Antonio Salieri's La calamita de' cuori (1774): Sources, Form, Context

Antonio Salieri’s La calamita de’ cuori (1774) warrants musicological attention for what it can tell us about Salieri’s compositional craft and what it reveals about the development of form in Viennese Italian-language comic opera of the mid- and late-eighteenth century. In Part I of this dissertation, I explore the performance history of La calamita, present the first plot synopsis and English translation of the libretto, and describe the variants between Carlo Goldoni’s 1752 libretto and the revised version created for Salieri’s opera. I have collated Salieri’s holograph score, Österreichische Nationalbibliothek, Vienna, Mus. Hs. 16.508, with four copies having different relationships to it, and I propose a stemma that represents the relationships between these five sources. The analyses in Part II contribute to our understanding of formal practices in eighteenth-century drammi giocosi. My study of Salieri’s La calamita reveals his reliance on a clearly defined binary structure, referred to in this dissertation as “operatic binary form,” in almost half of the arias, ensembles, and instrumental movements of this opera. Salieri’s consistent use of operatic binary form led me to explore its use in drammi giocosi by other prominent composers of this time, including Baldassare Galuppi’s La calamita de’ cuori (1752), Wolfgang Amadeus Mozart’s Il dissoluto punito, ossia Il Don Giovanni (1787), and selected arias by Pasquale Anfossi, Florian Leopold Gassmann, Giuseppe Gazzaniga, Franz Joseph Haydn, Giovanni Paisiello, and Niccolò Piccinni dating from 1760 to 1774. This study showed that Salieri and his peers adhered to a recognizable tonal plan and set of design elements in their operatic binary forms, and that their arias fall into three distinct categories defined by the tonality at the beginning of the second half of the binary structure. The analysis presented here adds to our present understanding of operatic form in mid- and late-century drammi giocosi and shows that in La calamita de’ cuori, Salieri was following the normative formal procedures of his time.

Boletim de Cultura da Câmara Municipal de Évora, A Cidade de Évora

Franz Joseph Haydn (1732-1809) confirma-se como o compositor modelar para uma avaliação dos circuitos cosmopolitas da música instrumental ao mais alto nível da aristocracia, complementando alianças e compromissos selados pela partilha de um gosto musical. Entre outros estudos, refiram-se as conclusões recentes de Stephen C. Fischer sobre a circulação das Sinfonias de Haydn em Espanha. Neste trabalho o musicólogo demonstra que a corte, a Casa de Alba e a Casa de Osuna y Benavente estavam entre as Livrarias da aristocracia europeia que recebiam novas obras de Haydn por via directa do compositor em finais do século XVIII. Em Portugal também a reputação da música de Franz Joseph Haydn se situou ao mais alto nível no período compreendido entre as décadas de 1780 e de 1820, tanto na sinfonia, como música de câmara, sobretudo para tecla.

Warianty realizacji austriackości w wybranych autorów (Joseph Roth, Stefan Zweig, Franz Theodor Csokor i Ődön von Horváth) w odniesieniu do kategorii granicznych starego i nowego świata

Wydział Neofilologii:Instytut Filologii Germańskiej

Schubert-Feier : (zum Konzert des j��dischen Gesangvereins anlässlich des hundertsten Todestages Franz Schuberts, gest. November 1828)

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Indice de las Leyes de las Siete Partidas del rey D. Alfonso el Sabio : copiandose el que publicò... Gregorio Lopez de Tovar... en Salamanca y oficina de Domingo de Portonariis, año 1576, el mismo que se insertò en la impression en octavo del año 1758 por... Joseph Bernì...

Sign.: [ ]1, A-S2.

Joseph von Görres gesammelte schriften /

Vols. 8-9 (1874) edited by Franz Binder.

Report of the trial of Friends, in the city of Philadelphia : June, 1828 ... ,or, The case of Edmund Shotwell, Joseph Lukins, Charles Middleton, and two others ...

Binder's title: Friend's trials, Vol. I & II.

Alvará, porque V. Magestade he servido declarar o parágrafo dezoito da Instituição da Companhia Geral do Grão Pará, e Maranhão : na forma, que nelle se contém : para V. Magestade ver : Filippe Joseph da Gama o fez

Ao alto do título: Sebastião Joseph de Carvalho e Mello.

Fourier transformation study of the Franz-Keldysh Oscillation in SIN+ GaAs structures

Fourier transformation (FT) method has been used in the theoretical lineshape analysis of the Franz-Keldysh Oscillation (FKO) in detail by numerical simulation. The FKO of a set of GaAs SIN+ samples was obtained in photoreflectance measurements. The FT spectra of a part of the samples,including of the real part,imaginary part, and mode of the FT,are well consistent with the theoretical lineshapes. The ratio of the square root of the reduced mass of the light hole (LH) to the heavy hole (HH), root mu(1)/root mu(h), obtained in the analysis was in the range of 0.805 to 0.816 for different samples. In addition,the built-in electric field F-1, and the modulation field delta F = F-1 - F-2 induced by photo-modulation were also obtained in the analysis. However,for a few samples great difference was found in the lineshape of the real part and imaginary part of their FT spectra from the theoretical lineshape. In this case the mode of the FT spectra still can be used to obtain useful information.

[Lettre autographe signée de Martin-Joseph Adrien ou Adrien l'aîné, dit Laneuville, 1ère basse taille à l'Opéra, à Bonet, 4 ventôse an 9 (23 f��vrier 1801)]

Est hors d'état de jouer le lendemain le rôle de Polycrate

Pierre-Joseph Proudhon. Papiers. VIII Varia.

Fauré-Fremiet, Mme. Manuscrit(s) provenant d'elle