L'Orlando Furioso.

Mode of access: Internet.

Orlando Furioso

Mode of access: Internet.

A defesa das costas de Portugal e a alliança Luso-Ingleza /

Includes bibliographical references and index.

The Orlando furioso.

With a translation of the Seventh satire of Ariosto: v. 2, p. 531-537.

Orlando furioso:

"The life of Ariosto: extracted from Pigna, Fornari, Garafolo Mazzuchelli, and others": v. 1, p. [xlix]-cii.

Die komischen Elemente in Ariostos "Orlando Furioso".

Thesis--Bern.

Bilder und Vergleiche aus dem Orlando Innamorato Bojardo's und dem Orlando Furioso Ariosto's.

Thesis (doctoral)--Marburg.

Der Einfluss von Ariost's Orlando Furioso auf das franzosische Theater.

Thesis (doctoral)--Kgl. Ludwig-Maximilians-Universitat Munchen.

Orlando furioso;

"Pel testo abbiamo seguito l'edizione che Ottavio Morali pubblicò in Milano nel 1818 ... Tenemo conto di alcune varianti proposte da Antonio Panizzi nella stampa di Londra del 1834. La note trascegliemmo dal Fornari (F.), dal Ruscelli (R.), dal Barotti (Bt.), dal Molini (M.) dal Panizzi (P.), dal Bolza (B.)"--Proemio, p.xii.

Cuba in Splinters: Eleven Stories from the New Cuba, Book Presentation by Editor Orlando Luis Pardo Lazo

This flyer promotes the event "Cuba in Splinters: Eleven Stories from the New Cuba, Book Presentation by Editor Orlando Luis Pardo Lazo" held at Books & Books in Coral Gables.

Gender Benders: Shakespeare's Rosalind and Woolf's Orlando

English Renaissance playwright, William Shakespeare and twentieth century modernist author, Virginia Woolf’s works, “As You Like It” (1599) and “Orlando” (1928), respectively posit a vision of gender that transcends the physical sex of the body. The play’s heroine, Rosalind, and the novel’s protagonist, Orlando, each challenge the stability of the binary categories of male and female, demonstrating how gender is not absolute but rather a constantly adapting and evolving construct. This thesis traces the development of Rosalind and Orlando by analyzing and comparing both protagonists’ journeys towards concordia discors, considering how gender transformation plays a pivotal role in helping both figures transcend prescribed gender roles and restraints placed upon them by family and society. Both Rosalind and Orlando mount challenges to prescribed gender norms during periods when conservative gender roles were strictly enforced. By doing so, each character positions themselves as pivotal and progressive representations of gender performance for their time.

Entre Nós : entrevista a Orlando da Costa

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