982 resultados para Putnam, Herbert, 1861-1955.
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1 kartta.
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Kartta kuuluu A. E. Nordenskiöldin kokoelmaan
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Sisältää myös kirjaston käyttösäännöt.
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Sisältää myös kirjaston käyttösäännöt.
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This paper discusses Herbert A. Simon's conception of rationality in two of its principal general definitions: bounded rationality and procedural rationality. It argues that the latter is the one that better synthesizes the author's view about rational behavior and that the former fills mainly a critical function. They are complementarily used by Simon in this sense. In spite of that, it is argued that it is the low degree of specificity of the concept of bounded rationality one of the reasons for its relatively greater success.
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Brazil (1955-2005): 25 years of catching-up, 25 years of falling behind. The present paper discusses the Brazilian industrial development under a neo-schumpeterian perspective in the period after 1955. The hypothesis is that, in the last 50 years, Brazil spent the first 25 years catching up and, next, the following 25 years falling behind. The 1955-1980 period, by means of international funding, allowed catching up with the paradigm in maturation within the fourth technological revolution. However, in this period, it was determined the main debilitating elements for the country's entrance in the new techno-economical paradigm of the fifth technological revolution which emerged in the middle of the 70s. It is in the strategy to internationalize the economy, granting the mutinational companies the key-sectors of the national economy dynamics during the catching up period, the main element of dependence in the journey that conditions the current performance, responsible for technology subordination and keeps the Brazilian economy with low dynamism.
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O artigo pretende explicitar a relação entre arte e reconciliação no pensamento de Herbert Marcuse, considerando-se vários de seus escritos que tocam no tema. Ao longo deles, percebe-se que o uso do termo reconciliação assume um duplo significado: por um lado, significa a possibilidade de que os temas sublimados da cultura possam ser efetivados no plano das relações materiais, o que implicaria o desaparecimento da arte; por outro, significa a imagem de um mundo harmonizado que a arte preserva em si e que se distancia da ordem social. Sob esse aspecto, a arte permanece utopia.
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Marcuse teve no Brasil na década de 1970 uma recepção unilateral, sendo visto unicamente como guru da contra-cultura. Contra esse equívoco o artigo mostra a relação intrínseca entre teoria e prática na filosofia de Marcuse, caracterizada como uma filosofia política cuja preocupação central é a transformação radical da sociedade capitalista.