979 resultados para Bleecker, Pieter., 1819-1878.


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Machado de Assis (1839-1908) teve sua carreira marcada pela constante atividade de colaboração em periódicos, dentre os quais nos interessam particularmente O Futuro (18621863), o Jornal das Famílias (1863-1878) e A Estação (1879-1904). Por sua atuação constante e eficaz nesses veículos, o escritor foi considerado seu principal colaborador. As três revistas, por sua vez, marcaram sua presença no processo de formação de Machado: O Futuro presenciou o início da trajetória do escritor, e o Jornal das Famílias e A Estação, por seu longo período de circulação, ofereceram-lhe maior espaço para a prática e o aperfeiçoamento no gênero narrativo, principalmente na produção contos, essencial para a consagração de Machado de Assis no panorama da literatura brasileira. Assim sendo, é importante conhecer as principais características dessas revistas, uma vez que o perfil das publicações também devia ser levado em conta pelos escritores na produção de seus textos.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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The purpose of this paper is to show some characteristics and essential information related to the Brazilian periodicals in the 19th century Revista Popular (1859-1862) and Jornal das Famílias (1863-1878), whose owner was the Frenchman Baptiste Louis Garnier. By that time the proliferation of periodicals attracts attention mainly because several of them had ephemeral existence, in opposition to Garnier’s periodicals which as a whole amount to 19 years in circulation. The research on these periodicals becomes relevant since they are well succeeded publications whose study makes possible the widening of the knowledge on social and cultural aspects of a very important period in Brazilian society.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Background Total joint replacements represent a considerable part of day-to-day orthopaedic routine and a substantial proportion of patients undergoing unilateral total hip arthroplasty require a contralateral treatment after the first operation. This report compares complications and functional outcome of simultaneous versus early and delayed two-stage bilateral THA over a five-year follow-up period. Methods The study is a post hoc analysis of prospectively collected data in the framework of the European IDES hip registry. The database query resulted in 1819 patients with 5801 follow-ups treated with bilateral THA between 1965 and 2002. According to the timing of the two operations the sample was divided into three groups: I) 247 patients with simultaneous bilateral THA, II) 737 patients with two-stage bilateral THA within six months, III) 835 patients with two-stage bilateral THA between six months and five years. Results Whereas postoperative hip pain and flexion did not differ between the groups, the best walking capacity was observed in group I and the worst in group III. The rate of intraoperative complications in the first group was comparable to that of the second. The frequency of postoperative local and systemic complication in group I was the lowest of the three groups. The highest rate of complications was observed in group III. Conclusions From the point of view of possible intra- and postoperative complications, one-stage bilateral THA is equally safe or safer than two-stage interventions. Additionally, from an outcome perspective the one-stage procedure can be considered to be advantageous.

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Das ehemals in der Sammlung des Palais Granvella in Besançon und sodann in Rubens’ Sammlung belegte Gemälde "Schiffe in ruhiger See" von Pieter Bruegel d. Ä. ist heute verschollen. Mit sehr hoher Wahrscheinlichkeit kann es mit der Darstellung des Seestücks im Vordergrund der Allegorie des Sehsinns von Jan Brueghel d. Ä. und Peter Paul Rubens identifiziert werden.

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Das ehemals in den Sammlungen des Palais Granvella in Besançon und sodann Rubens’ belegte Gemälde Schiffe in ruhiger See von Pieter Bruegel d. Ä. ist heute verschollen. Mit sehr hoher Wahrscheinlichkeit kann es mit der Darstellung des Seestücks im Vordergrund der Allegorie des Sehsinns von Jan Brueghel d. Ä. und Peter Paul Rubens identifiziert werden.