953 resultados para Trafalgar, Battle of, 1805
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v. 1. Some account of Peele and his writings. The arraignment of Paris. Edward the First. The old wives tale.--v. 2. David and Bethsabe. Battle of Alcazar. Device of the pageant borne before Woolstone Dixi. Descensus Astrææ. A farewell to Sir John Norris and Sir Francis Drake, &c., and a Tale of Troy. Polyhymnia. The honour of the Garter. Miscellaneous poems. Peele's Merry conceited jests. Index to the notes.--v. 3. Addenda to the account of Peele and his writings. Sir Clyomon and Sir Clamydes. An eclogue gratulatory. Speeches to Queen Elizabeth at Theobald's. Anglorum feriæ. Additional notes to vols. i. and ii.
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"Published by order of the Committee of Arrangement."
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Mode of access: Internet.
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Illustrated half-title and frontispiece by Darley, engraved on wood by Whitney & Jocelyn.
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Later edition published in 1853 under title: The days of battle.
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p. [A]-H, advertising matter.
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Mode of access: Internet.
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title varies slightly
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Mode of access: Internet.
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Included in v. 2: Findings of the court, and opinion of Admiral Dewey; Rear-Admiral Schley's "Petition for relief from the findings and report of a court of inquiry, and accompanying papers"; The President's memorandum upon the appeal of Admiral Schley; Appendix, containing logs of the battle-ships, signals, etc.; Index prepared in the Office of the Superintendent of Documents.
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Contains New York at Gettysburg, by William F. Fox ; Dedication of the monuments erected in honor of the New York regiments at Gettysburg. Orations, addresses and regimental histories. Ed. by William F. Fox. Location, dimensions, construction and cost of each of the New York monuments at Gettysburg.
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Referred to the Committee on military affairs and ordered printed with illustrations May 19, 1937.
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This article will acquaint you with ten of the more important leftwing films I have reviewed over the past sixteen years as a member of New York Film Critics Online. You will not see listed familiar works such as “The Battle of Algiers” but instead those that deserve wider attention, the proverbial neglected masterpieces. They originate from different countries and are available through Internet streaming, either freely from Youtube or through Netflix or Amazon rental. In several instances you will be referred to film club websites that like the films under discussion deserve wider attention since they are the counterparts to the small, independent theaters where such films get premiered. The country of origin, date and director will be identified next to the title, followed by a summary of the film, and finally by its availability.
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The recent archaeological works in Hinojosa, allowed us to discover a camp from Roman republic period. It is located in the center of the Celtiberian area and its study could open interesting perspectives to study this historical period. This paper shows the results of its preliminary studies.
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Copyright history has long been a subject of intense and contested enquiry. Historical narratives about the early development of copyright were first prominently mobilised in eighteenth century British legal discourse, during the so-called Battle of the Booksellers between Scottish and London publishers. The two landmark copyright decisions of that time – Millar v. Taylor (1769) and Donaldson v. Becket (1774) – continue to provoke debate today. The orthodox reading of Millar and Donaldson presents copyright as a natural proprietary right at common law inherent in authors. Revisionist accounts dispute that traditional analysis. These conflicting perspectives have, once again, become the subject of critical scrutiny with the publication of Copyright at Common Law in 1774 by Prof Tomas Gomez-Arostegui in 2014, in the Connecticut Law Review ((2014) 47 Conn. L. Rev. 1) and as a CREATe Working Paper (No. 2014/16, 3 November 2014).
Taking Prof Gomez-Arostegui’s extraordinary work in this area as a point of departure, Dr Elena Cooper and Professor Ronan Deazley (then both academics at CREATe) organised an event, held at the University of Glasgow on 26th and 27th March 2015, to consider the interplay between copyright history and contemporary copyright policy. Is Donaldson still relevant, and, if so, why? What justificatory goals are served by historical investigation, and what might be learned from the history of the history of copyright? Does the study of copyright history still have any currency within an evidence-based policy context that is increasingly preoccupied with economic impact analysis?
This paper provides a lasting record of these discussions, including an editorial introduction, written comments by each of the panelists and Prof. Gomez-Arostegui and an edited transcript of the Symposium debate.