The ethics of William Wollaston,

"A dissertation presented to the faculty of the Graduate school of Yale university, in candidacy for the degree of doctor of philosophy."

A few memories of William Reed Huntington,

Mode of access: Internet.

The interest of the state in the Concord railroad. Final argument of Frank S. Streeter. Argument of William M. Chase as to the Corbin offer. Before Hon. Joshua G. Hall, Hon. Thomas Cogswell, Hon. John W. Sturtevant, Commissioners.

Mode of access: Internet.

From crow-scaring to Westminster : an autobiography /

Mode of access: Internet.

Main entry, William St, Neville Bonner Building, Brisbane

William St building-Riverside Expressway building junction.

Crow's nest, Kangaroo Point House, Kangaroo Point, Brisbane

Deck and seating overlooking river.

Crow's nest, Kangaroo Point House, Kangaroo Point, Brisbane

Structure to underside of deck and seating.

Crow's nest, Kangaroo Point House, Kangaroo Point, Brisbane

Deck and seating overlooking the river.

Crow's nest, Kangaroo Point House, Kangaroo Point, Brisbane

Deck and seating overlooking river.

Crow's nest, Kangaroo Point House, Kangaroo Point, Brisbane

Deck and seating overlooking river.

Crow's nest, Kangaroo Point House, Kangaroo Point, Brisbane

Structure to underside of deck and seating area.

(FAB12_1_002) 'Would you know the new, you must search the old': William Lethaby's 'Architecture, Mysticism and Myth' (1891) and the 'Hypnerotomachia Poliphili' (1499)

Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".