La verité sur L'expe'dition du Mexique d'apres les documents inedits de Ernest Lovet payeur en chef du corps epeditionnaire: Fin d'Empire

UANL

Eros and Thanatos in Ernest Hemingway's "The Short Happy Life of Francis Macomber" and Angela Carter's "Master"

According to Hemingway all good prose has the dignity and draught of an iceberg. This is especially true of Hemingway's short stories. "Francis Macomber" counts among the best composed short stories in English. Interpretation sways between Hemingway's idealisation of the male code and its deconstruction. Is the White Hunter a British scourge of American values or is Margot the tragic victim of a newly founded male friendship? Is the open ending rather a hunting accident or the mean murder of an unloved spouse? Hemingway gives hitherto uninterpreted clues by mentioning strategies of big game hunting and ballistics. Carter's magic story "Master"; deals with the regression of a White Hunter who has become 'his own negative'. An Englishman dissolves into the Amazonian jungle and is killed by his own victim. The story can be read as a macabre crime of sexuality and murder or as a dystopian warning of the future of mankind if we go on exploiting and destroying our planet.

En homenatge a Ernest Lluch : humanisme i esport. 'En homenaje a Ernest Lluch : humanismo y deporte.

Resumen del autor en catalán

Dos novelistas norteamericanos en español : Ernest Hemingway y John Steinbeck.

Pertenecientes al grupo de la generación perdida. Hemingway, contrariamente a los otros escritores de su generación, poseía una muy escasa preparación académica, estaba dedicado al periodismo. Pero, su estilo desnudo y difícil, a pesar de su aparente sencillez, comenzó a llamar la atención hacia sus extrañas creaciones. Vivió en España al ser un amante de los toros y sentirse atraído por la causa repubicana.Steinbeck, cuatro años más joven que Ernest, pero novelista más saludable, con calidades más finas y saludables que sus compañeros. En Jhon, se unen la agudeza y la sensibilidad, el amor y la gracia amable, grotesca, a veces, pero sin mala intención y una ternura por el hombre pobre, por el torpe, que engrandecen sus novelas.

Max Weber in the thought of Edward Shils (1910–1995) and Ernest Gellner (1925–1995): the paradox of two Weberian approaches to the understanding of nations and nationalism?

This article traces the paradoxical impact of Weber's oeuvre on two major scholars of nationalism, Ernest Gellner and Edward Shils. Both these scholars died in 1995, leaving behind a rich corpus of writings on the nation and nationalism, much of which was inspired by Max Weber. The paradox is that although neither scholar accepted Weber's sceptical attitude to the concept of ‘nation’, they both used his other major concepts, such as ‘rationality’, ‘disenchantment’, ‘unintended consequences’, the ‘ethic of responsibility’ and ‘charisma’, in their very analyses of the nation and nationalism. And they both saw, each in his own way, the nation and nationalism as constitutive elements of modern societies. However, the paradox ceases being a paradox if one sees the integration, by Shils and Gellner, of concepts of the nation and of nationalism in the analysis of modernity, as a development of Weber's ideas.

New York Trade School Graduates David J. Stevens and Ernest Fitzgerald

David J. Stevens and Ernest Fitzgerald were 1948 graduates of the Plumbing Department at the New York Trade School and are pictured with a truck from their successful D.H. Stevens Company in Washington, DC. Original caption reads, "David J. Stevens - Plumbing 1948, is shown here with Ernest Fitzgerald - Plumbing 1948, with two of their thirteen pieces of equipment necessary to satisfy 650 calls per month. David Stevens is the third generation to have graduated from Plumbing." Black and white photograph with caption adhered to reverse.

As investigações de Ernest Rutherford sobre a estrutura da matéria: contribuições para o ensino de química

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)