Beitrèage zur Geschichte der griechischen Textilkunst. (Die Anfèange u. d. oriental. Import.)

[Geb. 2 Juni 86 Hèurben i. B.; Wohnort: Mèunchen; Staatsangeb.: Bayern; Vorbildung: Melanchthon-Gymn. Nèurnberg Reife Juli 04; Studium: Mèunchen 12 S.; Rig. 26. Jan. 12.]

Liure d'architecture : contenant plusievrs portiques de differentes inuentions sur les cinq ordres de colomnes /

Portrait plate of Francine by Abraham Bosse; other plates by Tavernier after Francine's designs.

Die Komposition der pompejanischen Wandgemälde, mit 38 Abbildungen im Text.

"Die folgenden Untersuchungen haben im Sommer ... 1908 ... der Universität Halle in lateinischer Sprache als Doktordissertation vorgelegen, und ihre drei ersten Kapital sind unter dem Titel 'Qua ratione pictores Pompeiani in componendis parietibus usi sint' als Dissertation gedruckt worden."--Vorwort.

Examples of ancient doorways and windows, arranged to illustrate the different styles of church architecture from the Conquest to the Reformation, from existing examples /

Sheet divided into 9 sections and mounted on cloth. Bound in red bookcloth, stamped in blind and gilt.

Narrazione delle solenni reali feste : fatte celebrare in Napoli da Sua Maestà il re delle Due Sicilie Carlo infante di Spagna, duca di Parma, Piacenza &c. &c. per la nascita del suo primogenito Filippo real principe delle Due Sicilie.

The plates depict floor plans of the Palazzo reale and of the Teatro di San Carlo in Naples, a vertical cross section of the Palazzo reale; interior decoration of the Teatro di San Carlo; most plates depict festivities taking place in the decorated interiors of the theater and the royal palace, including a masquerade at the royal palace, the stage scenery and a scene from the opera "Il sogno di Olimpia" by Ranieri de Calzabigi, which was performed at the Teatro di San Carlo; a view of the illuminated Castello Nuovo in Naples, the fireworks installation at the Piazza del Castello Nuovo, and a floorplan of the fire works installation. Plate XI depicts the mythical land of plenty "Cuccagna", arranged as a landscaped hill with an architectural grotto, richly decorated with food and drink, which was offered as part of the festivities to the common people. Most plates have a detailed legend in the lower margin.

Roma anno 1300 : atti della IV settimana di studi di storia dell'arte medievale dell'Università di Roma "La Sapienza" (19-24 maggio 1980) /

English, German or Italian.

Santa Maria delle Grazie /

Includes bibliographical references (p. 268-271).

The dendroglyphs, or "carved trees" of New South Wales /

Mode of access: Internet.

[al-Qurʼān, late 8th century?].

Fragment from an early ʻAbbāsid Qurʼān on parchment dyed orange-red (compare cat.11, p.58 in Déroche, The Abbasid tradition, Nasser D. Khalili collection of Islamic art, v.1 and Metropolitan Museum of Art accession nos. 40.164.1a and 40.164.1b) carrying Sūrat Hūd (11) verses 88 through 103 (11:88-11:103).

[al-Qurʼān, 9th or 10th century].

Fragment from an Early ʿAbbāsid Qur’ān carrying final words of Sūrat al-Mulk (67) verse 23 through opening word of Sūrat al-Qalam (68) verse 19.

Die St. Paulus-kirche zu Worms, ihr bau und ihre geschichte,

Title in red and black. Head and tail pieces.

Haniwa of a Shaman

Sculpture, Japanese, Kofun; 1 ft. 3 55/64 in.x 8 1/2 in.x 4 1/64 in.; earthenware with painted, incised, and applied decoration

Bottle

Glass, Islamic, Umayyad; 7 59/64 in.x 3 1/4 in.; lass, bluish; blown, applied blue decoration

Bowl with Figures

Pottery, Iran, Samanid; 3 5/8 in.x 7 7/8 in.; earthenware; polychrome decoration under transparent glaze (buff ware)

Animal Flask

Glass, Islamic, Umayyad; 4 3/8 in.x 3 17/64 in.x 1 27/32 in.; glass, amber-colored; blown, applied decoration