[41 phot. de Tchouktches prises lors du voyage de la Vega en 1879, expédition de A.E. Nordenskild le long des côtes de la Sibérie, des collections du prince Roland Bonaparte]

Donateur : Bonaparte, Roland (1858-1924)

Chronically connected? Internet use among adolescents with chronic conditions.

Little is known about Internet use among adolescents with chronic conditions (CCs). Our results indicate that CC females, but not males, are more likely to be heavy Internet users than their peers. CC youths are also more likely to visit health-related web sites, but less frequently than other sites.

Catalogue de tableaux anciens et modernes de diverses écoles provenant de la succession de M. André Leroux... / [expert] Ch. Rouillard

[Vente. Art. 1859-05-14. Paris]

Geògrafs: regeneracionisme i divisió del territori (1879-1899)

Després d'haver fet inviable qualsevol alternativa federal i un cop passats uns anys d'estabilització del nou regim alfonsí, la burgesia oligarquica es va sentir amb forces per iniciar un període de reformes que per fi la dotés d'una Administració territorial convenient als seus interessos. Des de 1879 fins a la meitat de la decada següent, s'inicia un període de relatiu optimisme en el que fa referencia a les reformes de !'Estat, fet que, com podrem observar, contrastara amb el sentiment fatalista de la dkcada de 1890, agreujat per la perdua de les colonies.

The cave (La caverna -1952-1969) by Josep Palau i Fabre: theatre versus philosophical allegory in order both to perform and stop the tragic and dark end of the bright art of thinking

What is the use of representing in performance the image of the cave from book VII of Plato’s Republic? Josep Palau i Fabre considers that in Plato’s dialogues the speakers are mere instruments at the service of his dialectical purpose. The aim of this article is to show how, by turning the myth into a tragedy and relying on Heraclitus’s conflict or war of opposites, the playwright succeeds in favouring a sort of thought which is not one-sided or univocal. On the contrary, in Palau i Fabre’s La Caverna, the tragic hero, the released prisoner transformed by the light of Reality and finally killed by his “cavemates” –after having been imprisoned again and having tried to rescue them from their ignorance or shadows– still leaves them his powerful experience of the agonistikós thought, which might bear fruit in their life to come.