Repertório barroco e suas possibilidades ao violão: aspectos teóricos e métodos transcritivos a partir das cordas dedilhadas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

AVALIAÇÃO ROBUSTA DA MODELAGEM NEUTROSFÉRICA SOBRE O TERRITÓRIO BRASILEIRO BASEADA EM MODELOS DE PREVISÃO NUMÉRICA DE TEMPO DA AMÉRICA DO SUL

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Francisco de Quevedo e Gregório de Matos: diálogos barrocos sobre literatura e mulher

This study investigates the theme of misogyny on the works of Francisco de Quevedo and Gregório de Matos. The investigated material consists in five selected poems of each author which conform to this perspective. The objective is to establish an initial approach that indicates the prejudice against women on the poetics of both writers, in association with the historical context of the 17th century and the baroque´s aesthetics on literature

Fragmento d'alma

Fragmento D' Alma is an artistic research that part of a poetic tale through an initial charge of dawn one fantastic universe where words have life and willingly. The work includes sculptural works in order to interpret through the use of allegory situations of the tale in the form of sculptural compositions considering one or more characters in the story. In the sculptural work, I tried figuring the relations tale as my interpretations and poetic, so I sought theoretical studies of allegory after noting my affinity with the theme to contribute to the relationship text and image set in my work. I also sought to understand the relationships that the text played with sculptural work, so the chances that I could address this through dialogue between text and image. The studies collected through surveys pointed allegory by João Adolfo Hansen, as well as in various artistic and visual references present in my repertoire, such as the Baroque sculpture of Bernini, the performances of Berna Reale and literature of Neil Gaiman, contributed in this research to the development of my creative process during the preparation of this research work of art, making the complexity of the relationship between textual production and poetic sculptural three-dimensional, also became a concern and an integral theme of my work and my reflections presented here. Therefore, I conclude based on my own experience in this work, the artistic research inspired allegory might contribute to the development of my creative process during the preparation of this artwork, besides assigning relations between textual production and poetic dimensional sculpture

Efeitos de diferentes estímulos auditivos musicais sobre a regulação autonômica cardíaca

Pós-graduação em Fisioterapia - FCT

Ciência e colecionismo na poesia de Giacomo Lubrano

This essay aims to analise the temporal dimension and the temporal instruments which the baroques poets utilized in Italy, especially in Lubrano’s poetry. We intend to demonstrate that Lubrano” made several references to the transitoriety of human life, and did not restrict their observations to a simple collectionism.

Relógios e óculos no barroco italiano

This essay aims to analyse the temporal dimension and the temporal instruments which the baroques poets utilized in Italy. We intend to demonstrate that the “minor poets” of that period made several references to the transitoriety of human life, and did not restrict their observations to a simple collectionism.

Categorias retórico-poéticas e produção de embates n'o desertor, de Manuel Inácio da Silva Alvarenga

Pós-graduação em Letras - FCLAS

Os animais não humanos no material didático do programa São Paulo Faz Escola

The relationship between humans and non-human animals dates back to the Prehistoric Era, when groups of humans migrated from the nomadic and extractive stage to sedentariness, starting to develop agriculture and animal husbandry. Ancient Greek philosophy, notably the Aristotelian school of philosophy, posited that nature has not done anything for nothing, and all things have a purpose: plants were created for the sake of animals, and these for the good of men, while the Bible preaches the view that the world was created for the good of men and other species were subordinated to their wants and needs. During the Renaissance, centuries XIV to XVI, anthropocentrism was established as the main philosophical concept. However, in relation to the treatment of animals, Renaissance did not differ substantially from medieval scholasticism, considering animals like machines, devoid of pain and immortal soul. In this context, scientific knowledge about plants, non-human animals and nature in general, is built on anthropocentric values, thus influencing the construction of school education in the disciplines of Science and Biology. Nowadays, at São Paulo state schools, specifically in the Ensino Fundamental II (6th to 9th grade), the program of the discipline Ciências da Natureza e suas Tecnologias is set by the Currículo Oficial do Estado de São Paulo, via the São Paulo Faz Escola Program, implemented by the Secretaria Estadual de Educação in 2010. This documentary research used the methodology of Content Analysis and aimed to analyze the presentation of non-human animals in Caderno do Professor and Caderno do Aluno, from 6th to 9th grades of the discipline Ciências da Natureza e suas Tecnologias. The analysis of the courseware revealed that its contents were influenced by the anthropocentric view, in both implicitly and explicitly ways, conveying anthropomorphic, utilitarian, stereotyped and derogatory statements towards...

Os animais não humanos no material didático do programa São Paulo Faz Escola

The relationship between humans and non-human animals dates back to the Prehistoric Era, when groups of humans migrated from the nomadic and extractive stage to sedentariness, starting to develop agriculture and animal husbandry. Ancient Greek philosophy, notably the Aristotelian school of philosophy, posited that nature has not done anything for nothing, and all things have a purpose: plants were created for the sake of animals, and these for the good of men, while the Bible preaches the view that the world was created for the good of men and other species were subordinated to their wants and needs. During the Renaissance, centuries XIV to XVI, anthropocentrism was established as the main philosophical concept. However, in relation to the treatment of animals, Renaissance did not differ substantially from medieval scholasticism, considering animals like machines, devoid of pain and immortal soul. In this context, scientific knowledge about plants, non-human animals and nature in general, is built on anthropocentric values, thus influencing the construction of school education in the disciplines of Science and Biology. Nowadays, at São Paulo state schools, specifically in the Ensino Fundamental II (6th to 9th grade), the program of the discipline Ciências da Natureza e suas Tecnologias is set by the Currículo Oficial do Estado de São Paulo, via the São Paulo Faz Escola Program, implemented by the Secretaria Estadual de Educação in 2010. This documentary research used the methodology of Content Analysis and aimed to analyze the presentation of non-human animals in Caderno do Professor and Caderno do Aluno, from 6th to 9th grades of the discipline Ciências da Natureza e suas Tecnologias. The analysis of the courseware revealed that its contents were influenced by the anthropocentric view, in both implicitly and explicitly ways, conveying anthropomorphic, utilitarian, stereotyped and derogatory statements towards...

El arpa en Canarias : aspectos históricos, interpretativos, compositivos, docentes, artísticos y organológicos

Programa de doctorado: Habitar la casa: arte y arquitectura.

Fray Alonso de la Veracruz : ensayo de síntesis

El artículo presenta una síntesis de la obra escrita de Veracruz y, en parte, también de su acción. De tal modo, se exponen sus escritos filosóficos, en materia de lógica (Recognitio Summularum y Dialectica Resolutio) y de filosofía natural (Physica Speculatio), y las relecciones en las que se ocupó de los títulos de la conquista y la condición de los indios (De dominio infidelium y De decimis). También es propósito del trabajo proporcionar, a quien quiera continuar con el tema, una guía de buena parte de la abundante literatura secundaria que se ha ocupado de Fray Alonso de la Veracruz. Veracruz es un importante representante de la escolástica novohispana del siglo XVI, y simboliza el comienzo del trasplante filosófico que bajo el signo de la escolástica se extendería en Iberoamérica hasta el siglo XVIII y parte del XIX.

Riqueza de un entremés: Las Carnestolendas, de Pedro Calderón de la Barca

Junto a las magistrales creaciones barrocas del genial dramaturgo don Pedro Calderón de la Barca, encontramos una rica producción de piezas cortas, cuya primera publicación data de 1645, en Entremeses Nuevos, momento en que el género entremés ofrecía ya un corpus considerable de obras, motivos, tipos y argumentos a los cuales, se dice, Calderón hace avanzar en algunos casos con genialidad hasta su plena madurez. El arte de Calderón, como cima de la creación dramática barroca, se hace presente también en las piezas de su teatro breve, tanto en los aspectos del estilo como en los de la concepción y elaboración de la pieza dramática. Las Carnestolendas es un excelente ejemplo de ese arte. El análisis de este entremés intenta demostrar que la riqueza y la complejidad que posee es una síntesis apretada del arte barroco calderoniano. Ello se ejemplifica con los distintos aspectos propios del entremés aunque presentes también en las comedias: la unidad dramática, la cohesión de los distintos momentos, la tensión, los temas, el teatro dentro del teatro, el desfile de personajes, la comicidad verbal. Puede apreciarse, así, que Las carnestolendas son como el "mundo abreviado" de la comedia calderoniana.

Una contribución para la comprensión del nacimiento del representacionalismo

El debate acerca del significado y del fin de la Ciencia se ha desarrollado recientemente en el ámbito de la Filosofía de la Ciencia. Uno de los temas más discutidos es la interpretación del representacionalismo en la concepción clásica de la ciencia (p. e., Rorty y Putnam). Las posibilidades de superar el representaciones dependes de su comprensión. En este trabajo se considera un aspecto del representacionalismo modernos: el modo de explicar la ciencia introducido por aristotélicos y tomistas en la Segunda Escolástica (XV – XVI), con especial mención de Cayetano. Este modo está presenta en el origen del representacionalismo.

La filosofía en el plan de estudios del Deán Funes : el contexto hispanoamericano

Se relaciona el Plan de Estudios preparado por Gregorio Funes para la Universidad de Córdoba (1813) con otros similares y contemporáneos elaborados en Santa Fe de Bogotá, Lima y Quito. El interés principal recae en los estudios de filosofía. Los planes representan un momento de transición hacia la modernidad, con la consiguiente crítica a la escolástica y la decisión de reemplazar la física aristotélica.