996 resultados para Girard, Paul-Albert (1839-1920) -- Correspondance


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Alanimeke kannessa ja esiössä: en reflexstudie.

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Kannen signeeraus: Arthur Högstedt.

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Le 23 octobre 1950, M. Paul Villeneuve fondait la Caisse d'établissement de Vaudreuil-Soulanges, coopérative d'épargne et crédit, première institution du genre au Canada. Cette formule séduisante allait entraîner dans son orbite l'ensemble des régions de la belle province et donnerait naissance à la Fédération des Caisses d'établissement du Québec. Jusqu'ici, personne n'avait entrepris de retracer la vie de M. Paul Villeneuve. D'ailleurs, sa vie active fut courte puisqu'une grave maladie, survenue au tout début de la cinquantaine, freinait la course de ce bâtisseur. La rareté des documents dépeignant celui-ci frappe dès l'abord. Son maniement habile des précautions oratoires transparaît dans l'unique copie qui nous soit restée de l'un de ses nombreux discours (Il s'agit de l'allocution présentée lors du 50e anniversaire de la Caisse populaire de Lévis). On repère d'autres traces de son passage dans quelques périodiques comme La Terre de chez nous et dans des procès-verbaux de l'Union catholique des cultivateurs, de la Caisse populaire de Vaudreuil et des trois Caisses d'établissement qu'il a fondées. M. Paul-Émile Doré mentionne sa contribution dans son essai de maîtrise en coopération intitulé: Les Caisses d'établissement et le crédit agricole (1986). Malheureusement, aucune correspondance ou article de journal n'émanait de cet homme au charisme remarquable; aussi, les personnes l'ayant connu s'avéraient des plus susceptibles de nous renseigner de manière pertinente sur ce captivant personnage. Quelques-unes se sont rendues à l'invitation: c'est le cas de ses enfants Marguerite, Jeanne, François et de son gendre, M. Edgar Marcoux. De précieux collaborateurs de M. Villeneuve, MM. Joseph-Edouard Carrière et Lazare Rozon, nous ont gracieusement accordé de leur temps, tout comme M. Paul-Emile Doré, membre fondateur de la Caisse d'établissement du Saguenay-Lac St-Jean (la plus vieille Caisse d'établissement à l'heure actuelle, celle de Vaudreuil-Soulanges s'étant fusionnée à la Caisse populaire de Vaudreuil).

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Esta monograf?a es un an?lisis literario de la novela autobiogr?fica de Albert Camus, El Primer Hombre. Los aspectos analizados tienen como finalidad ilustrar el mundo familiar y el mundo del Liceo, opuestos pero a la vez complementarios, que marcaron y le dieron un sentido especial a la vida del protagonista, Jacques Cormery. Para realizar dicho an?lisis se usaron las teor?as de Lejeune, Dilthey, Gusdorf, Paul de Man y Bajt?n.

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I have been an academic since joining the University of Natal in 1998 and, following a period as a visiting lecturer in Brisbane in 2001, I joined the staff at QUT on an ongoing basis in 2003. I was appointed as Architecture Co-ordinator in 2006, and this role involves the leadership of the architectur discipline of 17 full time academics. I am currently enrolled in a PhD course in the field of urban morphology. This research proposes a theory on the relevance of mapping the evolutionary aspects of historical urban form to develop a measure for evaluating architecural elements and deriving parameters for new buildings. My participation in a QUT design team contributed to a recent successful invited competition bid for an Urban Transit Centre in Hangzhou, China. The Centre will include retail, business, entertainment, residential and service components at the heart of the Binjiang district on the 11.5ha core area with 32ha surrounding urban design precinct. The project has received the approval to commence and is to be implemented over the next three years!

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This interview (translated and published in Portuguese) was commissioned and conducted by the editors of the Brazilian Guide to Cultural Production 2010-2011 (Edicoes SESC SP, 2010). It covers a range of topics including definitions of the Creative Industries; the value of innovation and creativity in business and education; QUT's Creative Industries Faculty; and the relationship between creative industries and the arts.

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Advances in digital technology have caused a radical shift in moving image culture. This has occurred in both modes of production and sites of exhibition, resulting in a blurring of boundaries that previously defined a range of creative disciplines. Re-Imagining Animation: The Changing Face of the Moving Image, by Paul Wells and Johnny Hardstaff, argues that as a result of these blurred disciplinary boundaries, the term “animation” has become a “catch all” for describing any form of manipulated moving image practice. Understanding animation predicates the need to (re)define the medium within contemporary moving image culture. Via a series of case studies, the book engages with a range of moving image works, interrogating “how the many and varied approaches to making film, graphics, visual artefacts, multimedia and other intimations of motion pictures can now be delineated and understood” (p. 7). The structure and clarity of content make this book ideally suited to any serious study of contemporary animation which accepts animation as a truly interdisciplinary medium.

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This paper analyses Albert Hirschman's Exit, Voice and Loyalty (Hirschman 1970) as a basis for understanding the relationship between media and citizenship. It considers the significance of Hirschman's concept of voice in relation to media policy, media participation through user-created content, and the rise of 'citizen media' and 'citizen journalism'. It associates these developments with a 'de-centering' of both media practice and media studies, as considered by Couldry (2006a, 2006b). It concludes by suggesting that voice and participation, rather than citizenship, may constitute a more suitable foundation for understanding new digital media initiatives.

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This interview with Paul Makeham was conducted in 2010 by Felipe Carneiro from Brazilian business magazine Exame. Structured around Exame's "seven questions" format ("Sete Perguntas"), the interview ranges across topics relating to the creative economy, including the increasingly important role of creativity in business, and the role of education in promoting creativity.

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This volume brings together a number of essays that seek to explore the nature of early modern scholarship, ostensibly with special regard to the themes of interdisciplinarity and collaboration. As one might expect, the essays thus cover a gamut of topics – political manoeuvring, philosophical debates, gift-giving and dramatic performance – and each study is important and useful in its own right. As a whole, however, this collection serves more as a starting point for an exploration of its themes, than as an authoritative overview of the subject at hand.