French literature, from 1945 to 1999

pp. 181-204

Islamic fundamentalism since 1945:2nd revised and expanded edition

Featuring a brand new examination of Islamic fundamentalism in the wake of the Arab Spring, this fully revised and updated second edition of Islamic Fundamentalism since 1945 analyzes the roots and emergence of Islamic movements in the modern world and the main thinkers that inspired them.

Providing a much-needed historical overview of a fast-changing socio-political landscape, the main facets of Islamic fundamentalism are put in a global context, with a thematic debate of issues such as:

- the effects of colonialism on Islam

- secularism and the Islamic reaction

- Islam and violence in the 9/11 era

- globalization and transnational Islamist movements

- Islam in the wake of the Arab Awakening

Islamic Fundamentalism since 1945 provides an authoritative account of the causes and diversity of Islamic fundamentalism, a modern phenomenon which has grabbed the headlines as a grave threat to the West and a potentially revolutionary trend in the Middle East. It is a valuable resource for students and those interested in the history, effects and consequences of these Islamic movements

Conflicts in the Middle East since 1945, (London: Routledge, 2007, Third Edition).

This third edition of Conflicts in the Middle East since 1945 analyzes the nature of conflict in the Middle East, with its racial, ethnic, political, cultural, religious and economic factors. Throughout the book Peter Hinchcliffe and Beverley Milton-Edwards put the main conflicts into their wider context, with thematic debates on issues such as the emergence of radical Islam, the resolution of conflicts, diplomacy and peace-making, and the role of the superpowers.

The book is brought fully up to date with events in the Middle East, covering, for instance, developments in Iraq in 2006 where a democratically elected government is in place but the insurgency show no sign of coming under control. The analysis of the Palestinian/Israeli conflict is also brought up to the present day, to include the election of the Hamas government and the 2006 conflict between Israel and Lebanon’s Hizballah.

Including a newly updated bibliography and maps of the area, this is the perfect introduction for all students wishing to understand the complex situation in the Middle East, in its historical context.

Voir Hitler en peinture

Voir Hitler en peinture / On Seeing a painting of Hitler
The article “Voir Hitler en peinture” (literally “On Seeing a painting of Hitler”) focuses on a painting by Oliver Jeffers entitled “Ginger Hitler”. This article suggests that, whatever Jeffers’ intent and inspiration were, his painting “defamiliarizes” Hitler (V. Shklovsky) and forces us to look at him afresh. For decades, Hitler has been demonised and dehumanised; yet, however unsettling this may be, he was human. As Professor Richard Evans, a leading expert in the history of Nazism, put it recently: “Viewing Hitler as a human being, which he undoubtedly was, is more challenging to our understanding, surely, than simply writing him off as a cartoon villain” (The Guardian, 30/04/2015).

A ideia de Europa na imprensa desportiva portuguesa (1893-1945)

Pensar a Europa e Portugal, a partir da imprensa desportiva portuguesa, é o principal objectivo deste trabalho, que deve ser visto como uma espécie de "viagem" por um tempo conturbado (1893-1945), com os principais jornais desportivos a servirem de guia. Esta longa peregrinação de 52 anos — iniciada quando surge o primeiro jornal desportivo em Portugal e encerrada no ano em que termina a Segunda Guerra Mundial (altura em que este género de imprensa se consolida) — permitiu recuperar, simultaneamente, do baú do esquecimento, reflexões sobre a Europa e Portugal, e um pedaço da esquecida história da imprensa desportiva. /***Abstract - The main goal of this work is to think Europe and Portugal starting from the discourses produced in the portuguese spod press on the subject. This research must be seen as a “journey" through a troubled time (1893-1945), with the sport newspapers as guides. It's a long way of 52 years that started when the first portuguese sport newspaper born and finished at the end of the Second World War (period when Chis kind of press was already established) permitted, at the same time, a recovery, from the chests of forgetfulness, of reflections about Europe and Portugal and a piece of forgotten sport press history.

Graphic design and modernisation in Greece, 1945-1970

The primary aim of this work is to give voice to the silent history of graphic design in Greece, long uncharted and undocumented in both the international forum and the local design community. This study focuses on the professional modernisation of graphic design and its role in providing the means for change in Greek society. The research is supported by interdisciplinary analysis of commercial advertisements, posters, leaflets and magazines, as well as other supporting documentation, in the historical and cultural context of Athens, Greece from 1945 to 1970. The time examined was a transitional and vociferous period in the history of Greece, one of intense and rapid economic modernisation during the post-Second World War decades from the mid-1940s to 1970. This was a time when, along with broader changes in the social, economic and political life of Greece, important developments in design education, print technology, and professional organisation marked a new age for graphic design, as a profession emerging from the broader ‘graphic arts’ field (inclusive of both technological and creative processes) and claiming autonomy over the more established fine arts sector. All four chapters deal with modernisation in relation to the assumed divisions of traditional/modern, continuity/change, centre/periphery. Main areas of investigation are: trade organisation, graphic design education, advertising and urbanisation, electricity and tourism promotion. This research offers a view of the ways the ‘modern’ and the condition of modernity were experienced in the case of Greece through certain applications of graphic design and its agents of influence: graphic designers, artists, managers, publishers, the state and private entrepreneurs. The research benefited significantly from a number of interviews with design professionals and related individuals. The present endeavour has a modest aim: to enable understanding of how and why Greek graphic design at the time came to be, and to stress the validity of the visual as a means of historical documentation.

Der Kampf um den freien Sonntag im 19. Jahrhundert

Im Aufsatz geht es um das kirchliche und politische Engagement im Kampf gegen die Sonntagsarbeit im 19. Jahrhundert.

Europa : paisagem e pensamento : um excurso sobre Teixeira de Pascoaes, Friedrich Hölderlin, José Marinho e Martin Heidegger

Tese de doutoramento, Filosofia (Filosofia em Portugal), Universidade de Lisboa, Faculdade de Letras, 2014