Processos culturais e literários na configuração das personagens Brás Cubas e Napumoceno

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Efeito do extrato insaponificável de abacate e soja na doença periodontal induzida, na osseointegração de implantes e no reparo de defeitos críticos de calvaria de ratos

Pós-graduação em Odontologia - FOAR

Apontamentos críticos para o tratamento da questão ambiental na perspectiva da emancipação

The belief in the existence of an ecological crisis that would affect the future of the planet, is one of the factors that causes the appearance of ecological concern, resulting in the adoption of non-predatory consumer practices and more respectful relationships with non-humans beings. This study starts from the assumption of the existence of an environmental question, and aims to investigate some of the cultural causes of human predation and identify possible ways in which environmental question can be treated critically to search overcomes. Follows the reasoning that western society as a complex of social relations, the capitalism, as a mode of production utilities and rational right, are all consequences of the modern rationality, cognitive and moral logic that transforms people and nature in satisfaction instruments of individual interests. However, despite being identified as the causative root of environmental question, modern rationality takes with it enough to promote the development of ecological respect, necessary in confronting and overcoming the environmental question, as it will be applied as a principle in redefinition of the relationship of human beings with themselves and with nature. And modern rationality can also make capitalism more efficient in the use and reuse of materials so as to consume fewer resources on the planet to satisfy human needs.

A espacialidade no romance histórico francês no século XIX: Balzac, Hugo e Elémir

Pós-graduação em Estudos Literários - FCLAR

Fatores críticos de sucesso à adoção de práticas de green supply chain management: estudo de casos no setor de baterias automotivas

Pós-graduação em Engenharia de Produção - FEB

As marcas da memória na escrita de As meninas de Lygia Fagundes Telles

Pós-graduação em Estudos Literários - FCLAR

A construção estrutural e o discurso poético em Campo geral

Pós-graduação em Estudos Literários - FCLAR

As (des)ilusões do (ir)real na ficção de Murilo Rubião

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Análise do processo de reparo de defeitos ósseos críticos em calvária de ratos preenchidos com osso autógeno ou Bone Ceramic: um estudo histométrico e imunoistoquímico

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Absorção e níveis críticos de fósforo na parte aérea da mamoneira cultivada em diferentes classes de solos

Soil that has a high degree of weathering, with more inorganic P bound to Fe and Al oxides, has less P availability to plants. Thus, the critical element of a plant refers to the level below which the growth rate and plant production decreases, demonstrating the need for supplementary fertilization. Accordingly, an experiment was conducted in a greenhouse at Embrapa Algodao with the objective of evaluating the response of castor plants to five doses of P in four types of soil with different adsorption characteristics and critical levels of foliar P. The experimental design was completely randomized in a 4 x 5 factorial design, four types of soil and 5 levels of P with four replications. For TCo, there was an increase in height growth, with dose of 229.6 mg dm(-3) responsible for maximum plant height (74.3 cm). The largest diameter stem (17.58 mm) was observed in CXve with an application of 229.6 mg dm(-3) of P; a decrease was seen when using higher doses. The increase in leaf area was smaller in RY (4724.8 cm(2)), where it was obtained with a dose of 280.2 mg dm(-3). In general, critical levels of P in the plant shoots did not vary much between the soils. The critical level of P in castor bean shoot dry mass was higher (4.61 g kg(-1)) in TCo, this result being directly related to the low clay content of the soil.

O eterno feminino: arquétipos literários em Mujeres de Eduardo Galeano

Le champ littéraire est plein d’oeuvres qui remettent à des mythes. L’ensemble de récits Mujeres, de Eduardo Galeano, a comme thématique la femme et il est composé par des micro-contes, genre narratif qui promeut une condensation maximale d’eléments thématiques et structuraux. Il s’agit des descriptions littéraires où la synthèse est placée ou même niveau que le lyrisme. Ayant pour objectif d’analiser la nature archétypique des mythes sur la féminité, nous avons travaillé spécifiquement les contes de Mujeres où se reconstruisent poétiquement des mythes de la féminité. Méthodologiquement, notre notre étude a pour base la mythocritique et la théorie des structures anthropologiques de l’imaginaire ídéalisées par Gilbert Durand. En partant de ces bases, nous avons réalisé l’analyse des récits qui s’articulent en notre corpus, ayant pour but, celui d’identifier les divers artifices narratifs spécifiques qui y opèrent. Par le moyen des mythèmes présents dans les récits, nous avons révélé les structures archétypiques du texte et nous avons constaté comment elles s’édifient littérairement. En outre, nous avons élucidé la teneur de la représentativité archétypique de la feminité inhérente aux récits et finalement, nous avons rassemblé les situations et les combinatoires qui existent dans l’ensemble de microrécits, traçant les connexions possibles qui y existent. Ainsi, nous avons fait une étude proprement dite, d´analyse mythocritique

Personagens e espaço em romances de Aluísio Azevedo

The characters of O mulato, Casa de pensão and O cortiço, well written books by the writer Aluísio Azevedo, may be considered predominantly flat, for they were built with a single or few features. This kind of character can be even defined by the type, which represents certain dominant features (professional, psychological, cultural, economic, religious, etc.) from the diegetic universe in which the action takes place. This character subcategory is present in certain artistic periods such as Realism and Naturalism, and can be understood as the main character between the individual and the collective, between the concrete and the abstract. Yet, the social space, in the novels of the above mentioned literary movements configures itself, especially in terms of the presence and types of extras: it is about describing environments that illustrate, almost always, in a historical period context of critical intent, vices and deformations of the society, as we can see depicted in the three novels of the author. In turn, the narrative categories that most decisively influence the space representation are the instance (the narrator) and the narrative perspective (focusing). In the case of O mulato, Casa de pensão and O cortiço, the dominance is in choosing the omniscient narrator, who prefers a panoramic view, limited to an exterior and strictly objective description. The survey was developed through readings, literary cataloging and corpus discussions, with a theoretical basis determined by three dimensions: a) critical essays about the author and his works, such as those by Jean-Yves Mérian, Aluísio Azevedo, vida e obra: (1857-1913) and parts of the literature histories which deal with Naturalism, such as those by Alfredo Bosi, História concisa da literatura brasileira, b) theoretical studies about the novel character, such as those by Antonio Candido, A personagem do romance, and the romantic space ...

Traços míticos e arquetípicos em personagens femininas de Guimarães Rosa

Dans l‟“A historia de Lina et Lélio, le troisième récit de Corpo de baile, l‟oeuvre de Guimarães Rosa, Lélio arrive à la ferme Pinhém à la recherche de l'amour, de la paix d'esprit et de l'auto-connaissance, mais il n'a pas la claire conscience de cela. Dans cette trajectoire, on peut voir le poids des femmes: bien que Lélio soit le protagoniste de cette histoire, les personnages féminins présentent des différents profils et sont construites sur des aspects mythiques et archétypiques, qui ont des influences directes sur le destin de ce personnage masculin. On cherche, donc, comprendre comment l‟auteur fait la caractérisation mythique et archétypique des personnages féminins, voir l'influence de celles-ci sur la suite du récit ainsi que dans la construction du protagoniste. De la même façon, on veut vérifier comment les autres catégories du récit – telles que le temps, l'espace, le narrateur et la focalisation – peuvent contribuer à cette caractérisation. Cette recherche est développée à travers des lectures, des notes et des discussions autour du corpus, en s'appuyant sur une base théorique déterminée en trois dimensions : a) des essais critiques à propos de l‟oeuvre de l'auteur, en particulier au sujet en cause, comme celui dans l‟A raiz da alma, de Heloisa Vilhena Araujo, b) des études sur le mythe, comme celles de Ernest Cassirer, dans le Linguagem e mito et Antropologia filosófica, et les propositions de Meletínski dans l‟A poética do mito et dans l‟Os arquétipos literários et, encore, c) des textes théoriques sur les catégories du récit, présentées dans le Dicionário de teoria da narrativa, de Reis et Lopes, et des études sur l'espace, comme celui d'Antonio Dimas, Espaço e romance, et sur le temps, de Benedito Nunes, O tempo na narrativa. On observe que, dans la construction des personnages féminins... (Résumé complet accès électronique ci - dessous)

Implantação da análise de perigos e pontos críticos de controle no processamento do leite pasteurizado Tipo A

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

No rodapé dos jornais: casos do romance-folhetim

Este capítulo investiga algumas adaptações feitas nos textos publicados originalmente nos bas de page dos periódicos franceses, os quais foram, um pouco mais tarde, traduzidos, nos jornais brasileiros do XIX. Discutiremos aqui, por meio de dois romances folhetins de Alexandre Dumas, os critérios da publicação, as modificações operadas e as possíveis leituras que podemos fazer das novidades que o processo de recriação do folhetim francês em terras brasileiras estabeleceu. Igualmente, discutiremos o papel que o bas de page teve no desenvolvimento do gênero “crônica” no Brasil. Assim sendo, as indagações a respeito do “espaço” são a maior preocupação deste texto, uma vez que critérios editoriais e tipográficos determinaram, por exemplo, que dois textos de gêneros diferentes compartilhassem o mesmo espaço; ou, ainda, que o romance-folhetim fosse interrompido de maneira diversa em relação ao original francês. Essa flexibilidade do bas de page, onde era possível a coexistência de textos de natureza diferente — críticos, imaginários, faits divers —, será pensada como uma das principais razões para o desenvolvimento da crônica como um gênero literário no Brasil.