Panorama de la Compagnie générale transatlantique peint par Th Poilpot. Dioaramas ... Exposition universelle 1889, quai d'Orsay... : [affiche] / [non signée]

Référence bibliographique : Broido 502

Assistance expenditures for needy Indians,1973-1977.

These newsletters, from 1973-1974 and 1976-1977, list obligations, payments made on billings and for food stamps, incurred on behalf of the needy Indians.

La caverna de Josep Palau i Fabre (1952-1969): teatre versus al·legoria filosòfica per a representar i impedir el final tràgic i fosc del lluminós art de pensar.

What is the use of performing the myth of the cave from book VII of the Republic by Plato? Josep Palau i Fabre, considers that, in Plato's dialogues, the speakers are mere instruments at the service of his dialectical goal. The aim of this article is to show how, by turning the myth into a tragedy and also by relying on Heraclitus's conflict or war of opposites, the playwright succeeds in favoring a sort of thought which is not one-sided or univocal. On the contrary, in Palau i Fabre's La Caverna, the tragic hero, that is, the released prisoner transformed by the light of Reality and finally killed by his "cavemates" -after having been imprisoned again and having tried to rescue them from their ignorance or shadows-, still leaves to them his powerful experience of the agonistikos thought, which might bear fruit in their life to come.

La caverna de Josep Palau i Fabre (1952-1969): teatro versus alegoría filosófica para representar e impedir el final trágico y sombrío del luminoso arte de pensar.

What is the use of performing the myth of the cave from book VII of the Republic by Plato? Josep Palau i Fabre, considers that, in Plato's dialogues, the speakers are mere instruments at the service of his dialectical goal. The aim of this article is to show how, by turning the myth into a tragedy and also by relying on Heraclitus's conflict or war of opposites, the playwright succeeds in favoring a sort of thought which is not one-sided or univocal. On the contrary, in Palau i Fabre's La Caverna, the tragic hero, that is, the released prisoner transformed by the light of Reality and finally killed by his "cavemates" -after having been imprisoned again and having tried to rescue them from their ignorance or shadows-, still leaves to them his powerful experience of the agonistikos thought, which might bear fruit in their life to come.

[Exposition universelle, Paris, 1889, 10 phot. des objets exposés à la section I, "Anthropologie, ethnographie, archéologie", don Eugène de Rozière]

Donateur : Rozière, Eugène de (1820-1896)

[7 phot. d'anthropologie (mannequins représentant des hommes de la préhistoire, des Egyptiens, des Grecs anciens), peut-être de l'exposition liée au Congrès d'anthropologie de Neuchâtel de déc. 1889, don du prince Roland Bonaparte]

Donateur : Bonaparte, Roland (1858-1924)

Los Libros de Artista-Arte de Josep Guinovart

Este artículo pretende analizar y etiquetar la obra producida por Josep Guinovart (1927-2007), a partir de Federico García Lorca, Joan Salvat-Papasseit, Salvador Espriu, José Hierro y Ramón Guillem, dentro del formato"Libro-Arte." Unas veces la obra es el resultado de un esfuerzo en tándem, otras es el testimonio visual y poético de un mismo sentir. En cualquiera de los casos veremos como la creación artística de uno potencia y enriquece la del otro.