A poluição das águas do Rio Bauru vista sob a perspectiva da pedagogia histórico-crítica

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O livro Théorie des approximations numériques et du calcul abrégé de Agliberto Xavier

Pós-graduação em Educação Matemática - IGCE

Avaliação do plano de desenvolvimento e proteção ambiental da Bacia Hidrográfica do Guarapiranga em consonância com o planejamento urbano

Pós-graduação em Geociências e Meio Ambiente - IGCE

O lúdico e seus desdobramentos na poesia de Jacques Prévert e Mario Quintana

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A Presença da literatura em Crônicas de fim do milênio de Antonio Callado

Pós-graduação em Letras - IBILCE

Projeto Nordeste de educação básica e o fundescola: uma análise do dircurso governamental e do banco mundial sobre a qualidade da educação

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Convergências em A Máquina do Mundo Repensada: poesia e sincronia em Haroldo de Campos

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Vocabulário do futebol na mídia impressa: o glossário da bola

Pós-graduação em Letras - FCLAS

Entre a teoria e a prática: o projeto político-pedagógico do curso de medicina da UFMA

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Estratégias de leitura na educação química e na formação docente: necessidades e contribuições de um planejamento crítico

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Copépodes planctônicos (Crustacea, Calanoida e Cyclopoida) em reservatórios e trechos lóticos da bacia do Rio da Prata (Brasil, Paraguai, Argentina e Uruguai): taxonomia, distribuição geográfica e alguns atributos ecológicos

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Circulando pelas marginálias: presença da literatura russa na biblioteca do Acervo João Antonio

Este texto aborda a presença da literatura russa na biblioteca pessoal do escritor João Antônio. As marginálias localizadas nas obras dos autores russos permitem verificar aspectos da leitura desta vertente artística realizada pelo escritor brasileiro entre as quais se destacam observações manuscritas de orientação formal, listas de palavras e sublinhas. Outro aspecto importante dos livros de escritores russos que compõem a biblioteca do Acervo João Antônio circunscreve-se à condição de depositária de edições raras que representam uma parte da memória editorial brasileira. Em acréscimo, apresentam-se considerações sobre algumas das marginálias presentes em contos de Tchekhov e Máximo Górki.

A tradução do conto Lange Schatten de Marie Luise Kaschnitz

The principal objective of this project is to present a literary translation from German to Portuguese of the short story 'Lange Schatten', in the collection of the same name, Lange Schatten Erzählungen, published in 1960, written by Marie Luise Kaschnitz. Kaschnitz was born in 1901 in Karlsruhe, south-west Germany. The translation was completed with the aid of virtual and printed dictionaries, in addition to books on the history of German literature and some translation theories. Also, this paper provides brief commentaries on topics related to translation, particularly those concerned with the difficulties posed by translation of this project

A intersemiose texto-história-cinema na minissérie ROMA da HBO

From August 2005 to March 2007, the two seasons (with 12 and 10 episodes respectively) of the award winning miniseries HBO‟s ROME were aired by the Home Box Office (HBO) channel. With screenplay signed by various writers and directors, the TV series was a coproduction of HBO (USA) and BBC (UK) with support from RAI (Italy), and the show was filmed in multiple locations, but mainly in Cinecittà Film Studios in Rome, very famous for having been headquarters also for Federico Fellini‟s movies. In the first season, the miniseries depicts the conquest of Gaul, made by the military genius of Gaius Julius Caesar, and the political trajectory that made him accumulate power to such an extent that this divided Roman citizens into two factions, one supporting and the other opposing him, the latter focused mainly on the historic figure of General Gnaeus Pompey Magnus. The second season shows the period of civil war following the assassination of Caesar, and the future rise to power of his nephew, adopted son and sole heir, Gaius Octavian Augustus, who was destined to overcome his rivals as well as their allies in the triumvirate that had been formed to pursue and punish Caesar‟s assassins. These facts are well known and usually crowd the mind and imagination of every minimally educated person. The HBO series broke new ground not only for the talent of its writers, directors and actors, not only for its visual effects and locations nor for the vibrancy and grandeur of historical scenes – after all, “historical movies” in general do the same – but it has done so also by the (re)construction of historical events from the perspective of a pair of protagonists of whom too little is known: the centurions Titus Pullo and Lucius Vorenus, who are the only low-rank soldiers mentioned by Caesar in his book Commentaries on the Gallic War (Commentarii de Bello Gallico V.44). Thus, the fictionalization of events also took into account several Roman civilization data which were scattered through historical sources and also those that belong to the modern knowledge of material culture, resulting in a TV series whose filmic aesthetics has rare beauty and creativity. From the survey of textual, historical and cultural data put together in this film, as well as the distance featuring the creative space in the dimension of the gap between them, this paper aims to highlight two pivotal moments of visual and narrative strategies of the show: the opening credits footage and the final scenes of the first season of HBO's Rome.

Lung cancer symptoms and pulse oximetry in the prognostic assessment of patients with lung cancer

Abstract Background Medical oncologists continue to use performance status as a proxy for quality of life (QOL) measures, as completion of QOL instruments is perceived as time consuming, may measure aspects of QOL not affected by cancer therapy, and interpretation may be unclear. The pulse oximeter is widely used in clinical practice to predict cardiopulmonary morbidity after lung resection in cancer patients, but little is known on its role outside the surgical setting. We evaluated whether the Lung Cancer Symptom Scale and pulse oximetry may contribute to the evaluation of lung cancer patients who received standard anticancer therapy. Methods We enrolled forty-one consecutive, newly diagnosed, patients with locally advanced or metastatic lung cancer in this study. We developed a survival model with the variables gender, age, histology, clinical stage, Karnofsky performance status, wasting, LCSS symptom scores, average symptom burden index, and pulse oximetry (SpO2). Results Patient and observer-rated scores were correlated, except for the fatigue subscale. The median SpO2 was 95% (range: 86 to 98), was unrelated to symptom scores, and was weakly correlated with observer cough scores. In a multivariate survival model, SpO2 > 90% and patient scores on the LCSS appetite and fatigue subscales were independent predictors of survival. Conclusion LCSS fatigue and appetite rating, and pulse oximetry should be studied further as prognostic factors in lung cancer patients.