Les sources de motivation au regard de la carrière des jeunes inscrits aux programmes Sport-études à l'ordre d'enseignement secondaire

Lorsqu'il est question de l'impact du sport sur le développement de jeunes adolescents' c'est généralement en fonction de leurs comportements. Toutefois, lorsqu'il s'agit d'évaluer l'influence de la pratique sportive sur le développement scolaire et professionnel des élèves-athlètes, nombreux sont les gens qui voient le sport comme une distraction notable à l'engagement et à la poursuite de leurs études. Pourtant nous remarquons, depuis quelques années, l'apparition et la multiplication de programmes d'études voulant favoriser à la fois la réussite scolaire ainsi que la réussite sportive de jeunes athlètes. Conformément aux propos de Boute, Lepert, Syndiqué et Taupin (1981), nous croyons que les programmes Sport-études concrétisent deux idées (et deux désirs) qui mûrissaient depuis longtemps: l'idée qu'il n'est pas nécessaire d'abandonner ses études pour se consacrer à un sport, et plus important, l'idée qu'il n'est pas nécessaire d'abandonner le sport pour mener à bien ses études secondaires. Selon cette perspective, il serait logique de penser que les programmes scolaires misant sur la combinaison des études et de la pratique du sport de haut niveau s'associent à des caractéristiques particulières notamment, en ce qui à trait à leur motivation au regard de leur projet professionnel. Notre étude vise donc à identifier les sources spécifiques de motivation des élèves inscrits aux programmes Sport-études et régulier à l'ordre d'enseignement secondaire et de vérifier l'existence possible de différences entre ces deux groupes de sujets. Ce mémoire se divise en trois parties. La première partie vise à exposer la problématique de notre recherche. Nous identifions d'abord notre problème de recherche en dressant un portrait général de la situation actuelle des jeunes à l'ordre d'enseignement secondaire puis nous traitons du rôle qu'occupe l'orientation quant à la motivation des élèves au regard de leurs études. À cela s'ajoute l'examen d'une littérature appropriée aux élèves-athlètes et aux sources de motivation particulières qui leur sont attribuées. Nous présentons ensuite le cadre théorique de notre recherche en analysant les concepts de motivation et de développement de carrière. Nous complétons cette partie par l'étude de certaines recherches et expériences en lien avec notre problématique et nous démontrons la pertinence de notre recherche avant d'identifier les objectifs poursuivis. En ce qui à trait à la deuxième partie de notre étude, elle concerne la méthodologie. Nous présentons dans cette section les principales démarches utilisées afin de rencontrer nos objectifs de recherche. Il s'agit entre autres de l'instrument de mesure retenu, les sujets sélectionnés, du déroulement de l'expérience, de la présentation des programmes Sport-études, des limites de notre recherche et des techniques statistiques employées pour analyser et interpréter les résultats obtenus. Quant à la troisième partie, elle contient essentiellement les données obtenues au cours de notre recherche. Dans un premier temps, nous dégageons un portrait général des sources de motivation au regard de la carrière des élèves inscrits aux programmes réguliers et Sport-études. Puis, dans un deuxième temps, nous essayons de dégager les particularités du profil motivationnel de ces élèves en fonction du programme d'études auquel ils sont inscrits. Enfin, quelques implications possibles de nos résultats pour la pratique de l'orientation professionnelle font l'objet de la conclusion de ce mémoire.

Programmes innovants en formation des enseignants du secondaire perceptions, conceptions et pratiques

Compte tenu que le contexte dans lequel les futurs professionnels exerceront leur profession évolue, de nombreux programmes universitaires de formation initiale innovent déjà depuis plusieurs années. La formation des enseignants connaît elle aussi des changements profonds. Toutefois, peu d'écrits en relatent les effets sur les professeurs et/ou les étudiants. Dès lors, notre thèse trouve son origine dans une réflexion et un questionnement sur ces changements curriculaires en enseignement supérieur, et plus précisément sur les innovations mises en place dans les programmes de formation des enseignants du secondaire. Notre thèse vise à faire état d'une part, des perceptions et des conceptions des étudiants et des professeurs quant aux programmes innovants dans lesquels ils évoluent; et d'autre part, des pratiques des professeurs dans ces mêmes programmes. De plus, l'évolution de ces dimensions dans le temps est regardée. Pour ce faire, notre recherche fait appel à deux outils: le questionnaire avec échelle de Likert et l'observation directe en classe. L'échantillon est constitué d'étudiants et de professeurs de l'Université de Sherbrooke (Québec) et du Collège universitaire de Saint-Boniface.(Manitoba). Ceux-ci ont été sondés, et observés dans le cas des professeurs, une fois par année pendant deux ou trois ans. Les résultats montrent que les perceptions des étudiants et des professeurs sont positives quant au programme dans lequel ils évoluent et sont stables dans le temps. En outre, les sujets indiquent s'inscrire dans le paradigme de l'apprentissage et se sentent ainsi comme des acteurs actifs dans leur programme. Des différences apparaissent entre les résultats des étudiants des deux établissements, probablement dues, en partie, à la structure des programmes. En outre, les observations des pratiques des professeurs sont cohérentes avec les perceptions et les conceptions déclarées par ceux-ci. Ces résultats semblent indiquer que l'impact des activités innovantes du programme est positif, autant pour les étudiants.que pour les professeurs des deux établissements considérés. Notre étude a contribué à explorer le terrain quasi vierge des innovations curriculaires en formation des enseignants du secondaire et donc du réel changement de culture que vivent actuellement certains établissements d'enseignement post-secondaire quant aux pratiques des professeurs et, de facto , aux perceptions et aux conceptions des étudiants et des professeurs concernant ces pratiques et le programme dans lequel elles s'inscrivent. Notre étude a d'ailleurs mis de l'avant un certain nombre d'éléments concernant les programmes innovants et la compréhension de ceux-ci.

Enseignement moral et enseignement de l'éthique : analyse des ruptures et des continuités dans les programmes d'étude québécois au primiare et au secondaire depuis 1977

La discussion des résultats expose ce qui s'avère être des éléments de continuité majeurs transversaux. Ces huit éléments de continuité majeurs, soit finalement les résultats principaux de notre recherche, se détaillent ainsi: (1) Le développement de l'individu est au coeur des préoccupations de tous les programmes; (2) Les relations interpersonnelles sont toujours travaillées; (3) Bien qu'on touche des savoirs davantage théoriques, ce sont surtout des aptitudes et des habiletés qu'on désire développer en morale et en éthique; (4) L'évaluation formative est prédominante sur l'évaluation sommative, bien que celle-ci soit également utilisée; (5) Les valeurs et les normes composent une partie du contenu de tous les programmes; (6) Le développement du jugement (moral, éthique, critique) est une constante; (7) On s'attend à ce que l'élève soit actif dans le développement de son jugement; (8) L'enseignant a plusieurs rôles, les plus importants étant d'être un motivateur, une personne ressource et un modèle. Parce qu'ils marquent une cassure certaine entre l'enseignement de l'éthique et l'enseignement de la morale, certains éléments de rupture retiennent également l'attention : (1) La place et le rôle de la religion; (2) La question du positionnement. En conclusion, cette recherche théorique permet de faire le pont entre l'enseignement moral et l'enseignement de l'éthique, exposant entre autres ce qui peut être transféré du premier vers le second.

Implementation of a quality system in joint master programmes

Joint master programmes are systems which by default demand a proper quality system in order to sustain and improve. Objective of this thesis is analysing and proposing solutions to difficulties associated with the implementation of a quality management system to joint master programmes, with the focus on international joint master programmes. The application of the analysis to the Erasmus Mundus joint master programme European Master in Quality in Analytical Laboratories (EMQAL) is discussed. QA systems implementation in HEIs in Europe is an ongoing process, and implementation of such systems in JPs is one step further to enhancing quality in higher education in Europe. The issue closely discussed in this thesis is: should QMS be developed independently from the institutions, or should the institutions, when developing their quality management systems, take into account the (future) development of joint courses and prepare their quality procedures accordingly? A quality management system is normally developed for one organization, and different aspects of cooperation are considered within. A joint master programme is a result of successful cooperation of two or more organizations; therefore a development of its quality management system must be approached in a different manner. This thesis proposes a QMS with emphasis both on the HEI and the consortium. Different processes in the QMS can be managed independently at the level of the HEI or at the level of the consortium. Most processes in joint master programmes should be designed in programmes’ and institutions’ QMSs. Quality of a joint master programme cannot be analyzed separately from the higher education institutions which are organizing it. Comparative analysis of organization of one Erasmus Mundus Master programme to the solutions proposed in discussion showed that from all of the aspects considered, processes in EMQAL are organized in harmony with the proposed delegation of processes of the QMS for a joint master programme. The solutions proposed in the discussion are based on theoretical application of the quality principles and concepts. Comparison to the quality processes and procedures in an existing EM programme showed that analysis is applicable in practice.

Conception et réalisation d'une formation interculturelle en ligne pour les programmes de soins infirmiers au collégial.

Présentement, les enseignantes et les enseignants de Soins infirmiers manquent de moyens pour former leurs étudiantes et leurs étudiants à cette compétence, ayant elles-mêmes ou eux-mêmes reçu peu de formation à cet égard. Pourtant, il y a une importante opportunité pour le personnel enseignant de contribuer au développement de la compétence interculturelle, particulièrement pendant les activités de stages. Il est donc évident que pour former une nouvelle génération d'infirmières et d'infirmiers à la communication interculturelle, qui est un élément central de la compétence interculturelle, il faut d'abord développer cette compétence chez les enseignantes et les enseignants. L'élaboration d'une formation pour soutenir le développement de la compétence et de la communication interculturelles, offrant des outils pédagogiques concrets et spécifiques pour les enseignantes et les enseignants en Soins infirmiers, répondrait aux besoins précédemment identifiés. À l'aide d'un devis méthodologique(Paillé 2007), cet essai relate les principales étapes de la mise en forme de l'innovation pédagogique, poursuivant les objectifs suivants : Utiliser une démarche didactique pour la conception et la réalisation d'outils pédagogiques en vue du développement de la compétence interculturelle en préparation des stages de Soins infirmiers; vérifier la correspondance du matériel et du cadre conceptuel développé; expérimenter et évaluer le produit de formation auprès des pairs.

Most Haunted and the Convergence of Traditional Belief and Popular Television.

LivingTV's flagship series, Most Haunted, has been haunting the satellite network since 2002. The set-up of the series is straightforward: a team of investigators, including a historian, a parapsychologist, and "spiritualist medium" Derek Acorah, "legend-trip," spending the night at some location within the United Kingdom that is reputed to be haunted, with the hopes of catching on video concrete proof of the existence of ghosts. However, unlike other reality television or true-life supernatural television shows, Most Haunted includes and addresses the audience less as a spectator and more as an active participant in the ghost hunt. Watching Most Haunted, we are directed not so much to accept or reject the evidence provided, as to engage in the debate over the evidence's veracity. Like legend-telling in its oral form, belief in or rejection of the truth-claims of the story are less central than the possibility of the narrative's truth - a position that invites debates about those truth-claims. This paper argues that Most Haunted, in its premise and structure, not only depicts or represents legend texts (here ghost stories), but engages the audience in the debates about the status of its truth-claims, thereby bringing this mass-mediated popular culture text closer to the folkloristic, legend-telling dynamic than other similar shows.

The Media as a Window on the Past? The Impact of Television and Newspaper Consumption on Knowledge of the Democratic Transition in Portugal

This study seeks to expand our understanding of how the media increase the level of political information, by focusing on an understudied yet important learning outcome: knowledge of the political past. The article explores the factors underlying variation in the recognition of the leading actors in the transitional process in Portugal. The results show that television news and newspaper exposure foster recognition of these actors, but that media use interacts with personal experience of the transition (stronger effects among younger cohorts) and party identification (stronger impact on those who do not feel close to a political party).

Children's television: the soft underbelly of public service broadcasting

The provision of children's content should be a key constituent of the public service brand, but has often been viewed as a programme category at risk. Certainly in many countries children's television has moved from the 'scarcity' associated with terrestrial provision, to the 'plenty' of digital (see Ellis 2000). However in spite of a range of dedicated public service children's channels in Europe (CBeebies, Kika, Z@ppelin), domestically produced children's television in Europe is notoriously under-resourced if not marginalised. There is a pronounced reliance on imports (particularly on commercial television) notwithstanding the launch by US-owned multinationals (Disney, Nickelodeon, Cartoon Network) of localised versions of their children's television channels in many European countries. Within the broader context of global developments in children's media, this paper starts by outlining the recent and rapid crisis in British children's television and the factors that caused it. This was a crisis, which caught broadcasters and producers by surprise in the middle of 2006, but reflects many of the challenges faced by the children's television sector in other countries. It clearly demonstrated how a combination of the lack of regulatory protection, a change in commercial priorities among broadcasters, advertising restrictions, budgetary pressures and the competitive environment at home and abroad all combined to reinforce the trend towards a contraction of domestic production. The crisis also served to underline the dominance of the BBC - both as a representative of public service principles, and as the dominant producer and commissioner in the market. With the reasons underpinning the crisis explained, the paper will then analyse how the children's television community responded to the crisis and with what effect. Based on interviews, contemporary accounts and documentary evidence the paper will chart the converging and diverging views of broadcasters, producers, regulatory authority Ofcom, and a range of advocacy groups which represent children's interests and the industry. What arguments were elaborated in favour of protecting children's television as an integral part of the public service media brand? Can lessons be learned about how best to ensure the origination of children's media within a public service environment? Can developments in the UK be used to provide insight into how children's media might develop further?

Artrage

A humorous, hard hitting series of 6 programmes about burning Art Issues. Written & Presented by Malcolm Bennett.

Exploring the intangible impacts of cultural events on the creative sector: Experiences from the Cultural Olympiad programmes of Torino 2006 and London 2012

This paper engages with the debates around the Olympic legacy by exploring the qualitative, intangible impacts of the Cultural Olympiad programme on local small creative firms in Torino, Italy and London, UK. The research objectives are achieved through a qualitative study of local small creative firms’ perceptions of the impacts of the Olympic Games’ cultural programme on their activities. To achieve this, Torino 2006 and London 2012 are used as case studies. The findings of this exploratory study show that cultural events can impact the creative sector. They do this by providing opportunities for mutual learning and access to initiatives that may generate ideas and new skills, as well as contributing to the development of a creative field. The study also explores the weaknesses and missed opportunities linked to the Cultural Olympiad programme, as perceived by creative practitioners. These include the lack of information and failure to engage smaller businesses. Based on qualitative analysis and discussion, recommendations for future organizers and further research are provided.

Defining the nation, defining public television: discourses of publics on public service television in post-communist Latvia

Institutional and political economy approaches have long dominated the study of post-Communist public broadcasting, as well as the entire body of post-Communist media transformations research, and the enquiry into publics of public broadcasting has traditionally been neglected. Though media scholars like to talk about a deep crisis in the relationship between public broadcasters and their publics in former Communist bloc countries across Central and Eastern Europe, little has been done to understand the relationship between public broadcasters and their publics in these societies drawing on qualitative audience research tradition. Building on Hirschman’s influential theory of ‘exit, voice and loyalty’, which made it possible to see viewing choices audiences make as an act of agency, in combination with theoretical tools developed within the framework of social constructionist approaches to national imagination and broadcasting, my study focuses on the investigation of responses publics of the Latvian public television LTV have developed vis-à-vis its role as contributing to the nation-building project in this ex-Soviet Baltic country. With the help of focus groups methodology and family ethnography, the thesis aims to explore the relationship between the way members of the ethno-linguistic majority of Latvian-speakers and the sizeable ethno-linguistic minority of Russian-speakers conceptualize the public broadcaster LTV, as well as understand the concept of public broadcasting more generally, and the way they define the national ‘we’. The study concludes that what I call publics of LTV employ Hirschman’s described exit mechanism as a voice-type response. Through their rejection of public television which, for a number of complex reasons they consider to be a state broadcaster serving the interests of those in power they voice their protest against the country’s political establishment and in the case of its Russian-speaking publics also against the government’s ethno-nationalistic conception of the national ‘we’. I also find that though having exited from the public broadcaster LTV, its publics have not abandoned the idea of public broadcasting as such. At least at a normative level the public broadcasting ideals are recognized, accepted and valued, though they are not necessarily associated with the country’s de jure institutional embodiment of public broadcasting LTV. Rejection of the public television has also not made its non-loyal publics ‘less citizens’. The commercial rivals of LTV, be they national or, in the case of Russian-speaking audiences, localized transnational Russian television, have allowed their viewers to exercise citizenship and be loyal nationals day in day out in a way that is more liberal and flexible than the hegemonic form of citizenship and national imagination of the public television LTV can offer.

Good Practice in EU Public Service Media and Contemporary Practice in Jordan: A Comparative Analysis

UNESCO Amman Office Foreword: UNESCO Amman office is pleased to publish a comparative analysis between good Public Service Media (PSM) practices in Europe and the contemporary practice in Jordan. The study is part of the Support to Media in Jordan project, funded by the European Union, aiming to increase media freedom, media independence and journalistic professionalism in Jordan. The state owned broadcaster, Jordan Radio and Television (JRTV), has informed, entertained and educated Jordanians for decades. JRTV reaches almost every corner of the Kingdom and has the potential to serve all Jordanians with balanced, impartial and accurate news and programmes relevant to their day-to-day lives.Based on this potential there has been a long standing ambition to transform the JRTV from a state broadcaster to a public service broadcaster; from a TV and radio that predominately serves the state, to a broadcaster that serves the public and is independent from the Government of the day. This ambition is expressed also in the Support to Media in Jordan project, agreed between the Government an the EU, under which UNESCO has been asked to produce two studies: The comparative PSM analysis and a broader media landscape assessment based on UNESCO’s Media Development Indicators (MDI’s). The Jordanian MDI assessment was carried out by a team of national and international researchers during the first six months of 2015, and builds on the rich flora of recent studies on the Jordanian media landscape, as well as on original research. The study is available in Arabic and English. Professor Naomi Sakr carried out the comparative PSM analysis parallel to the MDI study, and in close cooperation with the MDI research team and UNESCO Amman office.

The relation between content providers and distributors: Lessons from the regulation of television distribution in the United Kingdom

Using the United Kingdom (UK) as a case study, this article analyses the growing commercial and regulatory significance of broadcaster-distributor relations within the contemporary television industry. The first part of the article argues that despite important changes in broadcast delivery technology, more recently shaped by the growth of the Internet, and the associated growth of options of receiving television content, the traditional delivery platforms (digital terrestrial, satellite and cable) remain by far the preferred choice for viewers in Britain. At the same time, public service broadcasters continue to be the biggest investors in domestic original non-sport content and account for over half of all television viewing. The strength of PSBs in content and their growing reliance on commercial proprietary subscription platforms (cable and satellite) and gradually on the Internet presents challenges in the nexus between broadcasters and distributors. The article focuses on the debate over retransmission fees between PSBs and Sky, and on the question of whether Sky should be required to offer some of its premium content to rival pay-TV platforms. These two examples highlight the impact regulatory intervention can have on the balance of power between broadcasters and distributors. The article concludes that such debates concerning the commercial relations between content providers and distributors will remain pivotal and become more heated given that similar issues are raised in the Internet environment.

Understanding the Effect of Television Advertising on Women's Attitudes and Purchase Intentions Towards Beer: A Study of Three Major Brands.

Abstract Purpose of Paper: The market for beer in the UK is now mature and sales have been stable at around £16bn for about ten years (Mintel 2014). More recently, there have been changes in the market as consumers have switched from bigger mainstream brands to a growing number of smaller craft beers. However, in order to grow further significantly, the industry needs to explore new market segments and find new consumers for beer. So far, it is estimated that only 1.3m women in the UK drink beer (O'Reilly, 2014; Mail Online, 2015). Women are therefore an underexplored segment and present the main growth opportunity for beer drinking in the UK. However, most beer television advertising has traditionally been aimed at the male audience and there have been suggestions that some of this advertising has been seen as unpopular with or even insulting to women (Jackson, 2013; Zwarun et al., 2006). The Chief Executive of major brewer SAB Miller, which owns the Foster's brand, has recently written that, 'We have to acknowledge that core lager advertising, for many years, was either dismissive of, or insulting to, women.' (Shubber, 2015). If women are to be the new consumers and the future target for beer advertising, there is therefore a significant gap in the knowledge and literature concerned with how women differ from men in responding to the television advertising produced by beer brands and it is important that this gap in knowledge is addressed. The purpose of this paper is therefore to explore the effect of the television advertising of the three top selling UK beer brands on women's attitudes and purchase intentions towards those brands. More specifically, the objectives are: 1) To gain an understanding of how female consumers respond to existing beer television advertising, specifically in terms of the ‘likeability’ of the content of TV commercials produced by the three leading UK beer brands among female consumers. 2) To examine the effect of the rational and emotional content, including the use of humour, in television commercials produced by the three leading UK beer brands on the attitudes of female consumers towards those brands. 3) To explore in-depth female consumer attitudes towards the content (message cues and symbolism) of the television commercials produced by the three leading beer brands in the UK and their effect on subsequent purchase intentions for each brand.