232 resultados para Uncle Remus


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Mode of access: Internet.

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That Christmas in Peace Haven.--Sainte Anne de Beaupré.--The Christmas voyage of the Handy Lass.--The gifts of poverty.--Paingo, the lonely one.--The northern chief.--Uncle 'Lige's story.--White Fox.--Three Eyes.--The luck of the Little Rover.--Kommak the Innuk.

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On verso: Hearing--Common Council--City of Detroit, Pres. Remus G. Robinson, Sec'y Willam Price, On housing

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On verso: Overland Car. Harbor Springs, Mich. Uncle Frank at steering wheel. Papa beside Uncle Frank. Taken in front of livery stable at Harbor Springs. Other people in the picture were men employed by my father. Signed: Mrs. Earl De La Vergne

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On verso: In reviewing the Guard of Honor at Siasi - Philippine Scouts from several Islands in the Sulu Sea - Children sang us songs with the refrain: "Oh the first Governor of Siasi; Was Captain ... from Tennessee! " Where was Ralston and Uncle Harley? Unfortunately I have no pictures of either!

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attached letter: Dear Professor Lorch: At the suggestion of the July 31, 1953 Newsletter of the Michigan Historical Society I am sending you two photoes [sic] of the old lighthouse and adjoining building on Presque Isle, Michigan located on the shore of Huron lake, supposedly the oldest lighthouse on the Great Lakes. It is owned by Mr. F. B. Stebbins, 326 N. Capital, Lansing, Michigan. When through using the photos I would appreciate your returning them directly to him. The following information was given to me by Mr. Stebbins: Built in 1840, through a congressional appropriation of $5,000.- in Presque Isle county, described as, "Where a portage of 200 yards would save 4 miles of canoe trip." Jefferson Davis after graduation from West Point, was supposed to have built it. (According to careful historical investigation, this is not true. There is an article about this controversy in some back number of the Michigan History magazine. Mr. Stebbins feels very strongly about his. He prefers the legend, it sounds bigger). Francis Burgoyne Stebbins purchased from his Uncle Bliss Stebbins in 1930, who bought the property in 1930 from General Duffield of Dteoirt [sic], who had purchased it from the government a short time previously. This light-house was abandone [sic] upon the completion of a new lighthouse in 1872, one mile north from the present location. Adjoining house was used as a summer home. Condition restored in 1936. Lighthouse towe [sic] walls 3 feet thick with handhewn circular stone steps to the top. Signed, Lee H. Gregory

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Back Row: Asst. coach Ed Buchanan, Bill Winkler, Wes Wenrich, Frank Adams, Jim Barber, coach Newt Loken

Lee Krumbholz, Dick Bergman, Remus Bolla, Monroe Rowland, Duncan Erley, Don Hurst, Mary(?)

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Many of the plays are inlaid to make the pages uniform in size.

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(cont.) [v.8]. Wild oats; Serious family; Paul Pry; Charles II; Game of Love; Queen Mary's bower; Andy Blake; Naval engagements; Rochester; Artist's wife; Delicate ground; Two queens; Damon and Pythias; Rose of Arragon; Charles I; Mary Stuart; Love's frailties; Fanchon, the cricket; Lear of private life; Robert Macaire.

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Dedication signed: Georgius Remus.

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v.1. Riding recollections.--v.2. Katerfelto.--v.3. Uncle John.--v.4. Market Harborough. Inside the bar.--v.5. Contraband.--v.6. M. or N.--v.7. Tilbury Nogo.--v.8. Songs and verses. Bones and I.--v.9. Black but comely.--v.10. The Brookes of Bridlemere.--v.11. The white rose.--v.12. Roy's wife.--v.13. Satanella.--v.14. Digby Grand.--v.15. Sarchedon.--v.16. Sister Louis. Rosine.--v.17. Kate Coventry.--v.18. Cerise.--v.19. The queen's Maries.--v.20. Holmby house.--v.21. General Bounce.--v.22. The gladiators.--v.23. Good for nothing.--v.24. The interpreter.

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Appendix IV: The literary remains of "Ald Hoggart," the painter's uncle, p. 206-209.

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Mode of access: Internet.

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Inspired by Kenneth Burke's dramatism, this thesis examined the viability of social movements rhetorical theory in its application to literature by focusing on the 19th century abolitionist movement in the United States and moving from the analysis of public speeches to fictional works. ^ Chapter one applied the rhetorical analysis of social movements to noteworthy speeches by William Lloyd Garrison and Francis Maria W. Stewart. Chapter two examined social movements rhetoric in The Narrative of the Life of Frederick Douglass. Chapter three considered Uncle Tom's Cabin and determined whether social movements rhetorical theory could illuminate this persuasive work of fiction. ^ Dramatistically speaking, each of these works attempted to persuade the reader or auditor to join the abolitionist cause through symbolic action in their rhetoric. This thesis concluded that the social movements approach derived from Burkean dramatism is indeed powerful in its application to literature as it unpacks the rhetoric of abolition. ^

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This dissertation explores the behavior of prejudiced discourse in the most representative narratives against inhumane slavery written in Cuba and the United States in the nineteenth century: Autobiografía de un esclavo, by Juan Francisco Manzano; Francisco, by Anselmo Suárez y Romero; Narrative of the Life of Frederick Douglass, an American Slave, by Frederick Douglass; and Uncle Tom's Cabin, by Harriett Beecher Stowe. This study deals with the identification between race and slavery that occurred in the American continent, using racial prejudice to justify the enslavement of human beings. Such concepts were maintained, diffused and perpetuated by the dominant discourse. ^ In the nineteenth century, intellectuals from both Cuba and the United States were highly influenced by the modern philosophical ideas rooted in the European Enlightenment. These ideas contradicted by principle the "peculiar institution" of slavery, which supported a great deal of the economy of both nations. This conflict of principles was soon reflected in literature and led to the founding of Cuban and African-American narrative respectively. The common exposure to slavery brought together two nations otherwise highly dissimilar in historical and cultural circumstances. Based on the theories of discourse by Foucault, Terdiman, and van Dijk, the analysis of the discourse displayed in these literary works helps understand how discourse is utilized to subvert the dominant discourse without being expelled or excluded by it. This subversion was successfully accomplished in the American narratives, while only attempted in the Cuban works, given Cuba's colonial status and the compromised economic loyalties of the Delmontino cenacle which produced these works. ^