Theatre Systems Compared

This article is meant as a starting point in the process of researching how theatre systems influence the functioning of theatre. The notion “theatre system” is understood as the set of organisational relationships within and between the domains of production, distribution and reception of theatre. Because the hypothesis of the Project on European Theatre Systems (STEP) is that the differences in these organisational patterns at least partly determine the types of theatre offered to city populations and their use of the supply, the present article attempts to make a start with a comparison between the theatre systems in Aarhus (Denmark), Bern (Switzerland), Debrecen (Hungary), Groningen (The Netherlands), Maribor (Slovenia), Tartu (Estonia) and Tyneside (United Kingdom). One of the findings of this comparison is that the structures of financial support for theatre by the various authorities do not differ very strongly among the countries on the European continent. However, the so-called city theatres in Central and Eastern Europe seem to have a more dominant position than in the Western European countries. For smaller, independent theatre organisations this is the other way round. In addition, the position of Bern is remarkable, because of the exceptional number of venues and theatre performances in this city. In Debrecen and Maribor, cultural centres appear to play quite an important role in the theatre life of these cities.

Writing theatre history – The mainstream approach and alternatives

Main questions: 1. How to deal with the beginnings of theatre? 2. Do we have to consider a “second birth of theatre” in the Middle Ages? 3. What influences do media have on writing theatre histories?

Dus grose success lied "Unser neue Heim" : sung by Joseph Shoengold in Isidore Solotorefsky's "Yesoimem fin der Welt" (Orphan's of the world) ; played at Liberty Theatre East New York

music by Peretz Sandler. Words by Isidor Lilien

Methodological Report on Kaul and Wolf's Working Papers on the Effect of Plain Packaging on Smoking Prevalence in Australia and the Criticism Raised by OxyRomandie

This report contains a methodological assessment of two working papers by Ashok Kaul and Michael Wolf on the effect of plain packaging on smoking prevalence in Australia and the criticism raised against these working papers by OxyRomandie. First, the potential of the data used by Kaul and Wolf for identifying causal effects is discussed. Second, a reanalysis of the data is provided. Third, the criticism raised by OxyRomandie is commented.

Hole in the Head: a Play, Accompanied by a Conspectus of Knowledge, Both Repressed and Researched, that Directly Influenced the Playwright in Her Development of a New Work

"Hole in the Head" is a play about a woman who wakes up. Maude wakes up in the first act, and in every subsequent scene she undergoes some form of physical or emotional awakening as characters walk in and out of her front door."Hole in the Head" is accompanied by an introduction that attempts to understand the interplay between creativity and academia through an analysis of theatre, feminist and queer theory, and science.

The Development of the Jewish Theatre ; Die Entwicklung des jüdischen Theaters

E. G. Fried

Henriette Schnitzer [Illustration] : Jewish Art Theatre

Scan von Monochrom-Mikroform

Das "Grand Theatre" in New York [Illustration] : (Fotografie)

Scan von Monochrom-Mikroform

The Polish Jew. The Greatest Success of Peoples Theatre

B. Thomashefsky

King Salomon`s Songs. From The Play: The Widow. Successfully Produced At The Kalich Theatre, N.Y.

A.Schor

Lost Youth : successfully introduced by Jennie Goldstein in Max Gabel's comedy drama "Ferlorene Yugend" at Gabel's Theatre New York City

words and music by David Meyerowitz. [Arr. by Jack Kammen]