986 resultados para Leopardi, Monaldo, conte, 1776-1847.
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While the 1913-1914 copper country miners’ strike undoubtedly plays an important role in the identity of the Keweenaw Peninsula, it is worth noting that the model of mining corporations employing large numbers of laborers was not a foregone conclusion in the history of American mining. Between 1807 and 1847, public mineral lands in Missouri, in the Upper Mississippi Valley, and along the southern shore of Lake Superior were reserved from sale and subject to administration by the nation’s executive branch. By decree of the federal government, miners in these regions were lessees, not landowners. Yet, in the Wisconsin lead region especially, federal authorities reserved for independent “diggers” the right to prospect virtually unencumbered. In doing so, they preserved a comparatively egalitarian system in which the ability to operate was determined as much by luck as by financial resources. A series of revolts against federal authority in the early nineteenth century gradually encouraged officers in Washington to build a system in the copper country in which only wealthy investors could marshal the resources to both obtain permits and actually commence mining operations. This paper will therefore explore the role of the federal government in establishing a leasing system for public mineral lands in the years previous to the California Gold Rush, highlighting the development of corporate mining which ultimately set a stage for the wave of miners’ strikes in the late nineteenth and early twentieth centuries.
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Cet article s’intéresse aux différentes fonctions que l’on peut attribuer aux éléments fabuleux dans les œuvres du marquis de Sade. Il s’agit en particulier d’éclaircir les liens intertextuels entre Barbe-Bleue et un conte allégorique que le marquis publie, en 1800, dans la série de ses Crimes de l’amour, sous le titre de Rodrigue ou la tour enchantée. Dans ce texte, la chambre interdite renvoie aussi à un passé criminel, mais elle ne réveille pas la mauvaise conscience et ne suscite aucun remords. Sade semble vouloir faire du conte de Barbe-Bleue le paradigme d’un refoulement manqué, la figure d’une rechute malencontreuse dans un passé archaïque et indigne d’être examiné moralement. Or, les œuvres de Sade ne peuvent plus admettre l’univers surnaturel des contes de fées, considéré comme tout aussi révolu que cette conscience morale qui s’exprime par le remords.
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[David Castelli]
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von M. Pinner
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This article discusses the manuscript transmission of Chrétien’s Roman de Perceval ou le Conte du Graal and Wolfram’s Parzival in terms of their textual tradition and editorial criticism. It shows that the most recent edition of the Old French Perceval (K. Busby 1993) can be viewed as a landmark of the art of conventional editing that appeared at the peak of the discussion of ‘New Philology’ and took its own position in this context. At the same time, the Perceval was subject of critical studies based on the principle of ‘unrooted trees’ that questioned the genealogical concept of traditional ‘Lachmannian’ stemmatology. Conversely, a new edition of Wolfram’s Parzival, based on all known manuscripts, remained a desideratum for decades in German studies. Specific research on the textual tradition played a rather marginal role for a long time, but has been reinforced in the recent years in the context of a new critical edition presenting the totality of manuscripts as well as different textual versions in electronic form. The concept of ‘unrooted trees’ visualizing relationships of manuscript readings can be integrated in this concept. The article gives an overview of these methods, presents examples of editorial techniques, and develops ideas on how to combine the research on the manuscript tradition of both the German text and its French counterpart.
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dall Lelio Cantoni
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von Philipp Heber