Estudo e modelagem 3D de uma turbina Francis

Most of the hydraulic turbines that are running in the world are the Francis type, because they are able to fit a wide range of head and flow. We also can declare that most of the installed hydraulic energy up to this date is generated by this type of turbine. On the other hand, if we pay attention to mechanical details of a Francis turbine we will see that among the three most used types it is the one that presents the more complex design. And, the simplest one is the Pelton type, whereas the Kaplan is the one less utilized. This work aims to develop the hydrodynamic calculation of a Francis turbine as well as to obtain its assembly drawing and 3D modeling drawing. In this way all details must be shown therefore needing a complete knowledge about this issue. Both 2D and 3D drawings help much if one wants the machine to be running in its power house. It is well noted that most of the entities that design and manufacture the Francis turbines are not brazilian. In this way the more we study how to design this kind of machine the more is our contribution to our country in order to conquer technology and manufacture Francis turbines

Tradução anotada, autor-tradutor invisível: Richard Francis Burton na Brasiliana

The aim of this paper is to analyze the translation of the work by the translator-traveller Richard Francis Burton, Explorations of the Highlands of the Brazil, with a full account of the gold and diamond mines, made by Américo Jacobina Lacombe, trying to relate the work of the latter to the editorial goals of the Brasiliana Collection. As a subseries of the Biblioteca Pedagógica Brasileira [Brazilian Pedagogical Library] published by Companhia Editora Nacional, Brasiliana was conceived in agreement with the 1930s and 1940s policies to expand lay education and make it possible for Brazilians to get to better know the greatness of their country. The paper will focus on the numerous translator’s notes, since many of them reveal Lacombe’s didactic purpose of informing readers about Brazilian history and geography. The analysis also examines the effacement of Burton’s translations from Portuguese into English in his book.

Efeitos da ractopamina e da imunocastração de suínos nas características da barriga e na qualidade do bacon

Pós-graduação em Engenharia e Ciência de Alimentos - IBILCE

A Razão e o Sagrado: suas contribuições filosóficas para a dessacralização da natureza

Este trabalho tem como objetivo mostrar como se efetuou, historicamente, através das idéias dos filósofos Pitágoras, Parmênides, Sócrates, Platão, Aristóteles, Tomás de Aquino, Francis Bacon, Descartes e Newton, a cisão entre os dois modos de conhecimento, o racional e o sensorial e como foi construída a religião cristã, de onde se originaram seus principais elementos, a imortalidade da alma e a existência de Deus, que fundamentaram uma religião tipicamente antropocêntrica, contributiva para uma visão utilitarista da natureza. Entende-se que estas duas categorias são essenciais para se entender como a natureza passou a ser dessacralizada completamente pelo ser humano e como foram criadas as bases filosóficas para a houvesse a dominação dos homens sobre outros homens, postas em práticas com o advento do capitalismo.

Modelagem matemática para otimização de um potencial hidráulico utilizando turbinas Francis e Kaplan

Pós-graduação em Engenharia Mecânica - FEG

Undergraduate Scholarship in the College of Arts and Sciences 2004 Book of Abstracts

In his work entitled The Advancement of Learning (1605), Francis Bacon expresses the need for students and their teachers to push beyond current knowledge by testing accepted theories, developing new paradigms, and discovering new information. The abstracts in this booklet are clear examples of how students and faculty in the College of Arts and Sciences are advancing knowledge in a variety of disciplines. From the analysis of particular proteins to the examination of various literary themes, the students whose scholarly endeavors are represented in this booklet pursued research projects that have explored new ideas; and their teachers have helped them to achieve their goals by providing expert guidance in the field of study, by challenging students to excel, and by encouraging them as they developed their ideas. Students and faculty should be very proud of the work reflected in these abstracts. These individual efforts and collaborations reveal what is best about Winthrop University as a learning community.

Nessus und wilder Andres : Kentauren im Berner Oberland? Etymologische Versuche zu den fünf Namen des Berges Niesen im Bericht des Humanisten Benedikt Aretius von 1561

Zusammenfassung: Der Zürcher Universalgelehrte Konrad Gessner (1516-1565) war die zentrale Figur einer Welle der Bergbegeisterung, die knapp zweihundert Jahre vor Albrecht von Hallers Epoche machendem Lehrgedicht 'Die Alpen' theologische, philologische und naturwissenschaftliche Lebensentwürfe verband und sich an den Wundern der Gebirgsland-schaft berauschte. In diesen Umkreis gehört der Bericht des Berner Humanisten Benedikt Aretius über die Besteigung der beiden Voralpengipfel Stockhorn und Niesen im Jahr 1557. Die nachfolgenden Überlegungen zu den darin genannten Namen für den Berg Niesen (Nessus, Niesen, Jesen, Stalden, Zum wilden Andres) zeigen, dass Aretius Ausführungen hauptsächlich als Hommage an den Zeitgeist und an den Freund Konrad Gessner zu lesen sind – auch und vor allem die darin enthaltenen etymologischen Versuche und Anspielungen.

Das Werk als Feige und als Figur. Ambivalenzen der Rezeption zwischen Valéry, Mallarmé, "Tel Quel" und Francis Ponge

L’œuvre poétique de Valéry est caractérisée par une esthétique de la perfection, de la pureté et de la clôture. La série ouverte et hétérogène des "Cahiers", en revanche, ne se laisse guère ranger dans la catégorie de l’œuvre. Selon Valéry, la réorientation intellectuelle à la base de cette opposition est due au "choc" subi par la découverte de l’œuvre mallarméenne. Les divers écrits valéryens sur Mallarmé nous servent à reconstruire cette relation ambivalente et nous aident à éclairer sa conception non moins ambivalente de l’œuvre d’art. Nous soutenons que ce ne sont pas ses propres travaux, mais les poésies de Mallarmé qui lui semblaient des œuvres achevées à proprement parler. Pour décrire l’expérience de perfection et d’achèvement que lui fournit la lecture du "Coup de dés", Valéry se sert de la notion de figure qui, entre autres, comporte des associations géométriques. Sous la forme d’un hommage ambivalent, Francis Ponge oppose aux concepts valéryens de figure et d’œuvre d’art une poétique de l’objet matériel et concret qui s’incarne dans "La figue (sèche)", publiée en 1960 comme pièce inaugurale de la revue "Tel Quel".