Interactions of onion (Allium cepa) and yellow wax bean (Phaseolus vulgaris) in monoculture and intercropping with weeds, Chenopodium album and Amaranthus hybridus

Intercropping systems are seen as advantageous as they can provide higher crop yield and diversity along with fewer issues related to pests and weeds than monocultures. However, plant interactions in intercropped crop species and between crops and weeds in these systems are still not well understood. The main objective of this study was to investigate interactions between onion (Allium cepa) and yellow wax bean (Phaseolus vulgaris) in monocultures and intercropping with and without the presence of a weed species, either Chenopodium album or Amaranthus hybridus. Another objective of this study was to compare morphological traits of C. album from two different populations (conventional vs. organic farms). Using a factorial randomized block design, both crop species were planted either in monoculture or intercropped with or without the presence of one of the two weeds. The results showed that intercropping onion with yellow wax bean increased the growth of onion but decreased the growth of yellow wax bean when compared to monocultures. The relative yield total (RYT) value was 1.3. Individual aboveground dry weight of both weed species under intercropping was reduced about 5 times when compared to the control. The poor growth of weeds in intercropping might suggest that crop diversification can help resist weed infestations. A common garden experiment indicated that C. album plants from the conventional farm had larger leaf area and were taller than those from the organic farm. This might be associated with specific evolutionary adaptation of weeds to different farming practices. These findings contribute to the fundamental knowledge of crop-crop interactions, crop-weed competition and adaptation of weeds to various conditions. They provide insights for the management of diversified cropping systems and integrated weed management as practices in sustainable agriculture.

Wrestling Card - Jack Claybourne

The wrestler's name is Jack Claybourne and the number stamped on the reverse is 230.

Jack

UANL

Jack Curzon a novel by Archibald Clavering Gunter

UANL

L’univers dans un point noir : esthétique et matérialité dans l’oeuvre de Jack Kirby

Notre recherche étudie les particularités esthétiques et matérialistes de l’oeuvre du bédéiste américain Jack Kirby (1917-1994) et la manière dont elles répondent d’agencements qui visent à déconstruire et reconstruire les formes sur la page. Contemporain de Will Eisner, Kirby est largement considéré comme l'auteur et dessinateur le plus influent de son époque, co-signant les premières aventures de certains des super-héros qui perdurent et qui sont aujourd’hui la manne de l’industrie hollywoodienne (Captain America, les Fantastic Four, Hulk, etc.). Son oeuvre protéiforme est composée de superpositions de textures, d’objets récupérés, de figures déviées et trouve dans son rapport à la matière les principaux axiomes qui la définissent. Cherchant dans son travail à cerner les fonctions des nombreux amoncellements de points noirs (baptisés kirby dots par la critique et l’industrie), nous nous écartons des modèles d’analyse sémiologiques pour constituer une approche écosophique de la bande dessinée. Dans cette dernière, nous avons recours à la schizo-analyse théorisée par Gilles Deleuze et Félix Guattari dans leur ouvrage L’Anti-OEdipe (1972) afin de cerner les conditions de la production de sens et de non-sens du point kirbyen. Pour ce faire, nous proposons de reconsidérer la BD comme une écologie séquentialisée, composée de cases sans icônes, c’est-à-dire d’un espace pris au plus près de la planche, pour soi et en soi, sans rapport de causalité fixe ou de structure prédéterminée. Nous envisageons ensuite les territorialités archaïques de la bande dessinée pour mieux définir son ontogénie, puis pour étudier les rapports machiniques et schizos qu’entretiennent entre eux les différents espaces (que nous distinguons en espaces striés et en espaces lisses) ainsi que les différents traits de la planche. Finalement, nous expliquerons en quoi le point kirbyen apparaît comme une machine abstraite, c’est-à-dire une instance capable d’auto-générer, d’auto-poïétiser, son propre mystère représentationnel.

Moisture-dependent physical properties of locust bean (Parkia biglobosa) seeds

Seed moisture content is significant in the handling and processing of seeds. This work therefore determined the physical properties of Locust bean seeds as functions of seed moisture content in the moisture range of 5.9 – 28.2% dry basis. Mohsenin, Stepanoff and ASAE standard methods were used in determining the properties. Increases in seed dimensions vitz length = 10.2±1.0 – 11.3±0.9 mm; width = 8.5±0.8 – 9.1±0.6 mm; surface area = 191.2±24.6 – 208.3±26.3 mm2 ; geometric mean diameter = 7.78±0.49 – 8.12±0.03 and arithmetic mean diameter = 8.06±0.56 – 8.34±0.49 mm were recorded. Seed thickness = 5.49±0.43 – 5.26±0.62 mm; sphericity = 0.75±0.04 – 0.71±0.03; true density = 1251.96±55.5 - 1222±62.16 kgm-3 and porosity = 48.4±2.14 – 41.9±3.78 decreased. Static coefficient of friction increased on plywood (0.5±0.02 – 0.6±0.01), glass (0.4±0.05 – 0.5±0.01) and decreased on aluminium (0.5±0.02 – 0.5±0.04). A data of the physical properties of Locust bean; Parkia biglobosa was developed. This is useful for the design and development of equipment necessary for its handling and processing.

Proyecto bilingüe Jack and the beanstalk.

Obtuvo la tercera mención de la modalidad A en el XIII Certamen de Premios a la Elaboración de Materiales Didácticos de 2005, organizado por la Consejería de Educación de la Comunidad de Madrid

My uncle is a hunkle says Clarice Bean.

Mamá y papá tienen que ausentarse de casa durante unos días, pero entonces alguien se tiene que ocupar de Clarice y de sus hermanos, Marcie, Minal y Kurt y del abuelo. Como último recurso, mamá pide al tío Ted que haga de canguro. Tras unos días de normalidad en la casa, se hace el caos.

What planet are you from Clarice Bean?

Maneja el tema del medio ambiente. La maestra, la señora Wilberton, le asigna a Clarice un informe sobre El Medio Ambiente. Clarice tiene que trabajar en equipo con Robert Granger, que insiste en hacer el informe sobre qué puede caminar más rápido, un caracol o un gusano. Clarice protesta que esto no es importante, pero la maestra dice que los que llegan tarde a la escuela no pueden elegir trabajo. Mientras tanto, el hermano mayor de Clarice, Kurt, se ha enterado de que la ciudad tiene previsto talar un viejo árbol de su calle. De hecho, toda la familia, de Clarice desde el abuelo a sus padres, están disgustados por la tala del árbol. Al final, toda la familia termina de acampada en el árbol comiendo spaguettis para evitar que lo corten y Clarice hace su informe sobre la importancia de los árboles.

Clarice Bean that's me.

Qué haría usted si tuviera un hermano mayor muy gruñón, un hermano pequeño que se menea como un gusano y una hermana que quiere desaparecer. Estos son algunos de los miembros de la familia de Clarice.

Jack and the dreamsack.

Para alentar el debate de los jóvenes a pensar en sus propios sueños, ya que el cambio de fantasía a realidad se confunde en algunos niños. La historia se centra en las cosas extraordinarias e inusuales de los sueños. Jack intenta recoger sus sueños en un saco para disfrutar de ellos mientras está despierto. En su búsqueda, encuentra historias alarmantes e incongruentes como cerdos eclosionando de huevos, ratones con el pelo de madera, un parque zoológico humano, teléfonos con barbas y otras extrañas historias. Al final llega a una increíble conclusión.

Jack and the beanstalk : based on a traditional folk tale.

Este cuento tradicional tiene un texto rítmico para ayudar a construir habilidades de lectura. Para leer en voz alta.

Phylogeographic analysis of the chloroplast DNA variation in wild common bean (Phaseolus vulgaris L.) in the Americas

The wild common bean (Phaseolus vulgaris) is widely but discontinuously distributed from northern Mexico to northern Argentina on both sides of the Isthmus of Panama. Little is known on how the species has reached its current disjunct distribution. In this research, chloroplast DNA polymorphisms in seven non-coding regions were used to study the history of migration of wild P. vulgaris between Mesoamerica and South America. A penalized likelihood analysis was applied to previously published Leguminosae ITS data to estimate divergence times between P. vulgaris and its sister taxa from Mesoamerica, and divergence times of populations within P. vulgaris. Fourteen chloroplast haplotypes were identified by PCR-RFLP and their geographical associations were studied by means of a Nested Clade Analysis and Mantel Tests. The results suggest that the haplotypes are not randomly distributed but occupy discrete parts of the geographic range of the species. The current distribution of haplotypes may be explained by isolation by distance and by at least two migration events between Mesoamerica and South America: one from Mesoamerica to South America and another one from northern South America to Mesoamerica. Age estimates place the divergence of P. vulgaris from its sister taxa from Mesoamerica at or before 1.3 Ma, and divergence of populations from Ecuador-northern Peru at or before 0.6 Ma. As these ages are taken as minimum divergence times, the influence of past events, such as the closure of the Isthmus of Panama and the final uplift of the Andes, on the migration history and population structure of this species cannot be disregarded.