The morphological diversity of comet 67P/Churyumov-Gerasimenko

Images of comet 67P/Churyumov-Gerasimenko acquired by the OSIRIS (Optical, Spectroscopic and Infrared Remote Imaging System) imaging system onboard the European Space Agency's Rosetta spacecraft at scales of better than 0.8 meter per pixel show a wide variety of different structures and textures. The data show the importance of airfall, surface dust transport, mass wasting, and insolation weathering for cometary surface evolution, and they offer some support for subsurface fluidization models and mass loss through the ejection of large chunks of material.

L' art de péter : essay théori-physique et méthodique

[Pierre Thomas Nicolas Hurtaut]

Environmental context of selected samples from the Tara Oceans Expedition (2009-2013)

The present data set provides contextual environmental data for samples from the Tara Oceans Expedition (2009-2013) that were selected for publication in a special issue of the SCIENCE journal (see related references below). The data set provides calculated averages of mesaurements made at the sampling location and depth, calculated averages from climatologies (AMODIS, VGPM) and satellite products.

Martini Azpilcuetæ ... Consiliorum & responsorum, quæ in quinque libros, iuxta numerum & titulos Decretalium, distribuuntur, tomi duo.

Sign.: *6, A-Z6, 2A-2I6, A-Y6, Z8, a-d6, e4

Unified access to media metadata on the web: Towards interoperability using a core vocabulary.

The goal of the W3C's Media Annotation Working Group (MAWG) is to promote interoperability between multimedia metadata formats on the Web. As experienced by everybody, audiovisual data is omnipresent on today's Web. However, different interaction interfaces and especially diverse metadata formats prevent unified search, access, and navigation. MAWG has addressed this issue by developing an interlingua ontology and an associated API. This article discusses the rationale and core concepts of the ontology and API for media resources. The specifications developed by MAWG enable interoperable contextualized and semantic annotation and search, independent of the source metadata format, and connecting multimedia data to the Linked Data cloud. Some demonstrators of such applications are also presented in this article.

Vista del arco de triunfo y de la ciudad de Cabanes [Material gráfico] =Vue de l'arc de triomphe et de la ville de Cabanes=View of the triumphal Arch and the city of Cabanes

Estampado en la misma hoja con: "Detalles geometrales del Arco de Cabanes"

Vista de la puerta de Serranos de Valencia [Material gráfico] =Vue de la Porte de Serranos à Valence=View of the Gate of Serranos at Valencia

Datos de publicación tomados de la obra a la que pertenece

Plaza del mercado de Valencia [Material gráfico] =Place du marché à Valence=Market-Place at Valencia

Datos de publicación tomados de la obra a la que pertenece

Vista interior de la Lonja de Valencia [Material gráfico] =Vue intérieure de la Bourse de Valence=Interiour view of the Exchange at Valencia

Estampado en la misma hoja con: "Plano de la Lonja de Valencia"

Segunda vista del teatro de Sagunto [Material gráfico] = Seconde vue du théâtre de Sagonte = Second view of the theatre of Sagonta

Estampado junto a: "Vista de la Ciudadela"

Vista general del Teatro de Sagunto [Material gráfico] = Vue generale du Theatre de Sagonte = General view of the Theatre of Sagonta

Resumen: Descripción: vista general del Teatro de Sagunto desde el exterior, se observan las gradas

Vista de la puerta de entrada de la fortaleza de Xativa [ [Material gráfico]= Vue de la porte d'entrèe de la forteresse de Xativa, et d'une partie de la ville de St. Philippe = View of the great gate of the fortress of Xativa, and of a part of the town of St. Philip

Datos de publicación tomados de la obra a la que pertenece

L' Europe galante: ballet : représenté en l'an 1697 par l'Academie royale de musique

de la composition de Monsieur Campra, maître de musique de la chapelle du Roy ; les paroles de cette piece sont de Monsieur de La Motte, de l'Academie françoise.

Martini Azpilcuetæ ... Consiliorum & responsorum, quæ in quinque libros, iuxta numerum & titulos Decretalium, distribuuntur, tomi duo.

Sign.: *6, A-Z6, 2A-2I6, A-Y6, Z8, a-d6, e4

Monumens de l'histoire de France, en estampes et dessins ...

The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.