Siberian Wooden Churches: Reality and Symbolics

The preservation of Siberia's cultural heritage poses a serious problem. Many Siberian churches were destroyed or reconstructed, without their original form being carefully described. Mainicheva studied the question of Siberian wooden churches of the 17th-18th centuries, producing a complex analysis of their symbolism, phenomenology and morphology. Published and archival materials show that such unique churches as the Sophia Cathedral in Tobolesk (1621), the Trinity Church in Tomsk (1654) and the Church of Kazan Holy Mother in Ilimsk (1679) directly reflected the main features of medieval Russian culture combined with new perceptions of Man and the Universe. These Russian Orthodox churches have considerable significance for understanding the natural development of Russian architecture as a part of the Russian culture of permanently moving people. All these churches, which no longer exist in their original form, were built by unknown folk builders and represented a good example of non-professional architecture. Mainicheva developed full descriptions of the churches, including graphic reconstructions of their original plans and facades.

The Forgotten Archduke: The Funeral Monument for Ernest of Austria in Brussels

Archduke Ernest of Austria (1553–1595), second son of Emperor Maximilian II and younger brother of Emperor Rudolf II, was in his youth a possible candidate for the thrones of the Empire or the Spanish Kingdom. Instead, he became Governor-General of the Netherlands in 1593 and relocated to Brussels in 1594 where he was welcomed with lavish festivities as the bearer of hope and prosperity. Unfortunately, Ernest died only thirteen months later without having achieved any political success. His brother and successor Albert of Austria commissioned the funeral monument for Ernest in 1600 after it was settled that he would be buried in Brussels and not Vienna. Focusing on this monument, which draws stylistically from various dynasty-related models, it will be shown that Albert intended to use this monument – and thus his brother’s memoria – to make the Brussels Cathedral the primary location of Habsburg dynastic memory in the Low Countries.

La construcción del poder señorial : Monasterios y Cabildos catedralicios en los siglos centrales de la Edad Media

Fil: Vassallo, Rosana Laura. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

La construcción del poder señorial : Monasterios y Cabildos catedralicios en los siglos centrales de la Edad Media

Fil: Vassallo, Rosana Laura. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

Glacier mass balances of Stubacher Sonnblickkees, Hohe Tauern Range, Eastern Alps, Austria, 1958/1959 to 2012/2013

Stubacher Sonnblickkees (SSK) is located in the Hohe Tauern Range (Eastern Alps) in the south of Salzburg Province (Austria) in the region of Oberpinzgau in the upper Stubach Valley. The glacier is situated at the main Alpine crest and faces east, starting at elevations close to 3050 m and in the 1980s terminated at 2500 m a.s.l. It had an area of 1.7 km² at that time, compared with 1 km² in 2013. The glacier type can be classified as a slope glacier, i.e. the relief is covered by a relatively thin ice sheet and there is no regular glacier tongue. The rough subglacial topography makes for a complex shape in the surface topography, with various concave and convex patterns. The main reason for selecting this glacier for mass balance observations (as early as 1963) was to verify on a complex glacier how the mass balance methods and the conclusions - derived during the more or less pioneer phase of glaciological investigations in the 1950s and 1960s - could be applied to the SSK glacier. The decision was influenced by the fact that close to the SSK there was the Rudolfshütte, a hostel of the Austrian Alpine Club (OeAV), newly constructed in the 1950s to replace the old hut dating from 1874. The new Alpenhotel Rudolfshütte, which was run by the Slupetzky family from 1958 to 1970, was the base station for the long-term observation; the cable car to Rudolfshütte, operated by the Austrian Federal Railways (ÖBB), was a logistic advantage. Another factor for choosing SSK as a glaciological research site was the availability of discharge records of the catchment area from the Austrian Federal Railways who had turned the nearby lake Weißsee ('White Lake') - a former natural lake - into a reservoir for their hydroelectric power plants. In terms of regional climatic differences between the Central Alps in Tyrol and those of the Hohe Tauern, the latter experienced significantly higher precipitation , so one could expect new insights in the different response of the two glaciers SSK and Hintereisferner (Ötztal Alps) - where a mass balance series went back to 1952. In 1966 another mass balance series with an additional focus on runoff recordings was initiated at Vernagtfener, near Hintereisferner, by the Commission of the Bavarian Academy of Sciences in Munich. The usual and necessary link to climate and climate change was given by a newly founded weather station (by Heinz and Werner Slupetzky) at the Rudolfshütte in 1961, which ran until 1967. Along with an extension and enlargement to the so-called Alpine Center Rudolfshütte of the OeAV, a climate observatory (suggested by Heinz Slupetzky) has been operating without interruption since 1980 under the responsibility of ZAMG and the Hydrological Service of Salzburg, providing long-term met observations. The weather station is supported by the Berghotel Rudolfshütte (in 2004 the OeAV sold the hotel to a private owner) with accommodation and facilities. Direct yearly mass balance measurements were started in 1963, first for 3 years as part of a thesis project. In 1965 the project was incorporated into the Austrian glacier measurement sites within the International Hydrological Decade (IHD) 1965 - 1974 and was afterwards extended via the International Hydrological Program (IHP) 1975 - 1981. During both periods the main financial support came from the Hydrological Survey of Austria. After 1981 funds were provided by the Hydrological Service of the Federal Government of Salzburg. The research was conducted from 1965 onwards by Heinz Slupetzky from the (former) Department of Geography of the University of Salzburg. These activities received better recognition when the High Alpine Research Station of the University of Salzburg was founded in 1982 and brought in additional funding from the University. With recent changes concerning Rudolfshütte, however, it became unfeasible to keep the research station going. Fortunately, at least the weather station at Rudolfshütte is still operating. In the pioneer years of the mass balance recordings at SSK, the main goal was to understand the influence of the complicated topography on the ablation and accumulation processes. With frequent strong southerly winds (foehn) on the one hand, and precipitation coming in with storms from the north to northwest, the snow drift is an important factor on the undulating glacier surface. This results in less snow cover in convex zones and in more or a maximum accumulation in concave or flat areas. As a consequence of the accentuated topography, certain characteristic ablation and accumulation patterns can be observed during the summer season every year, which have been regularly observed for many decades . The process of snow depletion (Ausaperung) runs through a series of stages (described by the AAR) every year. The sequence of stages until the end of the ablation season depends on the weather conditions in a balance year. One needs a strong negative mass balance year at the beginning of glacier measurements to find out the regularities; 1965, the second year of observation resulted in a very positive mass balance with very little ablation but heavy accumulation. To date it is the year with the absolute maximum positive balance in the entire mass balance series since 1959, probably since 1950. The highly complex ablation patterns required a high number of ablation stakes at the beginning of the research and it took several years to develop a clearer idea of the necessary density of measurement points to ensure high accuracy. A great number of snow pits and probing profiles (and additional measurements at crevasses) were necessary to map the accumulation area/patterns. Mapping the snow depletion, especially at the end of the ablation season, which coincides with the equilibrium line, is one of the main basic data for drawing contour lines of mass balance and to calculate the total mass balance (on a regular-shaped valley glacier there might be an equilibrium line following a contour line of elevation separating the accumulation area and the ablation area, but not at SSK). - An example: in 1969/70, 54 ablation stakes and 22 snow pits were used on the 1.77 km² glacier surface. In the course of the study the consistency of the accumulation and ablation patterns could be used to reduce the number of measurement points. - At the SSK the stratigraphic system, i.e. the natural balance year, is used instead the usual hydrological year. From 1964 to 1981, the yearly mass balance was calculated by direct measurements. Based on these records of 17 years, a regression analysis between the specific net mass balance and the ratio of ablation area to total area (AAR) has been used since then. The basic requirement was mapping the maximum snow depletion at the end of each balance year. There was the advantage of Heinz Slupetzky's detailed local and long-term experience, which ensured homogeneity of the series on individual influences of the mass balance calculations. Verifications took place as often as possible by means of independent geodetic methods, i.e. monoplotting , aerial and terrestrial photogrammetry, more recently also the application of PHOTOMODELLER and laser scans. The semi-direct mass balance determinations used at SSK were tentatively compared with data from periods of mass/volume change, resulting in promising first results on the reliability of the method. In recent years re-analyses of the mass balance series have been conducted by the World Glacier Monitoring Service and will be done at SSK too. - The methods developed at SSK also add to another objective, much discussed in the 1960s within the community, namely to achieve time- and labour-saving methods to ensure continuation of long-term mass balance series. The regression relations were used to extrapolate the mass balance series back to 1959, the maximum depletion could be reconstructed by means of photographs for those years. R. Günther (1982) calculated the mass balance series of SSK back to 1950 by analysing the correlation between meteorological data and the mass balance; he found a high statistical relation between measured and determined mass balance figures for SSK. In spite of the complex glacier topography, interesting empirical experiences were gained from the mass balance data sets, giving a better understanding of the characteristics of the glacier type, mass balance and mass exchange. It turned out that there are distinct relations between the specific net balance, net accumulation (defined as Bc/S) and net ablation (Ba/S) to the AAR, resulting in characteristic so-called 'turnover curves'. The diagram of SSK represents the type of a glacier without a glacier tongue. Between 1964 and 1966, a basic method was developed, starting from the idea that instead of measuring years to cover the range between extreme positive and extreme negative yearly balances one could record the AAR/snow depletion/Ausaperung during one or two summers. The new method was applied on Cathedral Massif Glacier, a cirque glacier with the same area as the Stubacher Sonnblickkees, in British Columbia, Canada. during the summers of 1977 and 1978. It returned exactly the expected relations, e.g. mass turnover curves, as found on SSK. The SSK was mapped several times on a scale of 1:5000 to 1:10000. Length variations have been measured since 1960 within the OeAV glacier length measurement programme. Between 1965 and 1981, there was a mass gain of 10 million cubic metres. With a time lag of 10 years, this resulted in an advance until the mid-1980s. Since 1982 there has been a distinct mass loss of 35 million cubic metres by 2013. In recent years, the glacier has disintegrated faster, forced by the formation of a periglacial lake at the glacier terminus and also by the outcrops of rocks (typical for the slope glacier type), which have accelerated the meltdown. The formation of this lake is well documented. The glacier has retreated by some 600 m since 1981. - Since August 2002, a runoff gauge installed by the Hydrographical Service of Salzburg has recorded the discharge of the main part of SSK at the outlet of the new Unterer Eisboden See. The annual reports - submitted from 1982 on as a contractual obligation to the Hydrological Service of Salzburg - document the ongoing processes on the one hand, and emphasize the mass balance of SSK and outline the climatological reasons, mainly based on the met-data of the observatory Rudolfshütte, on the other. There is an additional focus on estimating the annual water balance in the catchment area of the lake. There are certain preconditions for the water balance equation in the area. Runoff is recorded by the ÖBB power stations, the mass balance of the now approx. 20% glaciated area (mainly the Sonnblickkees) is measured andthe change of the snow and firn patches/the water content is estimated as well as possible. (Nowadays laserscanning and ground radar are available to measure the snow pack). There is a net of three precipitation gauges plus the recordings at Rudolfshütte. The evaporation is of minor importance. The long-term annual mean runoff depth in the catchment area is around 3.000 mm/year. The precipitation gauges have measured deficits between 10% and 35%, on average probably 25% to 30%. That means that the real precipitation in the catchment area Weißsee (at elevations between 2,250 and 3,000 m) is in an order of 3,200 to 3,400 mm a year. The mass balance record of SSK was the first one established in the Hohe Tauern region (and now since the Hohe Tauern National Park was founded in 1983 in Salzburg) and is one of the longest measurement series worldwide. Great efforts are under way to continue the series, to safeguard against interruption and to guarantee a long-term monitoring of the mass balance and volume change of SSK (until the glacier is completely gone, which seems to be realistic in the near future as a result of the ongoing global warming). Heinz Slupetzky, March 2014

Late Gothic German Vault Design Methods and Its Relationship with Spanish Ribbed Vaults

The arrival of European master masons to Burgos and Toledo during the mid-fifteenth century was essential for the promotion of the late Gothic ribbed vault design techniques in Spain. The Antigua Chapel in Seville Cathedral, designed by the Spanish master mason Simón de Colonia on 1497, provides an outstanding case study on this subject. This vault is characterized by the interlacing of the ribs near the springing, reflecting the influence of German ribbed vault designs. This paper analyses the relationship between German ribbed vaults and their design methods with those of Spanish ribbed vaults; with particular attention to the presence of ribs that cut through one another above the springing, materialized in the work of Simón de Colonia. This characteristic is reflected in some manuscripts in the German area, like the Wiener Sammlungen (15th-16th centuries) and the Codex Miniatus 3 (ca. 1560-1570), but no Spanish documents of the same period make reference to it.

La catedral de Ávila : evolución constructiva y análisis estructural

Esta tesis se enmarca en el ámbito de la Historia de la Construcción, se estudia la Catedral de Ávila desde un punto de vista técnico, necesario para completar la visión que de esta catedral se tenía. La interpretación de la documentación de archivo, que se encontraba dispersa e inconexa, ha permitido realizar una cronología revisada y completa de las campañas constructivas para el conjunto de la Catedral, desde el siglo XI al XXI. Mediante el análisis de los Contratos de Obra e Informes, se ha puesto de relieve conocimientos de técnicas constructivas medievales. Se plantean dos hipótesis para el orden en el proceso constructivo. En la zona del Cimorro, en relación con la supresión de la tribuna, colocación de los arbotantes y construcción de la fortificación y triple almenado. En el cuerpo de las naves, referida a la posible existencia de una tribuna, colocación del sistema de contrarresto que vemos actualmente y misión del arco entibo del coro. Se ha analizado la estabilidad estructural de la Catedral bajo el marco teórico del Análisis Límite para Estructuras de Fábrica, utilizando la restitución gráfica procedente del levantamiento topográfico realizado. Estos análisis han servido como comprobación de las hipótesis planteadas, por realizarse tanto para la situación actual como para las diferentes campañas constructivas propuestas. Se ha comprobado la validez de las reglas geométricas tradicionales para el análisis de la estructuras de fábrica en los elementos principales de la estructura gótica. Esta tesis incrementa el conocimiento de la historia mecánica del edificio interpretando el funcionamiento mecánico de sus arbotantes, proyectados de forma atípica, y la colocación de los arcos entibo y codales para conseguir la estabilidad del conjunto. La tesis cuenta con un anexo que recopila una extensa documentación gráfica: planimetría, iconografía y fotografía histórica; la trascripción inédita del Contrato de obra para la Capilla de San Segundo y un anexo de cálculo de la zona del Cimorro y del Cuerpo de Naves. This thesis aims to the field of Construction History. The Cathedral of Ávila is studied from a technical point of view, which was necessary to complete the existing knowledge about this Cathedral. The interpretation of archive documentation, which was disperse and unconnected before this work, has allowed the proposal of a revised and complete chronology of the diverse building stages of the Cathedral, dating from the XI century to the XXI century. The analysis of work contracts and of reports has revealed knowledge of medieval construction techniques. Two hypotheses are presented about the order in the construction process. The first hypothesis concerning the destruction of the tribune, the placing of the flying buttress and the building of the fortification and triple system of battlement in the area of the “Cimorro”. The second hypothesis regarding the naves: the possible existence of a tribune, the placing of the system of counterthrust, which can currently be seen, and the function of the “entibo” arch in the choir. The Structural Stability of the Cathedral has been analysed within the theoretical Framework of Limit Analysis to Masonry Structure, by using of the drawing proceeding from our lifting topographical. These analyses have proven the presented hypotheses, since they have been applied to the current situation as well as to the several building stage proposed in the chronology. The validity of the traditional geometric rules for the analysis of the masonry structure in the core elements of Gothic structures has been verified. This thesis increases the knowledge of the mechanical history of the building by interpreting the mechanical working of the flying buttress in an atypical arrangement and the placing of the “entibo” arch and “codal” arch in order to obtain the stability of the monument. The thesis incorporates supplementary material which can be categorized in three groups: 1) extensive graphic documentation (planning, iconography and history photography); 2) the hitherto unknown transcription of the “CONTRATO DE OBRA PARA LA CAPILLA DE SAN SEGUNDO”; 3) an appendix of Analysis of Calculation for the “Cimorro” and the naves.

O Botafumeiro: parametric pumping in the Middle Age

The pendular motion of a giant censer (O Botafumeiro) that hangs in the transept of the cathedral of Santiago de Compostela, and is cyclically pumped by men who pull at the supporting rope, is analyzed. Maximum angular amplitude attainable, and number of cycles and time needed to attain it, are calculated; the results agree with observed values (~ 82°, ~ 17 cycles, ~ 80 seconds) to the few percent accuracy of both the analysis and the observations and parameter measurements. The energy gain in a pumping cycle is obtained for an arbitrary pumping procedure to two orders in the small fractional change of pendular length; the relevance of the ratio (characteristic radial acceleration during pumping)/g to the gain is discussed- Effects due to rope mass, air drag on both Censer and rope, and the fact that the Censer is not a point mass, are considered. If the pumping cycle is inverted once the maximum amplitude has been attained, the Censer could be swiftly brought to rest, avoiding the usual violent stop. Historically recorded accidents, rope shape, and the influence of relevant parameters on the motion are discussed.

Pibamarmi Pavilion

The PIBAMARMI pavilion at the 2013 edition of MARMOMACC in Verona was designed by the Spanish architect Alberto CAMPO BAEZA, winner of the Fair’s International Award Architecture in Stone 2013 for the office building of the Castilla León Junta in front of the Cathedral in Zamora.

Descripción del horizonte acústico mediante métodos de evaluación subjetiva en la catedral de Toledo

Se tiene evidencia de que en el pasado, en las catedrales, se realizaban simultáneamente diferentes actividades. El proyecto trata de definir las áreas de la Catedral de Toledo en las cuales se considera escucha aceptable, cuando se están produciendo varias actividades simultáneamente a partir de un test de escucha de evaluación subjetiva. Para ello, se ha planteado una situación con tres fuentes sonoras situadas en el trascoro y en dos capillas. A partir de un modelo acústico diseñado en Odeon se han obtenido varias auralizaciones, con las señales procedentes de las tres fuentes, que han sido sometidas al test. Con el fin de crear un entorno que facilite la realización del mismo, tanto a los sujetos que lo realicen, como el tratamiento posterior de los datos obtenidos, se ha creado una herramienta desarrollada en Matlab. Se trata de una interfaz gráfica que permite escuchar las distintas auralizaciones, así como los sonidos procedentes de las distintas fuentes y recoge los juicios de los sujetos sometidos al test en un archivo Excel. Una vez recogidos los datos de los participantes se ha realizado un tratamiento estadístico de los mismos a fin de obtener resultados a cerca del horizonte acústico en la Catedral de Toledo, para la situación planteada. ABSTRACT. We have evidence from the old times that cathedrals were used to host different activities at the same time. This project aims to define the areas of the Cathedral of Toledo that have an acceptable listening level while several activities are carried out simultaneously, by performing subjective listening evaluation test. To achieve the objective, three sound sources are located inside the Cathedral, one behind the choir and two in the chapels. Several auralizations have been obtained, with the signals from the three test sources, by using an acoustic model designed with Odeon. In order to create an environment that facilitates the realization of the listening tests and the post-processing of the data obtained, a tool has been developed in Matlab. It has a graphical interface that allows the subject to listen to different auralizations, as well as the sounds from the different sources, and then collect the results of each test in an excel file. Once the data from the participants is collected, a statistical processing is performed in order to get the results for the acoustic horizon of the Cathedral of Toledo for the aforementioned setup.

Crossed-arch vaults in late-gothic and early Renaissance vaulting: a problem in building technology transfer

Crossed-arch vaults are a particular type of ribbed vaults. Their main feature is that the ribs that form the vault are intertwined, forming polygons or stars and leaving an empty space in the middle. The firsts appear in Córdoba in the second half of the 10th Century. Afterwards, the type diffused through Spain and North Africa, 11th_13th Centuries. These vaults reappear in Armenia in the 13th Century. In the 14th and 15th Century a few examples are found both in England (Durham, Raby) and Central Europe (Prague, Landshut, Vienna). At about the same time, Leonardo da Vinci produced designs for the Tiburio (Ciborium) of Milan cathedral with a cross-arched structure and proposed tests to assess the strength; he also, made use of the same pattern of vault for Renaissance centralized churches. Eventually, the type can be tracked through the 17th (Guarini) and 18th (Vittone) Centuries, until Spanish post war architecture in the 1940-60s (Moya). Some questions arose, which so far, have not been answered. How was it possible that a particular type of vault had such enormous geographical spread? How was it transmitted from Córdoba to the Caucasus? The matter is one of transfer of knowledge, ideas, and technology; it relates both aesthetics and construction.

El lenguaje de la estructura: Mies van der Rohe y la construcción con acero y hormigón

John Summerson, en El Lenguaje Clásico de la Arquitectura, defiende que los órdenes clásicos que empleaban los arquitectos romanos para decorar sus edificios, no tienen una función estructural pero hacen expresivos a los edificios. Les hacen hablar. Arthur Schopenhauer afirma que “el destino de la Bella Arquitectura es poner de manifiesto la lucha entre el peso y la rigidez de los elementos estructurales”. Y Auguste Perret define la Arquitectura como “el arte de hacer cantar al punto de apoyo”. El objetivo de esta Tesis Doctoral es profundizar en la capacidad de expresión de la estructura. A través del estudio de las estructuras históricas, que se realiza en la primera parte de la Tesis, podemos concluir que existen tres categorías, tres maneras de expresión de la Estructura. Estructuras Vistas, que hablan, Estructuras Ocultas, que se esconden y Estructuras Ilusorias, que fingen. El Partenón y la Sainte Chapelle de París se estudian en el apartado de Estructuras Vistas. El Panteón, el Palacio de Carlos V, la Catedral de San Pablo en Londres, y otras arquitecturas renacentistas y romanas, en el apartado de Estructuras Ocultas. Y como Estructuras Ilusorias, la Alhambra (Dos Hermanas, Comares, el Patio de los Leones), Santa Sofía, y otras arquitecturas del barroco italiano. En la segunda parte de la Tesis se analiza la obra completa de Mies van der Rohe desde el punto de vista de esas tres categorías. Lo visto, lo oculto y lo ilusorio en las estructuras de Mies. Se estudia la evolución en la estructura de la casa, desde las primeras casas con Estructura Oculta de muro de ladrillo, hasta las últimas casas con Estructura Vista y columnas adelantadas, pasando por una etapa intermedia de casas con estructura mixta de muro de ladrillo en la que el acero comienza a hacer su aparición. Se analizan también seis soluciones estructurales en los Bloques y en las Torres: Estructura Vista reverberante, expresiva o inexpresiva vs Estructura Oculta con vestido horizontal, vestido reticular o vestido vertical. Y por último, se estudian las tres soluciones de Estructura Ilusoria que emplea Mies en sus Pabellones. La metodología de trabajo que se ha empleado se divide en cuatro apartados: El análisis bibliográfico; el análisis in situ de los edificios, que nos permite comprobar, por ejemplo, los efectos lumínicos de la columna acanalada del Partenón, o el efecto reverberante de las columnas de la Weissenhofsiedlung; el análisis crítico de planos y detalles constructivos, que nos lleva a concluir que la disposición de pantallas del Pabellón de Barcelona anula la lectura de la crujía estructural, y que la columna del restaurante Cantor se dispone con su alma perpendicular a la cercha, y no paralela, como cabría suponer si se quisiera aprovechar toda la capacidad portante del perfil en H; y por último, el análisis numérico y estructural, que nos lleva a confirmar el sobredimensionado de la Estructura del Patio de los Leones de la Alhambra o el sobredimensionado de la Estructura de la Casa Farnsworth. Lo que se confirma con esta Tesis Doctoral es que la Estructura es algo más, mucho más, que sólo transmisión de las cargas. ABSTRACT John Summerson, in The Classic Language of Architecture, argues that the classic orders used by Roman architects in the decoration of their buildings did not have a structural function, but made buildings expressive. They make them speak. Arthur Schopenhauer affirms that “the goal of Great Architecture is to highlight the struggle between the gravity and rigidity of structural elements”. And Auguste Perret defines Architecture as “the art of making the points of support sing”. The objective of this Doctoral Thesis is to examine the expressive capacity of structure. Following a study of historic structures in the first part of the thesis, we conclude that three categories exist, three ways of expressing Structure. Visible Structures that speak, Concealed Structures that are hidden and Illusory Structures that pretend. The Parthenon and the Sainte Chapelle in Paris are studied in the section on Visible Structures. The Pantheon, the Palace of Charles V, Saint Paul’s Cathedral in London, and other Renaissance and Roman architectures are dealt with in the Concealed Structures section. And, as examples of Illusory Structures, we focus on the Alhambra (The Hall of the Two Sisters, the Comares and the Court of the Lions), Saint Sophia, and other Italian Baroque architectures. In the second part of the Thesis the complete work of Mies van der Rohe is analysed from the perspective of these three categories. The visible, the concealed and the illusory, in the structures of Mies. We study how the structure of the house evolves, from the first houses with the Hidden Structure of the brick wall, to the later houses with Visible Structures and columns, via an intermediate phase of mixed-structure houses with brick walls, where steel first began to make its appearance. We also analyse six structural solutions in the Blocks and Towers: reverberant, expressive or inexpressive Visible Structure vs Concealed Structure with horizontal cladding, reticular cladding or vertical cladding. And finally, we look at the three Illusory Structure solutions that Mies employs in his Pavilions. The methodology employed is divided into four sections: a bibliographic analysis; an analysis in situ of the buildings, which allows us to test, for example, the lighting effects of the fluted column in the Parthenon, or the reverberant effect of the Weissenhofsiedlung columns; a critical analysis of plans and constructive details, which leads us to conclude that the arrangement of panels in the Barcelona Pavilion cancels out the structural centreline, and that the column in the Cantor restaurant is placed with its web perpendicular to the truss, and not parallel to it, as one might expect if one wanted to avail of all the load-bearing capacity of the H beam; and lastly, a numeric and structural analysis, which confirms the oversizing of the Court of the Lions structure in the Alhambra or the oversized structure of Farnsworth House. All of which confirms in this Doctoral Thesis that structure is something more, much more, than a mere conveyor of loads.

Juan Bautista Lázaro y la restauración monumental: su intervención en la Catedral de León (1892-1909)

La catedral de León, debido al estado de ruina que presentaba a mediados del siglo XIX, se vio sometida a partir de entonces a una serie de intervenciones de conservación, restauración y reconstrucción que la transforma-ron significativamente. A pesar de encontrarnos con gran cantidad de documentación escrita sobre este monumento y de existir varios estudios sobre los arquitectos restauradores que intervinieron en este a finales del siglo XIX, resulta sorprendente que todavía existan períodos de este lapso de tiempo en el que su análisis y profundización haya sido menor. Este es el caso del período de Juan Bautista Lázaro como arquitecto director de las obras de la catedral leonesa, existiendo únicamente sobre toda su obra un estudio general que fue realizado por el director de este trabajo de investigación, por lo que nos llevó a considerar que era oportuno profundizar sobre la figura y obra de uno de los arquitectos más importante de la restauración en España de este período, no solo por su obra en sí, sino también por sus pos-turas significativas respecto a la intervención en el patrimonio arquitectónico: su respeto por los añadidos históricos, su preferencia por no aislar los monumentos, sus interés por los sistemas constructivos y su deseo de recuperar los oficios tradicionales que estaban completamente perdidos en la España decimonónica. El objetivo principal de la tesis es, por tanto, el análisis descriptivo y arquitectónico de los proyectos e intervenciones que Lázaro desarrolló y ejecutó para la catedral de Santa María de Regla de León, para deducir los principios e ideas que guiaron su quehacer en este templo, y poder, tras estudiar sus diversas publicaciones escritas y los proyectos e intervenciones de restauración acometidas en otros edificios de carácter monumental, llegar a establecer sus criterios de intervención en el patrimonio histórico y artístico. De acuerdo con esto, la tesis se estructura en tres partes: una primera parte en la que se contempla el pensamiento arquitectónico de Lázaro en su intervención en el patrimonio histórico; una segunda, en la que se abordan directamente los proyectos e intervenciones de Lázaro en la pulchra leonina, previa aproximación del citado arquitecto al proceso de restauración que se acometía en dicho templo; y una tercera, en la que se realiza el estudio de las principales intervenciones de restauración que ejecutó en otros edificios del patrimonio arquitectónico español. El presente trabajo de investigación se ha servido de la documentación escrita, gráfica, planimétrica y fotográfica que sobre los temas tratados existe desperdigada en diversos archivos dependientes de distintos organismos oficiales civiles y eclesiásticos. Además, el hecho de haber podido acceder a los trabajos de conservación y restauración que en estos momentos se están llevando a cabo en las zonas en las que intervino Lázaro (vidrieras, rejas, puertas, fábricas, cubiertas, etc.), y el poder intercambiar opiniones y criterios con la persona que actualmente es responsable de las obras de la catedral de León, ha facilitado y complementado el desarrollo de la presente tesis al haber podido contrastar y tomar datos directamente en el monumento objeto de estudio. También se ha llevado a cabo la consulta de las distintas revistas de arquitectura publicadas en aquellos años y de los múltiples libros que versaban sobre los edificios objeto de este trabajo o que guardaban relación con ellos. Asimismo hemos logrado conocer el testimonio de algunos de los herederos de Lázaro y de varios de los descendientes de los operarios que trabajaron bajo sus órdenes. Como conclusiones generales, la tesis define por primera vez los criterios generales que guiaron su quehacer profesional en el patrimonio. Además, en este trabajo se analizan pormenorizadamente los proyectos y actuaciones de Lázaro en la catedral de León, abordándose también en profundidad el trabajo del mencionado arquitecto en el ámbito de la restauración arquitectónica. Para lograr este objetivo, esta tesis no se ha limitado únicamente a analizar la información existente en los proyectos y en los in-formes de supervisión de los mismos, como tradicionalmente se había hecho, sino que también se ha tratado de verificar si los datos contenidos en los diferentes documentos de un mismo proyecto y en los borradores de los mismos tenían relación y coherencia entre sí. Además, se ha procurado realizar el análisis comparativo de la realidad construida con el contenido de los proyectos, liquidaciones y documentos de la fase de ejecución de las obras. Este análisis comparativo no había sido realizado hasta la fecha, siendo este, por tanto, una de las aportaciones del trabajo. Por último, la tesis abre tres vías de investigación futuras (que ya se han tratado y avanzado en parte, pero que escapan a los límites de este trabajo). Estas se refieren al estudio de la evolución de la representación gráfica de los planos de la catedral leonesa catalogados en este trabajo, de la actividad pública de Lázaro y su preocupación por la defensa del patrimonio como diputado en las Cortes, arquitecto municipal de Ávila y arquitecto diocesano de Ávila y Toledo, y de cómo sus actuaciones de restauración en el patrimonio arquitectónico influyeron en los proyectos de obra nueva que construyó. ABSTRACT Due to the state of ruin in mid-nineteenth century, the Cathedral of Santa Maria de Regla of León was subjected to a series of interventions on conservation, restoration and reconstruction that transformed it significantly. There have been several studies on the architects who took part in the restoration during the mentioned century and despite abundant documentation and research on this monument, it is surprising to note the lack of deep analysis in some of the periods. In particular, the interventions accomplished by Juan Bautista Lázaro, as chief architect of the works of the Cathedral of León, have not been documented and analysed in adequate depth, despite the outstanding recognition of his work nationally and internationally. Furthermore, up to date, only the director of this research had conducted a general research of all his architectural work. For these reasons, we felt it was appropriate to elaborate on the life and work of one of the most important architects of the restoration in Spain during that period, not only for his work itself, but also for his significant contribution to the debate on architectural interventions on heritage. He is notable for his respect to historical additions, his preference for not isolating the monuments, his interest in building systems and his continuous desire to re-cover the traditional crafts that were completely lost in the nineteenth century in Spain. The main aim of this thesis is therefore the descriptive and architectural analysis of Lázaro’s projects and interventions developed and executed for the Cathedral of León. The thesis identifies the principles and ideas that guided his work in this temple and establish the criteria for intervention in the historical and artistic heritage architecture he applied after studying its various print publications, projects and restoration works undertaken in other buildings. Accordingly, the thesis is structured in three parts: the first part where it deals Lázaro’s architectural thinking in his interventions on heritage constructions; the second one, in which analyses the projects and interventions carried out by Lazaro in the “pulchra leonina”, but this analysis is preceded by the description of Lázaro’s relationship with the Cathedral of León before taking charge of its restoration in 1892; and the third and final section, in which the study of major restoration interventions implemented by Lázaro in other buildings of Spanish architectural heritage is made. This research has used available documentation (in written or graphic form, plans or photographs) scattered in a diverse range of archives de-pendent on various civil and ecclesiastical institutions. Moreover, we could access the conservation and restoration works, currently being carried out in areas where Lázaro intervened (stained glass windows, forged iron en-closures, gates, doors, masonry, covers, etc.). It has been possible to ex-change views and opinions with the person currently in charge of the referred restoration works which has facilitated and complemented the development of this thesis. It further, it has allowed contrasting and obtaining data directly from the monument under study. Consultation of various architectural journals published in those years has also been taken into account, as well as a diversity of books and articles which concerned the buildings assessed in this work, or related to them. Also, although not with the results expected, it has been obtained the testimony of some of Lázaro’s descendants as well as descendants of the workers who operated under him. As a general conclusion, the thesis defines the general criteria that guided his professional work in the heritage for the first time. Furthermore, Juan Bautista Lázaro’s projects and interventions in the Cathedral of León are analysed in detail. Also, it has been studying in detail the Lazaro’s work in the architectural heritage. To achieve this goal, the thesis has studied not only the information from the official projects and technical reports of them, but also it has been tried to verify if the information contained in the different documents of the same project and in the drafts were related and consistent with each other. In addition, it has been attempted to per-form a comparative analysis of the execution of Lázaro’s projects and the entire projected content. This comparative study had not been done to date and this will be, therefore, one of the main contributions of this re-search. Finally, this thesis opens up three lines of investigation (that have already been discussed and partially advanced, but which fall beyond the scope of this research). These refer to the study of the evolution of the graphical representation of the plans of Leon Cathedral catalogued in this thesis, public activity of Lazaro and his concern for the defence of heritage as deputy in Parliament, municipal architect of Avila, and as diocesan architect Ávila and Toledo, and even more how its restoration actions in architectural heritage influenced his projects of new construction.