Compilation of Periodic Histories from 1 April 1979 to 31 December 1989

This document covers operations, training, organization, key personnel, recognition and awards between 1979 and 1989.

University Concert Band, April 28, 1948

Concert program for University Concert Band, April 28, 1948

The Contemporary Group, April 21, 1968

Concert program for The Contemporary Group, April 21, 1968

University Symphonic Band, April 28, 1940

Concert program for University Symphonic Band, April 28, 1940

The Contemporary Group, April 18, 1973

Concert program for The Contemporary Group, April 18, 1973

The Contemporary Group, April 24, 1974

Contemporary Group, April 24, 1974

Graduate Recital, April 14, 1979

Concert program for Graduate Recital, April 14, 1979

Faculty Recital, April 24, 2009

Concert program for Faculty Recital, April 24, 2009

University Choir, Brass Choir and Madrigal Singers, April 17, 1962

Concert program for University Choir, Brass Choir and Madrigal Singers, April 17, 1962

John T. Moore, Pianist, April 10, 1949

Concert Program for John T. Moore, Pianist, April 10, 1994

Percussion April 23, 1970

Concert program for Percussion April 23, 1970

Pamela Snow, Piano Recital, April 9, 1970

Concert Program for Pamela Snow, Piano Recital, April 9, 1970

Members of The Butterfield Ensemble in Joe Brazil's Class, April 3, 1970

Concert Program for Members of The Butterfield Ensemble in Joe Brail's Class, April 3, 1970

Voices in search of a reader: the polyphonic writing of António Lobo Antunes

This paper aims at analysing the writing of the Portuguese author António Lobo Antunes, considered one of the major writers in European Literature with 26 books published, by focusing on the strategies deployed in his texts of creating micro-narratives within the main frame, and conveying the elements of individual and collective memory, past and present, the self and the others, using various voices and silences. Lobo Antunes incorporates in his writing his background as a psychiatrist at a Mental Hospital in Lisbon, until 1985 (when he decided to commit exclusively to writing), his experience as a doctor in the Portuguese Colonial War battlefield, but also the daily routines of the pre and post 25th of April 1974 (Portuguese Revolution) with subtle and ironic details of the life of the middle and upper class of Lisbon‘s society: from the traumas of the war to the simple story of the janitor, or the couple who struggles to keep their marriage functional, everything serves as material to develop and interweave a complex plot, that a lot of readers find too enwrapped and difficult to follow through. Some excerpts taken from his first three novels and books of Chronicles and his later novel – Ontem não te Vi em Babilónia (2006) – will be put forward to exemplify the complexity of the writing and the main difficulties of the reader, lost in a multitude of narrators‘ voices. Recently, Lobo Antunes has commented on his work stating: What I write can be read in the darkness. This paper aims at throwing some light by unfolding some of the strategies employed to defy new borders in the process of reading.