954 resultados para Walker, Robert J. (Robert John), 1801-1869.


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Letter to Robert Dickson from John Hamilton who was in Brighton. He says that he has had scarlet fever. He speaks of his travels to the Giant’s Causeway and Londonderry. He says that his poor brother-in-law is not getting any better. The writing on this letter goes in 2 directions in order to save paper (3 ½ pages, handwritten), Sept. 5, 1834.

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Indenture between Richard Leonard, sheriff of the District of Niagara (regarding lands seized from John Donald McKay) to Robert Dickson. The land consists of ½ an acre located in Lot no. 96 in the Town of Niagara – instrument no. 8600. This was recorded on May 4th, 1832 in Book N, folio 276- 277 in the registry of Lincoln and Haldimand Counties, Oct. 13, 1824.

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Letter to Mr. Robert Nelles from John McClelland of Guelph regarding Lot no.2 in the 8th concession of Garafraxa [rural township in Dufferin County, Ontario]. Mr. McClelland would like to buy the property, Dec. 28, 1848.

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Letter to Robert Nelles from John McLelland saying that he is sending 3 pounds and to please let him know when the next payment is due, May 29, 1850.

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Broadside, 45 cm. x 30 cm. of a requisition to W. Woodruff from William W. Ball, John McBride, Robert N. Ball, W. Servos, Joseph Wynn and 150 other people for Mr. Woodruff to run as a Representative in Parliament. This is followed by a positive, and humble response from Mr. Woodruff, June 3, 1856.

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This doctoral dissertation analyzes two novels by the American novelist Robert Coover as examples of hypertextual writing on the book bound page, as tokens of hyperfiction. The complexity displayed in the novels, John's Wife and The Adventures of Lucky Pierre, integrates the cultural elements that characterize the contemporary condition of capitalism and technologized practices that have fostered a different subjectivity evidenced in hypertextual writing and reading, the posthuman subjectivity. The models that account for the complexity of each novel are drawn from the concept of strange attractors in Chaos Theory and from the concept of rhizome in Nomadology. The transformations the characters undergo in the degree of their corporeality sets the plane on which to discuss turbulence and posthumanity. The notions of dynamic patterns and strange attractors, along with the concept of the Body without Organs and Rhizome are interpreted, leading to the revision of narratology and to analytical categories appropriate to the study of the novels. The reading exercised throughout this dissertation enacts Daniel Punday's corporeal reading. The changes in the characters' degree of materiality are associated with the stages of order, turbulence and chaos in the story, bearing on the constitution of subjectivity within and along the reading process. Coover's inscription of planes of consistency to counter linearity and accommodate hypertextual features to the paper supported narratives describes the characters' trajectory as rhizomatic. The study led to the conclusion that narrative today stands more as a regime in a rhizomatic relation with other regimes in cultural practice than as an exclusively literary form and genre. Besides this, posthuman subjectivity emerges as class identity, holding hypertextual novels as their literary form of choice.

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Samuel Cooper

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Signatur des Originals: S 36/F06233

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Signatur des Originals: S 36/F11768

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Correspondence regarding advice Winthrop had given to Bond's family, and requesting he remit instructions for treating an illness of a neighbor's children.