Cérémonial de l'installation et des funérailles de Claude Maur d'Aubigné, archevêque de Rouen, en 1708 et 1719.

"Publication de la Revue de Rouen et de la Normandie." - verso of title-page.

Examen de l'administration du diocèse de Dijon, ou Recueil des articles publiés dans le Journal de la Côte-d'Or au sujet de la démission de MM.les vicaires-généraux et des dernières lettres pastorales de m. l'évêque [Claude Rey].

Mode of access: Internet.

Claude : ou, Le gagne-petit.

Mode of access: Internet.

Claude's confession.

Tr. of: La confession de Claude.

Critical edition of the Discours de la vie de Pierre de Ronsard par Claude Binet / [edited] by Helene M. Evers.

"Corrections" (7 p.) inserted.

Claude Monet and his paintings,

"Pictures by Claude Monet exhibited at the Lotos club, January, 1899" : 10 p. at end.

Father Claude Allouez : the Francis Xavier of the Northwest, 1622-1922 /

Includes references.

Die Verstandes- und Urteilsbildung in ihrer Bedeutung fur die Erziehung bei Nicole, Malebranche, Claude Fleury und Locke.

Thesis (doctoral)--Friedrich-Alexanders-Universitat Erlangen.

Monna Vanna; lyric drama in four acts & five tableaux by Maurice Maeterlinck. English version by Claude Aveling.

Mode of access: Internet.

Plastic / Explosive: Claude Cahun and the Politics of Becoming Otherwise

Thesis (Ph.D.)--University of Washington, 2016-06

Identities and oppressions: Jean-Claude Lauzon's Léolo (1992)

This article approaches the fragmentation of identities characteristic of contemporary Western societies through the 1992 film Léolo by Jean-Claude Lauzon. Although it does explore linguistic, social, religious and ethnic divisions, this major piece of the Quebec repertoire recasts the sociolinguistic conflict between vernacular and formal practices (Labov 1972; Blanche-Benveniste 2002), raising questions of status and choice. This conflict is subsumed by the dialectics between primary and secondary culture. The cultural and linguistic opposition finds a primary metaphor in the film's central motif of the duality of dream and reality. No more than the cultural and linguistic can this opposition find a synthesis. This impossible reconciliation defines the constitutive rupture of the human psyche itself.