Anales del Reino de Navarra / compuestos por el P. José de Moret.

v. VIII : Investigaciones históricas de las antigüedades del Reino de Navarra

Anales del Reino de Navarra / compuestos por el P. José de Moret.

v. IX : Investigaciones históricas de las antigüedades del Reino de Navarra

Anales del Reino de Navarra / compuestos por el P. José de Moret.

v. X : Congresiones apologéticas sobre la verdad de las investigaciones históricas de las antigüedades del Reino de Navarra

Anales del Reino de Navarra / compuestos por el P. José de Moret.

v. XI : Congresiones apologéticas sobre la verdad de las investigaciones históricas de las antigüedades del Reino de Navarra / por José Moret. Ensayo apologético, histórico y crítico, acerca del Padre Moret ... / Arturo Campion. Empeños del valor, y biz

Anales del Reino de Navarra / compuestos por el P. José de Moret.

v. XII : Continuación del Sitio de Fuenterrabia / escrito en latín por el P. José de Moret ; y traducido al castellano por Manuel Silvestre de Arlegui

Diccionario de antigüedades del Reino de Navarra / por José Yanguas y Miranda.

I. Diccionario de antigüedades ...

Diccionario de antigüedades del Reino de Navarra / por José Yanguas y Miranda.

II. Diccionario de antigüedades ...

Diccionario de antigüedades del Reino de Navarra / por José Yanguas y Miranda.

Indice general de la obra

El traslado de la capital del Reino de Guatemala (1773-1779). Conflicto de poder y juegos sociales

ResumenSegún los propios términos de los Ministros de la Real Audiencia, la decisión de reconstruir, en un lugar diferente, una nueva capital en la Capitanía General de Guatemala, tras los terremotos de 1773 provocó uno de los mayores asuntos que habrán ocurrido en las Audiencias de América. En este trabajo invitamos al lector a una nueva lectura del acontecimiento tomando en cuenta la complejidad de las apuestas financieras, la personalidad y la psicología de los actores sociales, los conflictos internos a las corporaciones municipales y eclesiásticas la influencia de las redes de poder que irrigaban la sociedad colonial. Una nueva luz en un conflicto del Antiguo Régimen que revela en toda su magnitud las trampas en que suelen caer los hombres de poder y con poca conciencia y de las consecuencias sociales de sus decisiones.AbstractIn their own words, the ministers of the Real Audiencia described the decision to rebuild, in a different location, a new capital for the Captaincy-General of Guatemala, after 1773 earthquakes destroyed the city as one of the greatest events that have occurred in the American Audiencias... In this work, we invite a new reading of this event, taking into account the complexity of the financial stakes, the personality, and psychology of the social actors, the internal conflicts of municipal and ecclesiastic corporations, and the influence of networks of power that reached throughout colonial society. A new light cast over an ancient regime conflict that reveals in all its magnitude the traps that men of power tend to fall into and the limited awareness they have of the social consequences of their decisions.

Una peste de viruelas en la región de la frontera de Guerra hispano-indígena en el Reino de Chile (1791)

ResumenEn la frontera de guerra del río Bío Bío se enfrentaron dos sociedades totalmente diferentes: la sociedad colonial hispánica contra los mapuches y otras sociedades indígenas. El análisis de los documentos sobre la peste general de viruelas que se desató en la región de frontera en 1791, permite al autor adentrarse en el conocimiento de aquellas sociedades.AbstractTwo completely different societies confronted each other on the military frontier of the Bío Bío River: Hispanic colonial society and that of the Mapuches and other Indian societies. An analysis of the documents on the widespread small pocks epidemic of the frontier region in 1791 allows the author to study those two societies in contact.

Käsitteellisestä ruumiilliseen, sitaatiosta paikkaan - maalaustaide ja nykytaiteen historia

The dissertation "From Conceptual to Corporeal, from Quotation to Site: Painting and History of Contemporary Art" explores the state of painting in contemporary art and art theory since the 1960s. The purpose of the study is to re-consider the dominant "end of painting" -narrative in contemporary art history, which goes back to the modernist ideology of painting as a reductive, medium-specific form of art. Drawing on Michel Foucault´s concepts of discursive formation and archive, as well as Jean-Luc Nancy´s post-phenomenological philosophy on corporeality, I suggest that contemporary painting can be redefined as a discursive-sensuous practice. Instead of seeing painting as obsolete or over as an avantgarde art genre, I show that there have been alternative, neo-avantgardist ways of defining painting since the end of the 1960s, such as French artist Daniel Buren´s early writings on painting as "theoretical practice". Consequently, the tendency of the canonical Anglo-American contemporary art narratives to underestimate the historical and institutional codes of art can be questioned. This tendency can be seen, for example, in Rosalind Krauss´s influential theory on index. The study also reflects the relations between conceptual art and painting since the 1960s and maps recent theories of painting, which re-examine the genre´s possibilities after the modernist rhetoric. Concepts of "flatbed", "painting in the extended field", "as painting" and so on are compared critically with the idea of painting as discursive practice. It is also shown that the issues in painting arise from the contemporary critical art debate while the dematerialisation paradigm of conceptual art has dissolved. The study focuses on the corporeal-material-sensuous -cluster of meanings attached to painting and searches for its avantgardist possibilities as redefined by postfeminist and post-phenomenological discourse. The ideas of hierarchy of the senses and synesthesia are developed within the framework of Jean-Luc Nancy´s and Luce Irigaray´s thought. The parameters for the study have been Finnish painting from 1990 to 2002. On the Finnish art scene there has been no "end of painting" ideology, strictly speaking. The mythology and medium-specificity of modernism have been deconstructed since the mid-1980s, but "the archive" of painting, like themes of abstraction, formalism and synesthesia have been re-worked by the discursive practice of painting, for example, in the works of Nina Roos, Tarja Pitkänen-Walter and Jussi Niva.

Ylirajaisia suhteita : Helsingin olympialaiset, Armi Kuusela ja ylikansallinen historia

In 1952 Helsinki hosted the Summer Olympic Games and Armi Kuusela, the current “Maiden of Finland”, was at the same time crowned Miss Universe. In popular history writing, these events have been designated as a crucial turning point – the end of an era marked by war and deprivation and the beginning of a modern, Western nation. Symptomatically, both events were marked by Finnish women’s sexual relationships with foreign men. The Olympics were shadowed by a concern over Finnish women’s “undue friendliness” with the Olympic guests, and Armi Kuusela's world tour was cut short by her surprise marriage in Tokyo and subsequent emigration to the Philippines. This study is an inquiry into the Helsinki Olympics and the public persona of Armi Kuusela from the point of view of transnational heterosexuality and the constitution of Finnish national identity. Methodologically the two main components of the study are intersectionality, defined here as a focus on the mutual histories and effects of discourses of gender, sexuality, race and nation; and transnational history as a way of exploring the ways that both nations and sexual subjects are embedded in global relations of power. The analysis proceeds by way of contextual and intertextual readings of various sources. Part one, centering on the Olympics, involves a campaign mounted by certain women’s organizations before the Games in order to educate young women about the potential dangers of the forthcoming international event as well as magazine and newspaper articles published during and after the Games concerning the encounter between young Finnish women and foreign, especially “Southern,” men. It places the debates during the Olympics within the framework of wartime understandings of women’s sexuality; the history of the concept of decency (siveellisyys); post-war population policy; the intersectional histories of conceptions pertaining to race and sexuality; and finally, the post-war concerns over women’s migration from rural areas to the capital city and their potential emigration abroad. Part two deals with the persona of Armi Kuusela and the public reception of her world tour and marriage, based on material from both Finland and the Philippines (newspapers, magazines, advertisements, books and films). It examines the persona of Armi Kuusela as a figure of national import in terms of the East/West divide; the racialized images of different geographic climates and Oriental “Others;” the meaning of whiteness in the Philippines; the significance of class and colonial history for the domestication of sexual and racial transgressions implied by an unconventional transnational marriage; as well as the cultural logics of transnational desire and its possible meanings for women in 1950s Finland. The study develops two arguments. First, it suggests that instead of being purely oppositional to national discourses, transnational desire may also be viewed as a product of these very discourses. Second, it claims that the national significance of both the Olympics and the persona of Armi Kuusela was due to the new points of comparison they both offered for national identity construction. In comparison with the sexualized Southern men at the Olympics and the racialized Orient in the representations of Armi Kuusela’s travels and marriage, Finland emerged as part of the civilized North, placed firmly within the perimeters of Western Europe. As such, both events mark a “whitening” of the Finnish people as well as a distancing from their previous designations in racial hierarchies. At the same time, however, the process of becoming a white nation inevitably meant complying with and reproducing racial hierarchies, rather than simply abolishing them.