur. This seems to be precisely the result of the transformation of Angela Carter's second novel, The Magic Toyshop, into the homonymous film, directed by David Whealtey in 1987. Removed from the context of the book's production and publication, a crucial period of questioning about the importance of women in society and culture, the plot created by the English author in the sixties, rewritten two decades later, with the author herself as the script writer, seems to have acquired another meaning during this time. Although the film maintains the same plot of the novel, the political engagement visibly present in the narrative, namely Carter's critical stance about the model of patriarchal society, seems to lose its strength, highlighting now its fantastic character. Briefly discussing issues such as loyalty and betrayal of one gender to another, we seek in this paper to observe the film, based on the re-writers perspective, in other words, the prospects of both writer and director, as a process of rebuilding the story. In this dialogue, the script was also used as an intertext for a better understanding of this process.
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Pós-graduação em Artes - IA
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Las consecuencias sociales del envejecimiento son múltiples y suele admitirse que una de ellas es el aumento de la carga que pesa sobre la población activa, especialmente en el contexto de creciente urbanización como es el de Uruguay. La gran mayoría de los jubilados trabaja ante la recepción de pensiones insuficientes para vivir. El envejecimiento de la población se ha visto agravado por la enorme emigración selectiva que compromete a personas en edad activa. Sin embargo, se observan transformaciones importantes en el país que remiten al enorme aumento de la tasa de participación femenina y al aumento de las familias extensas, como dos mecanismos para hacer frente a las condiciones de vida. Estos cambios tienden a fortificar el papel de los ancianos como suplentes de los padres en el hogar.
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