The United Nations Regional Commissions: Enhancing Capacities To Eradicate Violence Against Women

This study captures the significant regional and national knowledge that has been accumulated on measuring violence against women through the interregional project "Enhancing capacities to eradicate violence against women through networking of local knowledge communities". Supported by the United Nations Development Account, this two-year project was coordinated by the Economic Commission for Latin America and the Caribbean (ECLAC), through its Division for Gender Affairs, and implemented by the five regional commissions of the United Nations, in cooperation with the United Nations Statistical Division and UN-Women. Through the project, more than 30 countries worldwide have been engaged in the development, dissemination and testing of core indicators endorsed by the United Nations Statistical Commission. This process has made a decisive contribution to designing and building consensus around a common methodology to measure and document violence against women. Furthermore, the inclusion of all five regions in piloting the newly-developed tools to measure violence has also ensured that these tools capture a more comprehensive and complex vision of violence as experienced by women across cultures and regions. This report presents an overview of the activities that have taken place in the five regions, and outlines the key outcomes and lessons learned. Through its activities, the interregional project has made the cumulative body of existing knowledge in terms of policies, findings, innovative practices, processes and statistical data available to policymakers, activists and women's organizations. New knowledge was also produced through national studies that examined underexplored sources of data on violence against women. National capacities to collect information on violence against women through official statistics were strengthened through targeted training activities as well as through participation in expert meetings which provided the space for an effective exchange of best practices.

Exploring policy linkages between poverty, crime and violence: a look at three Caribbean states

Includes bibliography

Gender-based violence: a human rights issue

Includes bibliography

Violence against women in couples: Latin America and the Caribbean. A proposal for measuring its incidence and trends

Includes bibliography

Prevention or repression? The false dilemma of citizen security

Includes bibliography

How domestic violence came to be viewed as a public issue and policy object

Includes bibliography

Shôjo mangá: de Gengi Monogarati a Miou Takaya

Pós-graduação em Artes - IA

Data collection system for domestic violence

Includes bibliography

Rights of children and adolescents with disabilities

Rights of children and adolescents with disabilities Until not long ago, children with disabilities were made fun of, hidden away and, all too often, the victims of violence. Fortunately, this state of affairs has improved thanks to changes in the way disability is viewed and to the ratification, by 23 countries in the region, of the Convention on the Rights of Persons with Disabilities (CRPD).

A indústria cultural e a estética da crueldade em Rubem Fonseca: uma análise dos contos o Cobrador, Pierrô da Caverna e Onze de maio

Na literatura, a chamada fase do pós-modernismo mostra os processos de desumanização e de coisificação dos indivíduos. Estes se tornaram o foco de debates graças ao desenvolvimento intensivo da sociedade de massa, diretamente vinculada às influências dos meios de comunicação e ao desenvolvimento da indústria cultural. Rubem Fonseca é um dos grandes nomes da literatura desta época e compôs muitos textos que manifestam as angústias do homem imerso no contexto do consumismo exacerbado, mola propulsora do capitalismo tardio. O cobrador, coletânea de contos publicada em 1979, possui narrativas que permitem o diálogo entre as teorias sociológicas que exaltam os conceitos dos meios de comunicação de massa, sociedade do consumo e indústria cultural, objetivo primordial desta pesquisa. A pretensão do presente estudo é compreender as expressões desse período nos contos "O Cobrador", "Pirrô da Caverna" e "Onze de Maio" desta obra, focalizando as interferências que a sociedade de massa e a indústria cultural operaram para que as criações literárias passassem a apresentar novas características. O método empregado consiste na análise dos contos, dando especial foco aos conceitos de indústria cultural, sociedade de massa e sociedade de consumo. Para análise dos contos, foi de fundamental importância o aparato teórico de Antônio Cândido, Lucien Goldmann, e Luiz Costa Lima, como teóricos que defendem a relação entre áreas como sociologia e literatura, além dos postulados de estudiosos como Theodor Adorno, David Lyon, Steven Connor, Jean-François Lyotard, Frederic Jameson, Jean Baudrillard, Marshall Berman, entre outro sociólogos que provem debates sobre as mudanças culturais que o contexto pós-moderno suscita.Concomitantemente, a pesquisa está direcionada para o campo das teorias da Comunicação de caráterneo-marxista e suas relações com a literatura, evidenciando o tema da ascensão da sociedade de massa e a interferência dos meios de comunicação de massa para configuração das artes e de outras manifestações humanas. É possível estabelecer um diálogo entre os contos e as teorias que explicam os processos de massificação da sociedade, reconhecendo a preponderância das leis do consumo nos procedimentos dos indivíduos submetidos a essa condição, seja na violência de alguns, seja superficialidade de outros, fundamentados na chamada estética da crueldade para as obras fictícias.

Releituras da história franquista nos romances Galíndez e Autobiografía del general Franco de Manuel Vázquez Montalbán

Pós-graduação em Letras - FCLAS

Correction of malpositioned implants through periodontal surgery and prosthetic rehabilitation using angled abutment

When dental implants are malpositioned in relation to the adjacent teeth and alveolar bone or in an excessive buccal or lingual position, the final prosthesis rehabilitation impairs the peri-implant health of the gingival tissues and the aesthetics of the patient. Thus, the purpose of this case was to report and discuss a multidisciplinary protocol for the treatment of a compromised maxillary tooth in a patient with an abscess in his right central incisor due to an excessive buccal implant position. The patient presented with an implant-supported provisional restoration on his right maxillary central incisor and a traumatic injury in his left central incisor. The treatment protocol consisted in (i) abutment substitution to compensate the incorrect angulation of the implant, (ii) clinical crown lengthening, (iii) atraumatic extraction of the left central incisor, and (iv) immediate implant placement. Finally, (v) a custom abutment was fabricated to obtain a harmonious gingival contour around the prosthetic crown. In conclusion, when implants are incorrectly positioned in relation to the adjacent teeth, associated with soft-tissue defects, the challenge to create a harmonious mucogingival contours may be achieved with an interdisciplinary approach and with the placement of an appropriate custom abutment.

Foucault's heraclitism and the concept of history

Deleuze states that Foucault would have created a new relationship between men and history, a relationship other than that established by the philosophers of history. In order to specify the steps Foucault took to accomplish this invention, I shall support, according to Deleuze, Foucault s Heraclitism as the basis for a genuine Foucaultian concept of history. After outlining the risks taken by Foucault s concept of history, I observe this concept at work through the three periods that perform his thought: Archeology, Genealogy and Aesthetics of Existence. The main characters that embody his concept of history through these periods are: a) the discontinuous profile of history; b) the denaturalization of would-be unhistorical objects; c) the historical dimension of body; d) the eddies of subjectivation in history. We shall focus our inspection on the turn made along Foucault s work when he takes into a new account the theme of subjectivity, mostly in the last two volumes of the History of Sexuality. Thus, our attention turns to the subjectivity defined as a process, in order to investigate individual identity as the result of history.

Sexual abuse victimisation and perpetration in a cohort of men living with HIV/AIDS who have sex with women from Sao Paulo, Brazil

Sexual abuse leads to physical harm and devastating psychosocial consequences. It increases risk of HIV transmission and is associated with risky behaviour. Little is known about sexual abuse victimisation (SAV) and perpetration (SAP) among HIV-positive men who have sex with women (MSW). We investigated self-reported SAV and SAP among 242 Brazilian MSW selected at HIV care centres. Patients were questioned about sociodemographic data, mode of HIV acquisition, sexual practices, drug use and history of SAV or SAP. Prevalence of outcomes was estimated and risk factors for SAP investigated by logistic regression. Fifty-eight (24.1%) interviewees reported SAV. Of patients abused before 15 years of age, 64.3% reported events before the age of ten. Aggressors included relatives, friends and teachers. Among those victimised after 15 years old, 57.7% described events before 17 and 38.5% had acquainted aggressors. Fourteen (5.8%) interviewees reported SAP and most knew their victims. Sexual abuse perpetration was associated with lower schooling, marital status, illicit drug use and self-reported SAV. Sexual abuse was frequently reported by MSW from this cohort. Identifying predictors of violence and addressing SAV and SAP in comprehensive HIV care may help reduce violent behaviour, psychological distress and contribute to maximise benefits of preventive and care interventions.

THE HOUSE OF JOANA DARK: DRAMA AND PRODUCTION

While discussing images of Our Lady and of the mothers and women of the Garden of Flowers (or "Devils' Hole"), a peripheral district of a city in the interior of Sao Paulo state, this paper intends to explore the specificity of dramatic aesthetics. Rather than depend upon the aesthetics of social drama, as discussed in the works of Victor Turner, the present paper deals with a concept of montage that is inspired by the cinema of Sergei Eisenstein in order to illuminate a selection of field notes... and, along with Eisenstein, Julia Kristeva, Walter Benjamin, Michael Taussig and Antonin Artaud. Wit regards to those readers interested in hearing what these women may have to say, caution is suggested, for the words of these women may ring in our ears as the sounds of musket shots