The family memoirs of the Rev. William Stukeley, M. D., and the antiquarian and other correspondence of William Stukeley, Roger & Samuel Gale, etc.

Portrait engraved from painting by Sir G. Kneller.

The doctrines of the Episcopal Church not Romish. An address to the Convention of the Episcopal Church of Virginia, at the close of his annual report. Delivered in Lynchburg, Virginia, May 16th, 1844.

"Appendix. Comparative view of the doctrines of Protestant churches on the subject of the church, ministry, and sacraments, as set forth in their articles, confessions, catechisms, etc.": p. 20-35.

Life and letters of William John Butler : late dean of Lincoln, and sometime vicar of Wantage.

Appendices : I. Extracts from s̲piritual ̲letters. II. Abstracts of papers read at church congresses in 1869, 1877, 1879, 1883, 1888, and 1893.

A memoir on the history of the celebrated treaty made by William Penn with the Indians : under the elm tree at Shackamaxon, in the year 1682 /

Mode of access: Internet.

One of the people : life and speeches of William McKinley, citizen, soldier, congressman, governor, and presidential candidate ... to which is added a brief sketch of Garret A. Hobart, candidate for Vice-President /

Mode of access: Internet.

“By Looking Liking”: Baz Luhrmann's William Shakespeare's Romeo+Juliet

Twenty years since its release onto the big screen, Baz Luhrmann’s William Shakespeare’s Romeo+Juliet continues to attract viewers, divide critics and remain unchallenged, in a league of its own, when it comes to film adaptation of Shakespeare’s plays. This article begins with taking stock of reception directions which still dispute the field of film adaptation. Cued by Worthen’s “Performance Paradigm”, my argument positions Luhrmann’s film (his second at the time and the one to propel the Australian director into Hollywood fame) firmly in the cinematic and sees the film narrative not as opposed to the textual and/or spoken one, but as a complex citational practice developed at the level of oral, visual and written discourse.

Main entry, William St, Neville Bonner Building, Brisbane

William St building-Riverside Expressway building junction.

(FAB12_1_002) 'Would you know the new, you must search the old': William Lethaby's 'Architecture, Mysticism and Myth' (1891) and the 'Hypnerotomachia Poliphili' (1499)

Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".