Dioses, Dios

"We are not jealous of gods, we do not serve them, we do not fear them, but at the risk of our lives, we attest for their multiple existence, and are stirred to be of their chancy keeping when they are no more remembered of". What could mean such a sentence written by René Char? Is it still possible to think and to experiment, here and now, after centuries of monotheism, something like a plurality of gods? What is it to be a pagan? Rereading Homer, and then Plato, Nietzsche and Lyotard, we could risk the following de´Çü nition: pagan is someone able to suppose, between performance and cosmos, that the one coming up to him is, may be, some god.

Dioses, Dios

"We are not jealous of gods, we do not serve them, we do not fear them, but at the risk of our lives, we attest for their multiple existence, and are stirred to be of their chancy keeping when they are no more remembered of". What could mean such a sentence written by René Char? Is it still possible to think and to experiment, here and now, after centuries of monotheism, something like a plurality of gods? What is it to be a pagan? Rereading Homer, and then Plato, Nietzsche and Lyotard, we could risk the following de´Çü nition: pagan is someone able to suppose, between performance and cosmos, that the one coming up to him is, may be, some god.

Dioses, Dios

"We are not jealous of gods, we do not serve them, we do not fear them, but at the risk of our lives, we attest for their multiple existence, and are stirred to be of their chancy keeping when they are no more remembered of". What could mean such a sentence written by René Char? Is it still possible to think and to experiment, here and now, after centuries of monotheism, something like a plurality of gods? What is it to be a pagan? Rereading Homer, and then Plato, Nietzsche and Lyotard, we could risk the following de´Çü nition: pagan is someone able to suppose, between performance and cosmos, that the one coming up to him is, may be, some god.

Hôtel-Dieu de París: reformas materiales, estructurales y funcionales entre los siglos XII y XVIII

El presente estudio tiene como objetivo conocer y divulgar la historia del Hôtel-Dieu de París entre los siglos XII y XVIII, periodo de tiempo en el que se llevaron a cabo grandes obras en sus instalaciones, se cambió el sistema de administración y se desarrolló una estructura funcional de las Hermanas Agustinas con la aparición de supervisoras y especialistas en diferentes áreas. La metodología usada para este estudio es de investigación cualitativo-descriptiva que se inicia con una búsqueda bibliográfica y continúa con el análisis hermenéutico de los documentos encontrados. Las conclusiones de este estudio versan sobre la problemática del paso de la gestión de la asistencia sanitaria caritativo-religiosa a la gestión laica de la misma con la pérdida del cariz altruista; del desarrollo de súper-estructuras físicas para la atención sanitaria y de las jerarquías organizativas y funcionales de esas súper-estructuras, todo esto en el amplio contexto temporal de seis siglos.

Le T'ai chan : essai de monographie d'un culte chinois ; appendice, Le dieu du sol dans la chine antique /

Includes bibliographical references and index.

On a beau dire : pour baryton ou mezzo-soprano /

For voice (Mz or Bar) and piano.

Si vous n'avez rien à me dire /

For voice and piano.

L'ouvrage du Dieu créateur /

Commentary in French.

De la connaissance de Dieu et de soi-meme.

Mode of access: Internet.

Dell' arte del dire; lezioni.

Vol. 3-4 have imprint: Napoli, Tip. dell'Industria.

Mélanges de chirurgie : notes cliniques, recueillies a l'hotel-Dieu de Valenciennes précédées d'une notice historique /

Mode of access: Internet.

L'homme : structure et fonctions de ses organes démontrant l'existence de Dieu [Manuscrito] /

Mode of access: Internet.

Histoire romaine depuis la fondation de Rome jusqu'a la bataille d'Actium : c'est-à-dire jusqu'à la fin de la République /

Mode of access: Internet.