Audience studies of the performing arts and museums : a critical review /

Mode of access: Internet.

The splendid source library on the fine arts formed by the late George M. Richter, New York. Sold by order of Amely C.K. Richter, administratrix of the estate. Public auction sale, March 8 and 9.

"Sale number 441."

Value to history of the study of the fine arts,

Caption title.

The American journal of archaeology and of the history of the fine arts

Suspended during 1892

The fine arts of a future age. Delivered before the Cleveland Library Association, January, 1849. Re-delivered by request before the same association, February 12th.

Mode of access: Internet.

Outline history of the fine arts.

Mode of access: Internet.

Sommerset house gazette, and literary museum; or, Weekly miscellany of the fine arts, antiquities, and literary chit chat ...

Ephraim Hardcastle, pseud. of W.H. Pyne.

A familiar treatise on the fine arts, painting, sculpture, and music.

Mode of access: Internet.

The history of ancient Greece : its colonies and conquests to the division of the Macedonian empire including the history of literature, philosophy and the fine arts /

Includes bibliographies and index.

Southern literary messenger; devoted to every department of literature and the fine arts.

Numbering irregular during 1862-63.

Hand-book of literature and the fine arts ...

Mode of access: Internet.

The New York mirror ; a weekly gazette of literature and the fine arts.

Many slight variations in subtitle and caption title.

Open innovation in the performing arts. Examples from contemporary dance and theatre production

Scholarship on open innovation examines the different shades of opening up the innovation process of firms, where the most important feature is sourcing in knowledge. In this paper I examine the implications of adapting open innovation frames to a field where it was not investigated before: performing arts (contemporary dance and theatre). I draw on case studies and demonstrate that open innovation strategies are viable for artistic production. Independent companies purposefully mining out external knowledge in production, and commercializing on the spillovers of their body of knowledge, put themselves on the shelf of firms adopting and adapting to open innovation.

The Analyst : monthly journal of science, literature, and the fine arts.

v. 10 (1839)