815 resultados para Dream and reality


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This paper has as its main focus the relation between the infringement act and the adolescents families social economical problematic, who obey the social educational deprivation of freedom at CEDUC in the district of Pitimbu RN, establishing in the theme Children and Adolescents, with the objective of showing how these families breed in the social economical and cultural political aspect. It also seizes who those adolescents are and their family members in their social aspect and as those families face their daily activities. The focus on the social matter, family, adolescent, infringement act, exclusion, inclusion formed the analysis categories which made myths and reality possible, taking into consideration the infringement act in our society. The data collection showed that those families conditions of life are of poverty. Families originated from low social classes, 62.5 % coming from the countryside and living with a daily income ranging from R$ 0,31 to R$ 8,31. Their level of education is low; there is lack of human and citizenship rights and no professional qualification whatsoever. It questions the degrading social exclusion suffered by millions of Brazilian people due to social, political and infringement economical problems. Has this favored the infringement practice? How to confirm the families lack of competence having the social vulnerability? Are the Public Political Institutions really performing the way they should? Are they really carrying out their role as they should? We have noticed that from then on, the necessity of understanding the exclusion/inclusion suffered not only in an imprecise and empty way, but understood as processes of integrative exclusion or ways of delinquency, where the excluding is not only the only one who has lack of material care but the one who is seen or recognized as a person, is not being treated as one. The effort of this paper provided an approach to our object, and the seizing of a close relation between the infringement act and the exclusion process or inclusion suffered, which are submitted to families of those adolescents who deprive of freedom

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Presents the discussion of practical and social dimensions that comprise the instrumentality (formative; theoretical and intellectual; investigative; technical-instrumental; and ethical-political) Social Work from research in social and occupational areas in which they operate social workers in Natal in Rio Grande do Norte. Chapters expose positions, experiences and reality of the respondents and the theoretical constructs and analytical, to understand: the evaluation of the training process, relating the teaching practice, the role of knowledge and the importance of research in professional practice of social workers, the seizure of technical-instrumental dimension, articulating demands, duties, powers and instruments, as elements that comprise it, and finally the ethical-political dimension, discussing the challenges of ethics and materialization of the ethical-political in daily work. In this sense, the dissertation sought add to production and academic debate about the work of the social worker, as well as contribute to their own professional practice, revealing how professionals articulate the practical and social dimensions that comprise the instrumentality in their daily work

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O objetivo deste artigo é compreender o papel intelectual desempenhado por Paulo Emilio Salles Gomes na sociedade brasileira. Partindo da análise da sua crítica de cinema no jornal O Estado de São Paulo, nos anos 1950, busco caracterizar o processo de construção do empenho político e cultural voltado para a construção de uma sociedade democrática no Brasil, que se desdobrava nas análises sobre o cinema, e a realidade brasileira nas décadas de 1960 e 1970.

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This paper describes the most important cognitive models for obsessive-compulsive disorder, i. e., the inference processes (thoughts and believes) underlying the patients'feelings and behaviors. The major models formulated in this area emphasize the following aspects: exacerbated perception of danger (risk evaluation), overimportance of intrusive thoughts, excessive sense of personal responsibility (blame for harm self and others), perfectionism, psychological fusion of thought and action, and illogical inference processes involving confusion between imagination and reality. The knowledge of cognitive aspects brings new perspectives for the psychological treatment of this disorder.

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Pós-graduação em Estudos Linguísticos - IBILCE

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Pós-graduação em Artes - IA

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Letras - FCLAS

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Pós-graduação em Ciências Sociais - FCLAR

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Letras - IBILCE

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Pós-graduação em Letras - IBILCE

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Analisa os poemas da Trilogia Amazônica (Cantares Amazônicos) com o objetivo de apontar como o poeta aborda as formas do mito e como revive e recria um pouco da história da Amazônia. Os conceitos teórico-metodológicos que a permeiam são do próprio poeta, tais como conversão semiótica e epifania negativa, dentre outros. Utilizam-se, também, algumas obras que retratam a situação da Amazônia a partir dos anos 50, período da implantação do projeto de desenvolvimento para modernização da região. A leitura dos poemas se realiza à luz desse contexto histórico e cultural em que a chegada de novos capitais à região desestrutura as relações aí existentes. Como se deu esse processo? Quais as suas conseqüências para as populações autóctones e para a natureza, que virou espaço paradoxal de civilização e barbárie, produto de exploração e cobiça, perturbando o homem amazônico? Como se processa a passagem de uma mentalidade mítica a uma racionalidade, isto é, a deslenda mítica e a visão da cidade como um espaço de ruína: memória e esquecimento é desse trajeto, entre poesia e realidade, que o poeta colhe o material para sua escritura, convertendo a realidade como material estético, não para estetizar a miséria, mas como maneira de dar forma poética ao tempo histórico que cruza e é cruzado com o mito, ou as formas poéticas do mito.