(Table 1) Pollen analysis of clay-gyttja layers obtained in 1966 near Hitzhusen, north Germany

Bereits im Jahre 1956 wurde bei Baugrund-Aufschlußbohrungen für das zweite Kurmittelhaus in Bad Bramstedt bei einer Serie von 11 Bohrungen - ausgeführt durch die Firma Fritz Eising K. G. in Hamburg - in drei benachbart gelegenen Bohrpunkten an der südlichen Ecke des Gebäudes in einer Teufe von ca. 10 m u. T. eine offensichtlich organogene Schicht von ca. 2 m Mächtigkeit erbohrt. Eines dieser Bohrprofile hat folgenden Aufbau: -5,8 m Fein-Mittelsand, -7,7 m Mittelsand, Fein-Mittelkies, -10,0 m Mittelsand, wenig Kies, -12,0 m Gyttja, -15,0 m Mittelsand, Grobsand. Die bereits wiedergegebene Teufenangabe ist insofern recht interessant, als im Jahre 1966 bei der Brücke über die Bramau bei Hitzhusen, demnach in der Talaue der Bramau in einer Teufe von 8,55 m ebenfalls eine Gyttja erbohrt wurde. Die Tiefenlagen beider Vorkommen scheinen sich demnach relativ zu entsprechen. Das gesamte Profil bei Hitzhusen ist in einigen Punkten abweichend ausgebildet und enthält vor allem noch ein zweites Gyttja-Band in 11,25 m Teufe. Im Einzelnen wurde hier durch die Bohrfirma Paul Hammers A. G., Hamburg, diese Schichtfolge angetroffen: -1.55 m Fein-Mittelsand, Humus, -3,10 m Mittel-Grobsand, Kies, Steine, etwas Lehm, -4,50 m Mittel-Grobsand, -7,20 m Mittel-Grobsand, Kies, -8,00 m Grobsand, -8,55 m Grobsand, Kies, -8,65 m Schluff-Gyttja, -9,70 m Fein-Grobsand, -10,25 m Mittel-Grobsand, Kies, -10,75 m Mittel-Grobsand, -11,25 m Mittel-Grobsand, Schluffstreifen, -11,40 m Schluff-Gyttja, -12,10 m Mittelsand, -12,30 m Mittel-Grobsand, Kies, -17,85 m Geschiebemergel. Die gewonnenen Proben der Schluff-Gyttjen wurden näher untersucht. Da es sich in beiden Fällen um geringmächtige Lagen handelt (0,1 m resp. 0,15 m), und das Material durchaus als stark feinsandig bis schluffig zu bezeichnen ist (das spricht für eine wesentlich schnellere Sedimentation, als die einer reinen biogenen Gyttja), ist der Effekt einer 'Mischprobe' weitgehend ausgeschlossen. Außerdem lagen die Proben - obgleich wahrscheinlich mit einem Ventilbohrer gefördert - als relativ ungestörte Brocken mit erhaltengebliebener Feinschichtung vor. Auf den Schichtflächen waren gröbere Pflanzenreste erkennbar (in der Tabelle angegeben). Der sehr hohe mineralische Anteil läßt zunächst den Verdacht auf sekundären Pollen aufkommen. Keines der beiden pollenanalytisch ermittelten Vegetationsbilder liefert dagegen irgendeine Bestätigung hierfür.

Leadership through intellect:the meaning of leadership in the intellectual history of nineteenth and early twentieth century Germany

This study examines the understanding of leadership in Germany, as it developed throughout the nineteenth and early twentieth century. The investigation is based on the work of contemporary writers and thinkers, as well as on the leadership styles of key political figures. Given the ideological connotations of the term "Führung" in post-war Germany, the aim is to reconsider the meaning of leadership, with particular reference to the alternative notion of spiritual guidance. The rise to power of Napoleon I fundamentally influenced the understanding of leadership in Germany, as is demonstrated through an analysis of the Napoleonic reception in contemporary literature. Despite polarised responses, the formation of the heroic ideal may be identified, the quest for spiritual guidance having become subordinate to the charismatic legitimisation of political authority. As advocated by Thomas Carlyle, the mid to late nineteenth century witnessed the realisation of this ideal through Bismarck. The intellectual response to this development is characterised by the work of Wagner, Burckhardt and Nietzsche. In different ways each figure emphasised the need to redefine greatness and to seek spiritual guidance from alternative sources. The reflection on leadership in the early twentieth century is traced through the work of Harry Graf Kessler and the circles around Stefan George. Hitherto unpublished material is examined, revealing both the influences of nineteenth century thought and reactions to the "persönliches Regiment" of Wilhelm II. The intellectual debate culminates in Max Kommerell's 1928 study Der Dichter als Führer. Read in conjunction with unpublished notes and correspondence, this provides new insights into Kommerell's thought. The concept of poetic leadership constitutes a potential spiritual and intellectual alternative to the ideal of the political "Führer" which dominated the forthcoming era. It therefore remains of contemporary significance and may contribute to a broader discussion of the leadership dilemma in modern Germany.

(Figure 1) Distribution of 137Cs and 134Cs vs. age in sediments of the Großer Plöner See, north Germany

137Cs and 134Cs as compounds of the radioactive release from the reactor catastrophy of Chernobyl on the 26.04.1986 were deposited into sediments of lakes in Schleswig-Holstein (Germany). Three years later, in autumn 1989, a sediment core was taken from the Großer Plöner See and the distribution of both caesium isotopes was determined. The radiocaesium profiles were dated by 210Pb. The radiocaesium nuclides from Chernobyl diffused into sediment layers which were deposited decades before the catastrophy. The activity of 137Cs from Chernobyl was higher than from the nuclear bomb fallout.

(Tables 1-3) Geochemical composition of seepage water in soils obtained in Schleswig-Holstein, Germany

Under defined laboratory and field conditions, the investigation of percolating water through soil columns (podsol, lessive and peat) down to groundwater table shows that the main factors which control the chemical characteristics of the percolates are: precipitation, evaporation, infiltration rate, soil type, depth and dissolved organic substances. Evaporation and percolation velocity influences the Na+, SO4**2- and Cl- concentrations. Low percolation velocity leads also to longer percolation times and water logging in less permeable strata, which results in lower Eh-values and higher CO2-concentrations due to low gas exchange with the atmosphere. Ca2+ and Mg2+ carbonate concentration depends on soil type and depth. Metamorphism and decomposition of organic substances involve NO3 reduction and K+, Mg2+, SO4**2-, CO2, Fe2+,3+ transport. The analytical data were evaluated with multi variate statistical methods.

Comparing international television news : the case of violence presentation in Germany, Great Britain and Russia -- [in German : Gewalt in internationalen Fernsehnachrichten - eine komparative Analyse medialer Gewaltpräsentation in Deutschland, Großbritannien und Russland]

This is an important book that ought to launch a debate about how we research our understanding of the world, it is an innovative intervention in a vital public issue, and it is an elegant and scholarly hard look at what is actually happening. Jean Seaton, Prof of Media History, U of Westminster, UK & Official Historian of the BBC -- Summary: This book investigates the question of how comparative studies of international TV news (here: on violence presentation) can best be conceptualized in a way that allows for crossnational, comparative conclusions on an empirically validated basis. This book shows that such a conceptualization is necessary in order to overcome existing restrictions in the comparability of international analysis on violence presentation. Investigated examples include the most watched news bulletins in Great Britain (10o'clock news on the BBC), Germany (Tagesschau on ARD) and Russia (Vremja on Channel 1). This book highlights a substantial cross-national violence news flow as well as a cross-national visual violence flow (key visuals) as distinct transnational components. In addition, event-related textual analysis reveals how the historical rootedness of nations and its symbols of power are still manifested in televisual mediations of violence. In conclusion, this study lobbies for a conscientious use of comparative data/analysis both in journalism research and practice in order to understand what it may convey in the different arenas of today’s newsmaking.

Public awareness of ‘green’ residential property – an empirical survey based on data from New Zealand and Germany

Over the last few years more stringent environmental laws (e.g. the German “Energie¬ein-sparverordnung ENEV” - Energy Performance of Buildings Directive) and soaring energy prices has increased the need for the real estate industry to react and participate in overall energy reduction through efficient house construction and design, as well as upgrading the existing housing stock to be more energy efficient. Therefore the Property Economics Group at Queensland University of Technology in Australia and Nuertingen-Geislingen University in Germany are carrying out research in relation to sustainable housing construction and public awareness of “green” residential property. Part of this research is to gain an understanding of the level of knowledge and importance of these issues to the house buyer and to determine the importance of sustainable housing to the general public. The paper compares data from two different empirical studies; one of studies analyzes the situation in New Zealand, the other is focused on Germany.

Aural auteur : sound in the films of Rolf de Heer

An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of her or his films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-maker’s body of work, neglecting the potentially significant role played by sound. The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed by Rolf de Heer, asking the question, “Does his use of sound make Rolf de Heer an aural auteur?” In so far as the term ‘aural’ encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films. The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scène (i.e. visuals) is productive and worthwhile as an interpretive response to film. De Heer���s use of the aural point of view and binaural sound recording, his interest in providing a ‘voice’ for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound designer Jim Currie, his ‘hands-on’ approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer���s aural auteurism. As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and international conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer���s films which, when considered as a whole, support the thesis’ overall argument and serve as a comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural.

Citizen journalism and everyday life : a case study of Germany's myHeimat.de

The impact of citizen journalism on the established journalism industry, and its role in the future news media mix, remain key topics in current journalism studies research, not least in the context of the current crisis facing many news organisations around the globe. The centrality of this issue is also reflected in the substantial number of ‘citizen journalism’ monographs and collections published across the last few years (see for example Paterson & Domingo, 2008; Boler, 2008; Allan & Thorsen, 2009; Neuberger, Nuernbergk, & Rischke, 2009; Gordon, 2009; Russell & Echchaibi, 2009; Meikle & Redden, forthcoming). With relatively few notable exceptions, much of the research and wider public discussion surrounding the citizen journalism phenomenon has employed a relatively narrow definition of the term, with many researchers focussing on citizen journalism projects which provide mainly political news and commentary, and on their role in influencing the political process especially in countries like the U.S.

Sound in the Aboriginal Australian Films of Rolf de Heer

Anna Hickey-Mody and Melissa Iocca invented a new name for the cinema-goer at "Bad Boy Bubby" (1993) when they wrote: "In de Heer's film, the viewer is primarily a listener, or aurator, and secondly a spectator" and I have argued the label 'aurator' can also be used for the person experiencing "Ten Canoes" (2006). This Aboriginal Australian Dreamtime fable features dialogue recorded entirely in the Ganalbingu language of the Indigenous people it stars, and is a prime example of what I would suggest can be labeled 'The Aboriginal Australian Films of Rolf de Heer'. "The Tracker" (2002) and "Dr. Plonk" (2007) have also included depictions of Aboriginal Australians and each of the trio utilizes Cat Hope's "innovative sound ideas" to present what I argue is an aural auteur's signature revealing a post-colonial Australian world-view that privileges the justice system and eco-spirituality of Aboriginal Australians.