Photo of 1902 Rose Bowl game chart and team rosters

[photo of a display at Tournament of Roses Hall of Fame]

The history of Belvoir castle : from the Norman conquest to the nineteenth century: accompanied by a description of the present castle, and critical notes of the paintings,tapestry, statuary, &c., with which it is enriched /

"Geneal. tab. of the noble and distinguished family of Manners, duke of Rutland, &c."

Smeeton's historical and biographical tracts.

Each tract has special t.-p.

The life of Wellington. The restoration of the martial power of Great Britain,

"Principal authorities quoted": v. 1, p. [xiii]-xv.

Report on the working and results of the Woburn Experimental Fruit Farm ... /

Mode of access: Internet.

The life and correspondence of Sir Anthony Panizzi, k.c. b., late principal librarian of the British museum, senator of Italy, etc. In two volumes.

The proposed third volume was never published, although copyright claim is printed on back of t.-p. ("The Reminiscences copyright 1881 by Henry Stevens of Vermont." The records of the Copyright office do not bear out this statement) The material was later published in Transactions and proceedings of the Library association of the United Kingdom at their seventh annual meeting...1884. London, 1890 (p. 117-124: Twenty years reminiscences of Panizzi and the British museum, 1845-1865)

Report of the Woburn Experimental Fruit Farm /

Issued by: Eyre and Spottiswoode, 1903-1907; Amalgamated Press, 1908-<1916>

The whole contention (1619) The Third quarto, 1619.

They form the basis of Shakespeare's Henry VI, pt. 2 and 3. The authorship and their relation to his version are much disputed. For discussion see the prefaces to the reprints of the first quartos, no. 37-38 in the same series.

The life of the most noble Arthur, marquis and earl of Wellington ...

Mode of access: Internet.

Alice, grand duchess of Hesse,

Mode of access: Internet.

HATWALK/ Guerilla Millinery/ Part of the Cultural Olympiad

Stealth Visor for the Duke of Wellington Project HATWALK The 2012 Cultural Olympiad would not have been representative of London's creative industries without fashion design. Sponsored by the Mayor of London brought milliners to organise an alternative to the catwalk format , the designers brought together a Hatwalk, uniting landmark heritage statues, classical and modern, to be crowned with a new bespoke design piece each. Together forming a pedestrian navigation through the Jubilee city, the hats also invited twenty one milliners to consider the specificity of working for the great outdoors. Rigorously tested in wind tunnel laboratory to withstand hurricane wind speeds and squally shows the designs aim to bring the 'exclusive' culture of fashion accessories to the inclusive culture of international festival. Working with new technologies of engineering, such as laser measuring tools, and crane for assemblage and fitting, McLean brings new meaning to the familiar figures of national public authority. Since the storming of the Bastille in revolutionary France it has been traditional for the new order to symbolize change through attacking public statuary. In a similar vein, Hatwalk, invites spectators to reconsider the relationship between distant and lofty personages of power and the sartorial insignia through which their power is signified. Crowned with a revolutionary red ' large plexi punk neon number' the Duke of Wellington, at Wellington arch is the first in the Hatwalk exhibition. The originality of this research consists in the effects of surprise and Brechtian 'de familiarisation' resulting from the unexpected. The effects of this structural carnivalesque inversion of authorities can involve a range of reactions from the disdain of the offended to the laughter and pleasure of the surprised. This strategy of bringing the ludic element of play to the formalised authority of legitimised power is also signified through the conscious use of materials and colour in a monochrome and uniform culture of statuary. Here the difference in materials and visible surface of the design signifies the differences that need to be included within a socio political order before it may takes its place in history as being representative of the people it is entrusted to lead. This research output continues the work that led to the Hat Anthology exhibition (output 1), the Fifty Hats that Changed the World (output 2), the Jamaican Olympic team headwear design ( output 4), and is continued in the design, merchandise, accessories and avant garde artefacts of the House of Flora ( see website). The iterative process of the research brings innovation within continuity to McLean's work. It is difficult to theorise the 'rigour' that is undeniably present in a creative design praxis except in that McLean;s research outputs are always surprising and unexpected.

The Participation of Townspeople Making Music in Public Events in the Low Countries in the Fifteenth Century

Musicians, rhetoricians and crossbowmen, all of them employed by the city of Brussels, acted, sang and played instruments during the "Ommegang" procession in the 15th century in the main square, some of them during other processions, too. In Bruges, instrumentalists and singers took part in the representation of biblical scenes on street corners, which were part of the entry of Philip III the Good, Duke of Burgundy, into the city around the year 1440. The members of the clergy who knew music sang plainchant in all of these three roles, and independent musicians probably participated, too, even though the documents don't name them or describe their function. Except for the disabled, who marched in a procession on their own, the "common people" were only spectators of these events, which were planned in advance. The evidence that remains indicates that the voices of the "common people" remained hidden in these events, which were intended to promote civic unity.

O poder e a moda vestimentar

Nas mutações da moda, sendo também Influenciadas por acontecimentos políticos e espirituais, é a acção condicionante de certos indivíduos que é determinante. Limitando-se ao campo do vestuário, investigação das interferências, proporcionais à força dos regimes, do poder sobre a moda, tanto pela lei como pelo exemplo; desde a corte do Duque de Borgonha às legislações sumptuárias e ao caso paradigmático de Luís XIV, até à China de Mao, referindo casos da sociedade portuguesa. ABSTRACT - Mutations in fashion are influenced by the action of certain people. The research is limited to the field of clothing, the connections between power and fashion, both by law and by example, from the court of the Duke of Burgundy to the laws that restraint luxury, and the paradigmatic study cases of Louis XIV and the China under the rule of Mao Tse Tung. Some cases of the Portuguese society are also referred.