Notice d'une vente d'estampes... 17 févr. 1834...

[Vente (Art). 1834-02-17. Paris]

Notice de quelques tableaux... vente après le décès de M. de R..., 10 mars 1834...

[Vente (Art). 1834-03-10. Paris]

Vente... de dessins sur pierres,... 28 avril 1834,...

[Vente (Art). 1834-04-28. Paris]

Notice de... tableaux... Vente 13 sept. 1834...

[Vente (Art). 1834-09-13. Paris]

Vente de... tableaux et estampes... après le décès de M. le bon A.,... Vente 9 oct. 1834...

[Vente (Art). 1834-10-09. Paris]

Notice des tableaux... Vente 10 nov. 1834...

[Vente (Art). 1834-11-10. Paris]

Catalogue... de tableaux... Vente 8 déc. 1834...

[Vente (Art). 1834-12-08. Paris]

Catalogue... de tableaux... cabinet de M. F..., Le Nantes. Vente 9 déc. 1834...

[Vente (Art). 1834-12-09. Paris]

Catalogue... de tableaux... Vente 15 déc. 1834...

[Vente (Art). 1834-12-15. Paris]

Catalogue... de tableaux... Vente 29 Déc. 1834...

[Vente (Art). 1834-12-29. Paris]

Memory mixed with desire : a preliminary study of philosophy and literature in the works of Friedrich Nietzsche and Milan Kundera

Memory Mixed with Desire: A preliminary study of Philosophy and Literature in the works of Friedrich Nietzsche and Milan Kundera Robert Spinelli Brock University, Department of Philosophy This thesis studies intertextuality in the works of Friedrich Nietzsche and Milan Kundera through the primary themes of memory and forgetting. The thesis starts with two introductory chapters that delineate memory according to Nietzsche and Kundera respectively. From here, I move into a discussion of Nietzsche's Ubermensch as an example of the type of forgetting that Nietzsche sees as a cure for the overabundance of memory that has led to Christian morality. Next, I explore the Kunderan concept of kitsch as the polar opposite of what Nietzsche has sought in his philosophy, finishing the chapter by tying the two thinkers together in a Kunderan critique of Nietzsche. The thesis ends with a chapter devoted to the Eternal Return beginning with an exegesis of Nietzsche's idea and ending with a similar exegesis of Kundera's treatment of this thought. What I suggest in this chapter is that the Eternal Return might itself be a form of kitsch even in its attempt to revalue existence.

Welland Canal Survey of Lands Widow Elizabeth Ball, 1834

Survey map and description of Widow Elizabeth Ball's land created by The Welland Canal Company. Included is a written description of the land along with a drawing of the land. Noteable features include; locks no. 28, 29, 30, 31, line between Widow Ball and Thomas Ker's land, township line between Grantham and Thorold, waste weir. Surveyor notes are seen in pencil on the map. The land was originally surveyed in 1826(?) and then re-surveyed on November 28th, 1834. The land was used by the Welland Canal Company for canal and hydraulic purposes and was located in lot 9 in the 10th concession of Grantham township.

Welland Canal Survey of Lands Frederick Bouke 1834

Survey map and description of Frederick Bouke's land created by The Welland Canal Company. Included is a written description of the land along with a drawing of the land. The land is on lot no.29 in the township of Thorold. Noteable features include; line between Bouke and Peter Vanevery's land, orchard, road allowance, line between Bouke and Shriner's land. Surveyor notes are seen in pencil on the map. The land totals 18 acres, 3 roads and 10 perches. Deed for the land is dated June 25, 1834.

Welland Canal Survey of Lands Daniel Shriner 1834

Survey map and description of Daniel Shriner's land created by The Welland Canal Company. Included is a written description of the land along with a drawing of the land. Noteable features include; north and south branch of reservoir, line between Bouke and Shriner's land. Surveyor notes are seen in pencil on the map.