Intro 475 with Councilman Michael DeMarco

General note: Title and date provided by Bettye Lane.

Director William Friedkin takes questions from press following press preview of "Cruising"

General note: Title and date provided by Bettye Lane.

Eleanor Holmes Norton at City Hall for Intro 475

General note: Title and date provided by Bettye Lane.

Muslim Meeting

General note: Title and date provided by Bettye Lane.

Dr. June Christmas, Commissioner of mental health, at City Hall for Intro 2

General note: Title and date provided by Bettye Lane.

The Woman's Salon

Inscriptions: Verso: [stamped] Photograph by Freda Leinwand. [463 West Street, Studio 229G, New York, NY 10014].

The Woman's Salon

Inscriptions: Verso: [stamped] Photograph by Freda Leinwand. [463 West Street, Studio 229G, New York, NY 10014].

Diane Churchill, painter at Cerridwen Salon

: Title and date provided by Freda Leinwand.

Merlin Stone reading Ancient Mirrors of Womanhood, vol. II

Inscriptions: Verso: [stamped] Photograph by Freda Leinwand. [463 West Street, Studio 229G, New York, NY 10014].

Sarah Lechner, poet at Cerridwen Salon

: Title and date provided by Freda Leinwand.

Susan Schwalb and women attending the Cerridwen Salon

Inscriptions: Verso: [stamped] Photograph by Freda Leinwand. [463 West Street, Studio 229G, New York, NY 10014].

Marcia Miller at Cerridwen Salon

: Title and date provided by Freda Leinwand.

Virginia Scott, poet attending Cerridwen Salon in New York

: Title and date provided by Freda Leinwand.

Finding a Scientific Voice: Performing Science, Space and Speech in the Nineteenth Century

Taking as a point of departure recent scholarly interest in the geographies of spoken communication, this paper situates the cultivation of a scientific voice in a range of nineteenth-century contexts and locations. An examination of two of the century’s most celebrated science lecturers, Michael Faraday and Thomas Henry Huxley, offers a basis for more general claims about historical relations between science, speech and space. The paper begins with a survey of the ‘ecologies’ of public speaking in which advocates of science sought to carve out an effective niche. It then turns to a reconstruction of the varying and variously interpreted assumptions about authoritative and authentic speech that shaped how the platform performances of Faraday and Huxley were constructed, contested and remediated in print. Particular attention is paid to sometimes clashing ideals of vocal performance and paralinguistic communication. This signals an interest in the performative 2 dimensions of science lectures rather more than their specific cognitive content. In exploring these concerns, the paper argues that ‘finding a scientific voice’ was a fundamentally geographical enterprise driven by attempts to make science resonate with a wider oratorical culture without losing distinctive appeal and special authority