Clave de los ejercicios del método para aprender á leer, escribir y hablar el fránces

UANL

Analyse du contrat amoureux au sein du mariage par correspondance : une étude de cas des unions entre Philippines et Canadiens

L’objectif de notre travail était de conduire une étude exploratoire sur la mise en place et le déroulement de la relation matrimoniale au sein de couples philippino-canadiens mariés par correspondance, afin de comprendre les mécanismes sociaux qui régissent l’expérience de vie de ces couples. Nous nous inspirons de Constable pour qui la relation au sein du mariage par correspondance peut être une relation amoureuse même si la logique de désir des deux partenaires est fortement imbriquée dans un contexte historique et culturel. Nous poursuivons la réflexion de Constable sur la relation amoureuse en nous appuyant sur l’analyse de Simmel sur le processus de socialisation entre les individus et le phénomène de l’individualisation au sein des sociétés capitalistes. Nous explorons également comment le couple marié par correspondance crée ce que Kaufmann appelle le contrat amoureux à travers sa correspondance, sa rencontre, son quotidien et son avenir, et comment ce contrat influence les interactions entre les deux membres du couple, ainsi que celles entre le couple et le reste de la société. Dans ce mémoire sur le mariage par correspondance, nous nous intéresserons au quotidien de quatre couples philippino-canadiens mariés par correspondance vivant à Montréal et dans la région, à travers une perspective inspirée du sociologue George Simmel. Nous avons effectué des entretiens, sous forme de récit de vie et utilisé la méthode de l’ethnosociologie pour analyser leur discours. Nos résultats démontrent que le contrat amoureux influence les couples mariés par correspondance au cours des phases successives de leur relation et de leur vie commune. La construction sociale de leur réalité de couple, bâtie sur les sentiments amoureux et le travail au quotidien pour assurer le fonctionnement et la stabilité du couple, permet de passer outre d’éventuelles raisons initiales pratiques pour se marier. Malgré des inégalités, comme la division sexuée du travail et des revenus, l’agentivité de l’épouse est à l’œuvre lors de la planification de la rencontre, la première rencontre physique, l’installation au Canada et l’établissement de la vie commune et le processus de planification du couple. Le contrat amoureux et la construction sociale du couple offrent à l’épouse la possibilité de réduire les inégalités et de gagner une indépendance personnelle. Le retour aux Philippines est important dans la conversation conjugale, notamment au niveau de la planification à long terme du couple.

Una aproximación teórico-práctica para el costeo de cápitas de paquetes de salud

Metodología para la estimación de cápitas de planes de salud. Se propone un método de cuantificación de insumos a emplear, la estimación de costos indirectos asociados a las intervenciones y un método de anualización para los costos fijos que generalmente trascienden en su vida útil al período de duración de una cápita. Finalmente, a través de un ejercicio práctico de estimación de la cápita del Componente de Salud del Programa Oportunidades de México se ilustra la aplicación del desarrollo metodológico expuesto en la parte inicial.

Pathogenesis II: Fungal responses to host responses: interaction of host cells with fungi

Most of our knowledge concerning the virulence determinants of pathogenic fungi comes from the infected host, mainly from animal models and more recently from in vitro studies with cell cultures. The fungi usually present intra- and/or extracellular host-parasite interfaces, with the parasitism phenomenon dependent on complementary surface molecules. Among living organisms, this has been characterized as a cohabitation event, where the fungus is able to recognize specific host tissues acting as an attractant, creating stable conditions for its survival. Several fungi pathogenic for humans and animals have evolved special strategies to deliver elements to their cellular targets that may be relevant to their pathogenicity. Most of these pathogens express surface factors that mediate binding to host cells either directly or indirectly, in the latter case binding to host adhesion components such as extracellular matrix (ECM) proteins, which act as 'interlinking' molecules. The entry of the pathogen into the host cell is initiated by fungal adherence to the cell surface, which generates an uptake signal that may induce its cytoplasmic internalization. Once this is accomplished, some fungi are able to alter the host cytoskeletal architecture, as manifested by a rearrangement of microtubule and microfilament proteins, and this can also induce epithelial host cells to become apoptotic. It is possible that fungal pathogens induce modulation of different host cell pathways in order to evade host defences and to foster their own proliferation. For a number of pathogens, the ability to bind ECM glycoproteins, the capability of internalization and the induction of apoptosis are considered important factors in virulence. Furthermore, specific recognition between fungal parasites and their host cell targets may be mediated by the interaction of carbohydrate-binding proteins, e.g., lectins on the surface of one type of cell, probably a parasite, that combine with complementary sugars on the surface of host-cell. These interactions supply precise models to study putative adhesins and receptor-containing molecules in the context of the fungus-host interface. The recognition of the host molecules by fungi such as Aspergillus fumigatus, Paracoccidioides brasiliensis and Histoplasma capsulatum, and their molecular mechanisms of adhesion and invasion, are reviewed in this paper.

Evaluation of the identification protocol for newborns in a private hospital

This exploratory-descriptive quantitative study aimed to evaluate the protocol for identifying newborns admitted to the Neonatal Intensive and Semi-intensive Therapy Unit of a private hospital. The case series was made up of 540 observation opportunities, selected by simple random probability sampling. The data was collected between May and August 2010 according to a form and analyzed by descriptive statistic. The protocol's general performance had a conformity index of 82.2%. There were three stages to the protocol: identification components, the identification wristbands' condition and the number of identification wristbands. The highest percentage of conformity (93%) was attributed to the second stage and the lowest (89.3%) to the third, presenting a statistically significant difference of p=0.046. In the group of 'special' neonates, 88.5% conformity was achieved. These results will make it possible to restructure the protocol for identifying newborns and to establish care and managerial goals so as to improve the quality of care and the patients' safety.

Incidence of gastric extubation of users in a home care program of a university hospital

This quantitative, prospective study, aimed to characterize the profile of users and caregivers and to measure the incidence of gastric extubation, identifying the type and the reasons for the extubation of these users in a Home Care Program of a university hospital. The population consisted of 37 subjects and the date were collected from April to August 2010. For the analysis, descriptive statistics, test of significance of 5% and calculation of indicators were adopted. It was found that 51.4% of the users were female, 67.5% in the age group >= 60 years and 67.6% presented neurological diseases. Regarding the caregivers 89.2% were female and their mean age was 50.6 years. The incidence of extubation, considering 100 days of intubation, corresponded to 1.08, with 0.26 planned and 0.82 unplanned (p=0.009). These results allowed the rates to be calculated of the extubation of patients with gastric intubation for nutritional support in domicile care, providing support in establishing care and management goals for the continuous improvement of quality.

Prestazioni energetiche degli edifici. Un caso di studio

Nella tesi sono state valutate le prestazioni energetiche di un edificio esistente ed i possibili interventi migliorativi da porre in opera per migliorare dette prestazioni in riferimento all'involucro edilizio, agli impianti e alla produzione di energia da fonti rinnovabili.

Modellazione matematica delle non linearità di sistemi acustici mediante serie di Volterra modificate

In questa tesi si è studiato un metodo per modellare e virtualizzare tramite algoritmi in Matlab le distorsioni armoniche di un dispositivo audio non lineare, ovvero uno “strumento” che, sollecitato da un segnale audio, lo modifichi, introducendovi delle componenti non presenti in precedenza. Il dispositivo che si è scelto per questo studio il pedale BOSS SD-1 Super OverDrive per chitarra elettrica e lo “strumento matematico” che ne fornisce il modello è lo sviluppo in serie di Volterra. Lo sviluppo in serie di Volterra viene diffusamente usato nello studio di sistemi fisici non lineari, nel caso in cui si abbia interesse a modellare un sistema che si presenti come una “black box”. Il metodo della Nonlinear Convolution progettato dall'Ing. Angelo Farina ha applicato con successo tale sviluppo anche all'ambito dell'acustica musicale: servendosi di una tecnica di misurazione facilmente realizzabile e del modello fornito dalla serie di Volterra Diagonale, il metodo permette di caratterizzare un dispositivo audio non lineare mediante le risposte all'impulso non lineari che il dispositivo fornisce a fronte di un opportuno segnale di test (denominato Exponential Sine Sweep). Le risposte all'impulso del dispositivo vengono utilizzate per ricavare i kernel di Volterra della serie. L'utilizzo di tale metodo ha permesso all'Università di Bologna di ottenere un brevetto per un software che virtualizzasse in post-processing le non linearità di un sistema audio. In questa tesi si è ripreso il lavoro che ha portato al conseguimento del brevetto, apportandovi due innovazioni: si è modificata la scelta del segnale utilizzato per testare il dispositivo (si è fatto uso del Synchronized Sine Sweep, in luogo dell'Exponential Sine Sweep); si è messo in atto un primo tentativo di orientare la virtualizzazione verso l'elaborazione in real-time, implementando un procedimento (in post-processing) di creazione dei kernel in dipendenza dal volume dato in input al dispositivo non lineare.

Not in the Legends

In writing “Not in the Legends”, one of the images and concepts which constantly returned was that of pilgrimage. I began to write these poems while studying abroad in London, after having passed the previous semester in France and travelling around Europe. There was something in the repetition of sightseeing— walking six miles in Luxembourg to see the grave of General Patton, taking photographs of the apartment where Sylvia Plath ended her life, bowing before the bones of saints, searching through Père Lachaise for the grave of Théodore Gericault— which struck me as numinous and morbid. At the same time, I came to love living abroad and I grew discontent with both remaining and returning. I wanted the opportunity to live everywhere all the time and not have to choose between home and away. Returning from abroad, I turned my attention to the landscape of my native country. I found in the New England pilgrims a narrative of people who had left their home in search of growth and freedom. In these journeys I began to appreciate the significance of place and tried to understand what it meant to move from one place to another, how one chose a home, and why people searched for meaning in specific locations. The processes of moving from student to worker and from childhood to adulthood have weighed on me. I began to see these transitions towards maturity as travels to a different land. Memory and nostalgia are their own types of pilgrimage in their attempts to return to lost places, as is the reading of literature. These pilgrimages, real and metaphorical, form the thematic core of the collection. I read the work of many poets who came before me, returning to the places where the Canon was forged. Those poets have a large presence in the work I produced. I wondered how I, as a young poet, could earn my own place in the tradition and sought models in much the same way a painter studies the brushstrokes of a master. In the process, I have tried to uncover what it means to be a poet. Is it something like being a saint? Is it something like being a colonist? Or is to be the one who goes in search of saints and colonists? In trying to measure my own life and work based on the precedent, I have questioned what role era and generation have on the formation of identity. I focused my reading heavily on the early years of English poetry, trying to find the essence of the time when the language first achieved the transcendence of verse. In following the development of English poetry through Coleridge, John Berryman, and Allison Titus, I have explored the progression of those basic virtues in changing contexts. Those bearings, applied to my modern context, helped to shape the poetry I produced. Many of the poems in “Not in the Legends” are based on my own personal experience. In my recollections I have tried to interrogate nostalgia rather than falling into mere reminiscence. Rather than allowing myself poems of love and longing, I have tried to find the meaning of those emotions. A dominant conflict exists between adventure and comfort which mirrors the central engagement with the nature of being “here” or “there”. It is found in scenes of domesticity and wilderness as I attempt to understand my own simultaneous desire for both. For example, in “Canned Mangoes…” the intrusion of nature, even in a context as innocuous as a poem by Sir Walter Raleigh, unravels ordinary comforts of the domestic sphere. The character of “The Boy” from Samuel Beckett’s Waiting for Godot proved such an interesting subject for me because he is one who can transcend the normal boundaries of time and place. The title suggests connections to both place and time. “Legends” features the dual meaning of both myths and the keys to maps. To propose something “Not in the Legends” is to find something which has no precedent in our histories and our geographies, something beyond our field of knowledge and wholly new. One possible interpretation I devised was that each new generation lives a novel existence, the future being the true locus of that which is beyond our understanding. The title comes from Keats’ “Hyperion, a Fragment”, and details the aftermath of the Titanomachy. The Titans, having fallen to the Olympians, are a representation of the passing of one generation for the next. Their dejection is expressed by Saturn, who laments: Not in my own sad breast, Which is its own great judge and searcher out, Can I find reason why ye should be thus: Not in the legends of the first of days… (129-132) The emotions of the conquered Titans are unique and without antecedent. They are experiencing feelings which surpass all others in history. In this, they are the equivalent of the poet who feels that his or her own sufferings are special. In contrast are Whitman’s lines from “Song of Myself” which serve as an epigraph to this collection. He contends for a sense of continuity across time, a realization that youth, age, pleasure, and suffering have always existed and will always exist. Whitman finds consolation in this unity, accepting that kinship with past generations is more important that his own individuality. These opposing views offer two methods of presenting the self in history. The instinct of poetry suggests election. The poet writes because he feels his experiences are special, or because he believes he can serve as a synecdoche for everyone. I have fought this instinct by trying to contextualize myself in history. These poems serve as an attempt at prosopography with my own narrative a piece of the whole. Because the earth abides forever, our new stories get printed over the locations of the old and every place becomes a palimpsest of lives and acts. In this collection I have tried to untangle some of those layers, especially my own, to better understand the sprawling legend of history.

Expressivität und Provokation – Jean-Baptiste Carpeaux’ Bronzeplastik »Ugolino und seine Söhne« und der Einfluss der französischen Malerei der Romantik

Im Mittelpunkt dieser Untersuchung steht die Annahme, dass Carpeaux’ Plastik Ugolino und seine Söhne (1857-1861) in bewusster Auseinandersetzung mit der französischen Malerei der Romantik entstanden ist. Sowohl hinsichtlich des Umgangs mit Material und Technik als auch in Bezug auf die Sujetwahl bestehen Parallelen zu Gemälden von z.B. Eugène Delacroix und Théodore Géricault, die sich im Ugolino in Form eines unkonventionellen Zusammenspiels von Form und Aussage manifestieren. Es liegt die Vermutung nahe, dass Carpeaux sich der französischen Romantik auch in ideeller Hinsicht verbunden fühlte. Der Ugolino könnte folglich als provokative Stellungnahme gegenüber den etablierten Institutionen des Kunstbetriebs des 19. Jahrhunderts gelesen werden.