Lost Youth : successfully introduced by Jennie Goldstein in Max Gabel's comedy drama "Ferlorene Yugend" at Gabel's Theatre New York City

words and music by David Meyerowitz. [Arr. by Jack Kammen]

The rose of Castille : opera in three acts ; ... and performed in the presence of Her Majesty and the Court (by Royal command) on the occasion of the festival performances at Her Majesty's Theatre, in honor of the nuptials of The Princess Royal and The Prince of Prussia, January 21, 1858

the music (composed expressly for the Pyne and Harrison English opera Company) by M. W. Balfe. [Text] by A. Harris and E. Falconer

The songs, duetts, choruses, & c. in Fair Rosamond : a grand opera, in four acts ; performed, for the first time, at the Theatre Royal, Drury Lane, February 28th, 1837

the overture, and the whole of the music, by John Barnett

Classical Guitar Music in Printed Collections: A New Index and a Model for Indexing Instrumental Music in Score Collections

Classical Guitar Music in Printed Collections is a new, open-access, online index to the contents of published score collections for classical guitar. Its interlinked, alphabetized lists allow one to find a composition by title or composer, to discover what score collections include that piece, to see what other works are included in each collection identified, and to locate a copy in a library collection. Accuracy of identification is guaranteed by incipit images of each work. The article discusses how this index differs from existing bibliographies of the classical guitar literature, its structure and design, and technical details of its publication.

A quantitative assessment of students’ experiences of studying music: a Spanish perspective on the European credit transfer system (ECTS)

The purpose of this investigation is to evaluate whether or not the allocation of time proposed in the Music Study Guide, adapted from the European Higher Education Area (EHEA) guidelines, is consistent and adequate for students with minimal musical knowledge. The report takes into account the importance of students’ previous knowledge and the relation this has to the time and effort expended by students in acquiring appropriate knowledge and skills. This is related also to the adequacy of the course specification to meet the demands of university study and the labour market. Results show that those students who enrolled at university without any previous musical knowledge are likely to experience significant difficulty in the acquisition of certain musical and professional competences. This highlights a need to reinforce the music curriculum, or establish zero-level courses, in order to enable such students to succeed in the subject.

Music and movement: A comparative study between the BAPNE and Suzuki Methods

The aim of this article is to compare the Suzuki and BAPNE methods based on bibliography published for both approaches. In the field of musical and instrumental education and especially for the childhood stage, the correct use of the body and voice are of fundamental importance. These two methods differ from one another; one principally musical and instrumental, which is the Suzuki method, and one non-musical, the BAPNE method, which aims at stimulating attention, concentration, memory and the executing function of the pupil through music and body percussion. Comparing different approaches may provide teachers with a useful insight for facing different issues related to their discipline.

Matrimony : a petit opera in two acts, as performed at the Theatre Royal, Drury-Lane. /

Avery Classics (Offsite) copy: With markings.

...The principles and practice of early and infant school-education, with an appendix of infant-school hymns and songs with appropriate melodies.

Music : p. 285-310.

National conservatory of music.

Mode of access: Internet.

Volume of proceedings of the Music Teachers' National Association ...Annual meeting

With the report of the 16th meeting, 1894, was issued "The secretary's official report of the special meeting ... Chicago, 1893," containing a résumé of the reports of meetings from 1876 to 1892.

The bee-hive : a musical farce, in two acts : as performed at the Theatre Royal, Lyceum /

The libretto, by J. G. Millingen, is based on Pigault-Lebrun's Les rivaux d'eux-mêmes.

The island princess; or, The generous Portuguese: made into an opera: as it is performed at the Theatre Royal. All the musical entertainments, and the greatest part of the play new, and

Dedication signed: Peter Motteux.

Robin Hood; or, Sherwood forest: a comic opera. As it is performed at the Theatre-Royal, in Covent-Garden.

The music is principally by Shield. cf. Sonneck. Cat. of opera librettos.

Reminiscences of Michael Kelly : of the King's Theatre, and Theatre Royal Drury Lane, including a period of nearly half a century /

"List of sicty-two dramtic pieces, for which Kelly composed the music": v. 2, p. 324-325.