The tragedie of King Richard the third : contayning his treacherous plots against his brother Clarence: the pittifull murder of his innocent nephewes: his tyrannicall vsurpation: with the whole course of his detested life, and most deserued death. As it hath been lately acted by the kings maiesties seruants /

Mode of access: Internet.

Collections relative to claims at the coronations of several of the kings of England, beginning with King Richard II.

"Exhibiting ... from authentic sources, claims made at several of the coronations of our kings, from Richard II ... to that of George II." --Advertisement.

Bridge-street banditti, versus the press : report of the trial of Mary-Anne Carlile, for publishing A New-year's address to the reformers of Great Britain written by Richard Carlile; at the instance of the Constitutional Association, before Mr. Justice Best, and a special jury at the Court of King's Bench, Guildhall, London, July 24, 1821. With the nobel and effectual speech of Mr. Cooper, in defence, at large.

In: The Trials with the defences at large of Mrs. Jane Carlile. London : R. Carlile, 1825.

Memorials of the Order of the Garter, from its foundation to the present time. Including the history of the order; biographical notices of the knights in the reigns of Edward III. and Richard II., the chronological succession of the members ...

Includes index.

A vindication of the end of religious controversy, from the exceptions of the right Rev. Dr. Thomas Burgess ... and the Rev. Richard Grier ... in letters to a catholic convert /

Bibliographical footnotes.

Efficiency test on power plant of Jenckes spinning company, Pawtucket, Rhode Island; a graduating thesis presented by Ward N. Gere, Richard B. Cross, Benj. S. Munch, C.M. Loeb, students in the class of 1913 at the Massachusetts institute of technology ...

Mode of access: Internet.

The diary of General Grow as exposed by Major Richard Squires /

Cover title.

Chronicles of the reigns of Stephen, Henry II., and Richard I.

Vol. 4 has imprint: London, Printed for H. M. Stationery off., by Eyre and Spottiswoode.

Letters and papers illustrative of the reigns of Richard III and Henry VII.

Vol. 2 has imprint: London, Longman, Green, Longman, Roberts, and Green, 1863.

Registrum Palatinum dunelmense. The register of Richard de Kellawe, lord palatine and bishop of Durham, 1311-1316.

Register of Bishop Bury: v. 3, p. 208-523.

The works of that learned and judicious divine, Mr. Richard Hooker /

"Revised by the Very Rev. R. Church ... and the Rev. F. Paget"

The purple land: being the narrative of one Richard Lamb's adventures in the Banda Orientál, in South America, as told by himself.

"Besides many small verbal corrections and changes, the deletion of some paragraphs and the insertion of a few new ones, I have omitted one entire chapter containing the Story of a piebald horse, recently reprinted in another book entitled El Ombú."

Memoirs of the life of the Rt. Hon. Richard Brinsley Sheridan,

Mode of access: Internet.

Carter, Masson, and Richard nominations : hearing before the Committee on Energy and Natural Resources, United States Senate, Ninety-seventh Congress, second session, on the nominations of John B. Carter, Jr., to be a member of the board of directors, United States Synthetic Fuels Corporation; Milton M. Masson, Jr., to be a member of the board of directors, United States Synthetic Fuels Corporation; and Oliver G. Richard III, to be a member, Federal Energy Regulatory Commission, August 12, 1982.

"Publication no. 97-91."

The Gaze and the Circumvention of Power in Richard Strauss’ Salome

Richard Strauss’ opera “Salome” is a musical discourse of the uneven power dynamics between male and female with the idea of the gaze as its central narrative. Under the patriarchal premise of the male gaze, the men emerge as the gazers, while the women are relegated to the role of submissive objectification. This paper examines the way Salome manipulates this patriarchal notion of the gaze for her own gain, voluntarily offering herself as the object of the male gaze. I further postulated that Salome strategically oscillates between the stereotypical image of femme fatale and femme fragile, intentionally succumbing to the masculine-constructed demonization and idealization of female power. Consequently, this paper traces how Strauss’ music realizes those gender portrayals and Salome’s resistance against the male order, reflecting the use of musical analyses as a tool in understanding gender roles and power in operas.