Corepressor-induced organization and assembly of the biotin repressor: A model for allosteric activation of a transcriptional regulator

The Escherichia coli biotin repressor binds to the biotin operator to repress transcription of the biotin biosynthetic operon. In this work, a structure determined by x-ray crystallography of a complex of the repressor bound to biotin, which also functions as an activator of DNA binding by the biotin repressor (BirA), is described. In contrast to the monomeric aporepressor, the complex is dimeric with an interface composed in part of an extended β-sheet. Model building, coupled with biochemical data, suggests that this is the dimeric form of BirA that binds DNA. Segments of three surface loops that are disordered in the aporepressor structure are located in the interface region of the dimer and exhibit greater order than was observed in the aporepressor structure. The results suggest that the corepressor of BirA causes a disorder-to-order transition that is a prerequisite to repressor dimerization and DNA binding.

Modernist Ecology: Modernism and the Reimagination of Nature

Countering the trend in contemporary ecocriticism to advance realism as an environmentally responsible mode of representation, this essay argues that the anti-realist aesthetics of literary modernism were implicitly “ecological.” In order to make this argument I distinguish between contemporary and modernist ecological culture (both of which I differentiate in turn from ecological science); while the former is concerned primarily with the practical reform characteristic of what we now call “environmentalism,” the latter demanded an all-encompassing reimagination of the relationship between humanity and nature. “Modernist ecology,” as I call it, attempted to envision this change, which would be ontological or metaphysical rather than simply social, through thematically and formally experimental works of art. Its radical vision, suggestive in some ways of today’s “deep” ecology, repudiated modern accounts of nature as a congeries of inert objects to be manipulated by a sovereign subject, and instead foregrounded the chiasmic intertexture of the subject/object relationship. In aesthetic modernism we encounter not “objective” nature, but “nature-being” – a blank substratum beneath the solid contours of what philosopher Kate Soper calls “lay nature” – the revelation of which shatters historical constructions of nature and alone allows for radical alternatives. This essay looks specifically at modernist ecology as it appears in the works of W. B. Yeats, D. H. Lawrence, and Samuel Beckett, detailing their attempts to envision revolutionary new ecologies, but also their struggles with the limited capacity of esoteric modernist art to effect significant ecological change on a collective level.

A book on building, civil and ecclesiastical : including church restoration : with the theory of domes and the great pyramid, and dimensions of many churches and other great buildings /

Includes index.

Trades unionism and its results. Five letters in 'The Times'; with some additions.

Cover-title.

The comic Blackstone,

Mode of access: Internet.

Metropolitan Los Angeles, a study in integration.

Includes bibliographies.

The comic history of England /

Printed by Bradbury and Evans.

Lectures on church-building: with some practical remarks on bells and clocks,

Mode of access: Internet.

A rudimentary treatise on clock and watch making : with a chapter ou church clocks... /

Mode of access: Internet.

The comic Blackstone /

Mode of access: Internet.

Astronomy without mathematics /

Mode of access: Internet.

A dictionary of the English language: in which the words are deduced from their originals, explained in their different meanings, and authorized by the names of the writers in whose works they are found.

Mode of access: Internet.

Scenes from the rejected comedies : By some of the competitors for the prize of £500, offered by Mr. B. Webster, lessee of the Haymarket theatre, for the best original comedy, illustrative of English manners /

Cf. Clark, W.A. Modern Eng. lit. 1920-28. v. 3, p. 1-2.

Renaissancen og kunstens historie i danmark.

Thesis (doctoral)--Kjobenhavn.

Beitrage zur direkten messung von uberfuhrungszahlen.

Thesis (doctoral)--