Miyar-ı adalet: fenn-i celil-i fıkıhtan cinayat ve diyat kitaplarını havidir

eser-i hame-yi Ömer Hilmi.

Fleshing Out and Losing Flesh: The Decomposing Corpse as Narrative Object in American Hardboiled Detective Fiction

This dissertation examines the corpse as an object in and of American hardboiled detective fiction written between 1920 and 1950. I deploy several theoretical frames, including narratology, body-as-text theory, object relations theory, and genre theory, in order to demonstrate the significance of objects, symbols, and things primarily in the clever and crafty work of Dashiell Hammett (1894-1961) and Raymond Chandler (1888-1959), but also touching on the writings of their lesser known accomplices. I construct a literary genealogy of American hardboiled detective fiction originating in the writings of Edgar Allan Poe, compare the contributions of classic or Golden Age detective fiction in England, and describe the socio-economic contexts, particularly the predominance of the “pulps,” that gave birth to the realism of the Hardboiled School. Taking seriously Chandler’s obsession with the art of murder, I engage with how authors pre-empt their readers’ knowledge of the tricks of the trade and manipulate their expectations, as well as discuss the characteristics and effect of the inimitable hardboiled style, its sharpshooting language and deadpan humour. Critical scholarship has rarely addressed the body and figure of the corpse, preferring to focus instead on the machinations of the femme fatale, the performance of masculinity, or the prevalence of violence. I cast new light on the world of hardboiled detective fiction by dissecting the corpse as the object that both motivates and de-composes (or rots away from) the narrative that makes it signify. I treat the corpse as an inanimate object, indifferent to representation, that destabilizes the integrity and self-possession, as well as the ratiocination, of the detective who authors the narrative of how the corpse came to be. The corpse is all deceptive and dangerous surface rather than the container of hidden depths of life and meaning that the detective hopes to uncover and reconstruct. I conclude with a chapter that is both critical denouement and creative writing experiment to reveal the self-reflexive (and at times metafictional) dimensions of hardboiled fiction. My dissertation, too, in the manner of hardboiled fiction, hopes to incriminate my readers as much as enlighten them.

Flashlight Europe N°2–February 2015. “Europe must now get involved in a very big way”

More than three years after al-Gaddafi was overthrown, Libya has still not returned to some semblance of normality. In many places, the Libyan state exists only on paper. No less than two governments and dozens of rival tribes, all with their own militias and armed to the teeth, are trying to come to power. In the midst of this chaos “IS,” the terrorist organization, has now entered the fray. Evidence of this is provided by the brutal murder of 21 Egyptian Copts, which could trigger off a civil war that will pose a threat to the entire region and to Europe. Mirco Keilberth, an expert on Libya, explains what is going on.

La resa in italiano del linguaggio giuridico americano nel doppiaggio della serie tv "Le regole del delitto perfetto"

Lo scopo del presente lavoro è analizzare le scelte traduttive adottate nel doppiaggio in italiano della serie televisiva americana “How to get away with murder”, distribuita in Italia con il nome “Le regole del delitto perfetto”. L’analisi verterà sulla resa italiana del lessico giuridico americano. Verranno descritte le caratteristiche principali del sistema di common law americano, con attenzione verso il sistema giudiziario, il sistema precedente giudiziale e il sistema di risoluzione delle controversie. Tale parte del lavoro è volta a dare l’idea, anche solo generale, di come è il sistema giuridico statunitense e dei suoi tratti caratteristici. In seguito si andranno a evidenziare le sostanziali differenze tra i due ordinamenti giuridici, quello statunitense e quello italiano, in modo da definire al meglio ciò che li contraddistingue. Si passerà poi all’analisi della resa italiana del lessico giuridico presente nella serie televisiva. Verrà analizzata, pur nei limiti di un lavoro di tesina triennale, la resa in italiano di alcuni termini giuridici riscontrati in alcuni episodi della serie televisiva, ponendo particolare attenzione al loro significato, al significato del termine usato per tradurli e all’effetto che tale traduzione potrebbe produrre sul pubblico.

La muerte del señor Dubra y Seoane :

Mode of access: Internet.

Voto verbal del ministro Ysaias Carmona en el proceso "Sejas"; los indicios independientes constituyen la gran prueba de convicción en materia criminal.

Mode of access: Internet.

Causa célebre formada a Rómulo Vigñale, por uxoricidio a María Isabel García.

Cover title.

Original and miscellaneous essays /

Attributed to Robert Ruffin Collier. Cf. Shoemaker. Wrongly attributed to Francis Walker Gilmer by Halkett & Laing.

The trial of James Stuart : Younger of Dunearn, before the High Court of Justiciary, at Edinburgh, on Monday, June 10, 1822.

Mode of access: Internet.

Criticisms.

Bibliographical footnotes.

Democratic governance and the rule of law : lessons from Colombia /

"Colombia has experienced conflict for decades. In the 1990s it was a paradigm of the failing state, beset with all manner of troubles: terrorism, kidnapping, murder, drug trafficking, corruption, an economic downturn of major scope, general lawlessness, and brain drain. Today the country is much safer, and the agents of violence are clearly on the defensive. Nonetheless, much work lies ahead to secure the democratic system. Security and the rule of law are fundamental to the task. As the monopoly over the legitimate use of force is established, democratic governance also needs the architecture of law: ministry of justice, courts, legislative scrutiny, law enforcement agencies, regulatory bodies, public defenders, police, correctional system, legal statutes, contracts, university level academic education to train lawyers, judges, and investigators, along with engagement with civil society to promote a culture of lawfulness. Security without the rule of law puts a society at risk of falling into a Hobbesian hell."--P. v.

Shakespeare's tragedy of King Lear;

Lear, the aging King of Britain, has chosen to lay aside the care of kingship and divide his kingdom between his three daughters. Their share is to be determined by their love for him. Two daughters speak with grandiose expressions of love while the third daughter finds nothing to say. The courts disinherit the third daughter, Cordelia. Much treachery, murder, and deceit ensued and Lear and Cordelia are captured and sentenced to death.

Stories by American authors.

v. 6. The village convict, by C. H. White. The Denver express, by A. A. Hayes. The misfortunes of Bro' Thomas Wheatley, by Lina R. Fairfax. The heartbreak cameo, by L. W. Champney. Miss Eunice's glove, by A. Webster. Brother Sebastian's friendship, by H. Frederic.--v. 7. The bishop's vagabond, by Octave Thanet. Lost, by E. Bellamy. Kirby's coals of fire, by Louise Stockton. Passages from the journal of a social wreck, by Margaret Floyd. Stella Grayland, by J. T. McKay. The image of San Donato, by Virginia W. Johnson.--v. 8. The brigade commander, by J. W. De Forest. Split zephyr, by H. A. Beers. Zerviah Hope, by Elizabeth S. Phelps. The life-magnet, by A. A. Adee. Osgood's predicament, by Elizabeth D. B. Stoddard.--v. 9. Marse Chan, by T. N. Page. Mr. Bixby's Christmas visitor, by C. S. Gage. Eli, by C. H. White. Young Strong of "The Clarion," by Milicent W. Shinn. How old Wiggins wore ship, by Captain R. T. Coffin. "--mas has come," by L. Kip.--v. 10. Pancha, by T. A. Janvier. The ablest man in the world, by E. P. Mitchell. Young Moll's peevy, by C. A. Stephens. Manmat'ha, by C. De Kay. A daring fiction, by H. H. Boyesen. The story of two lives, by Julia Schayer.

Cradock Nowell : a tale of the new forest /

Sadleir, M. 19th cent. fiction,

The historical nights' entertainment. : First series.

The night of Holyrood; the murder of David Rizzio.--The night of Kirk o'Field; the murder of Darnley.--The night of betrayal; Antonio Perez and Philip II of Spain.--The night of charity; the case of the Lady Alice Lisle.--The night of massacre; the story of the Saint Bartholomew.--The night of witchcraft; Louis XIV and Madame de Montespan.--The night of gems; the affaire of the Queen's necklace.--The night of terror; the drownings at Nantes under Carrier.--The night of nuptials; Charles the Bold and Sapphira Danvelt.--The night of stranglers; Giovanna of Naples and Andreas of Hungary.--The night of hate; the murder of the Duke of Gandia.--The night of escape; Casanova's escape from the Piombi.--The night of masquerade; the assassination of Gustavus III of Sweden.