947 resultados para visual-interface driven communication


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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Ciências Biológicas (Zoologia) - IBRC

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Pós-graduação em Agronomia (Energia na Agricultura) - FCA

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Esta dissertação apresenta a implementação de navegação no ambiente virtual, reconhecimento de gestos e controle de interface, feitos através do dispositivo Kinect, no Sistema ITV: um sistema de treinamento de operadores e mantenedores de usinas hidrelétricas e subestações elétricas. São mostrados, também, determinados aperfeiçoamentos recentes, como conversão em vídeo, telas de alarmes sonoros e visuais, ambientação sonora em três dimensões e narração do processo. Além da apresentação do Sistema ITV, são expostos o dispositivo Kinect e o algoritmo utilizado na comparação dos padrões de movimento, o DTW. Em seguida, são abordados em detalhes o projeto e a implementação da navegação, do reconhecimento de gestos e do controle de interface. Como estudo de caso, é exibida uma Instrução Técnica Virtual (ITV), elaborada especialmente para testar e avaliar a nova interface proposta. Posteriormente, são apresentados os resultados, considerados satisfatórios, obtidos através da análise de questionários qualitativos aplicados a estudantes da Universidade Federal do Pará. Por fim, são realizadas as considerações referentes a este trabalho e expostas idéias de trabalhos futuros.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Pós-graduação em Educação Escolar - FCLAR

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The AEDROMO (Experimental and Didactic Environment with Mobile Robots) is a versatile, user friendly and scalable environment that supports a wide range of experiments. In it there is an area that is similar to a desk where objects can interact with each other, including robots and other objects, and thus can perform numerous activities. In it's current state, AEDROMO has client computers that interact with the system through an interface, and thus realize the communication between the user and AEDROMO. This project offer support to create a new form of interface for AEDROMO and can therefore be used for devices running Android, the app developed in this project will serve as a basis for future work on this new interface

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Ce travail cherche montrer quelques caractéristiques de la Poésie Visuel, expresion artistique qui melange le langage verbal et le langage visuel à tel point qu´on ne peut pas afirmer une classification appuyée sur les genres traditionnels. Aprés une curte presentation des chemins et des points polémiques de cette esthétique, on analyse comme exemple deux compositions sorties de le grand réseau de communication de l´Art Postal qui est né les années soixante et survit aujourd´hui avec intensité. L´Art Postal a une structure fondé sur la simultanéité de l´information que ressamble à la forme de la poésie visuel. Cettes compositions contemporaines sont confrontées à la tradition du poème visuel qui commence peut-être à l´époque des premiers écrits de hiéroglyphe. Elles sont analysées, donc, dans son originalité. A partir des analyses realisées dans le but de révéler les significations, on arrive à la question proposé par Wilcon Joia Pereira : la nécessité de se comprendre d´une façon nouvelle les expériences esthétiques oú les mots deviennent des images

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The term “independent media art” expresses an artistic-scientific process performed in the Art- Science Communication interface presented as Final Paper in Visual Arts baccalaureate modality. The first part consists in gather, in artisticscientific research, an overview of the production of independent comics, mainly in Brazil, as well as some of the manifestations that were derived from it. The identification is made from bibliographical and iconographical survey, both printed and virtual materials. The second part discusses the production of a comic of my own - Imperfect Lives - published independently. This work is inserted in the line of research “Artistic Processes and Procedures” of the Department of Fine Arts of the Art Institute of UNESP and describes: Creative process, production, dissemination and influences. The third and final section brings together the work done by me during the four-year course, whose theme has some relation with comics. Experiments are in various media, using one or another characteristic intrinsic to them. The monography includes as an appendix a copy of each issue of the fanzine Imperfect Lives. The methodology used was Freinetiana Educational Cybernetics, developed in the research group “Art media and Videoclip”, whose leading advisor is the one from this Final Paper. The result and discussion of the artistic research and scientific monography were reported in the following versions: PDF File repository for dissemination in the virtual library of the Institute of Arts. Hardcover version for physical collection in the Library of the Institute of Arts. Paper version for the committee. Template version appropriate for submission to International Scientific Congress in the area of Arts

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The term “writing media art” expresses an artisticscientific process performed in the Art-Science Communication interface presented as Final Paper in Visual Arts baccalaureate modality. The first part gathers, in artistic-scientific research, a historical overview of the relation between image and writing, which its main focus is calligraphy and its different expressions in art and design, including their interrelations. The identification is made from bibliographical and iconographical survey, both printed and virtual materials. This approach involves the selection of authors’ statements and comments in order to offer a deeper historical basis, since it comes to facts and events. The second part relates to the set of works produced during the four-year period of the Visual Arts course, including a reflection about the creation process and all that surrounds it – influences, memories, visions etc. – to finally establish a connection between all these elements in order to make clear this incredible web of creation. This work is inserted in the line of research “Artistic Processes and Procedures” of the Department of Fine Arts of the Art Institute of UNESP and describes: creative process, production and influences. The methodology used was Freinetiana Educational Cybernetics, developed in the research group “Art media and Videoclip”, whose leading advisor is the one from this Final Paper. The result and discussion of the artistic-scientific research were reported in monography in the following versions: PDF File repository for dissemination in the virtual library of the Institute of Arts; hardcover version for physical collection in the Library of the Institute of Arts; paper version for the committee; template version appropriate for submission to International Scientific Congress in the area of Arts

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This work presents the development of a graphical interface to the Lock-in Amplifier, which is used in physiological studies on the motility of the gastrointestinal tract in rats and signal processing. With a simple and low cost instrumentation, the resources offered by the virtual interface of LabVIEW software allows the creation of commands similar to the actual instrument that, through communication via standard serial port, transmits data between a PC and peripheral device performing specific and particular needs in the amplifier. Created for the lock-in amplifier model SR830 Stanford Research Systems, the remote manipulation gives the user greater accessibility in the process of configuration and calibration. And, since the software is installed, there is the advantage of eliminating the need of purchase new devices to upgrade the system. The commands created were made to perform six basic modifications that are used in routine of the Biomagnetism Laboratory. The instrumentation developed has the following controls: Amplitude, Frequency, Time Constant, slope low pass filter, sensitivity and offset