Popular college songs : a collection of the latest songs as sung at Harvard and other colleges, together with the best of the old favorites /

Principally with piano accompaniment.

Burton's comic songster : being entirely a new collection of original and popular songs ... /

Includes index.

Male quartettes : sacred and secular : A choice collection of the most popular sacred and seculat male quartettes /

Sacred. Beyond the smiling and the weeping -- Come, ye disconsolate -- Consolation -- I am with thee -- I can trust -- It is not death -- Jesus, my Lord -- Keep praying at the gate -- Nearer -- Nearer my home -- Pray for the wanderer -- Remember me, o mighty one -- Rock of ages -- Steal away -- Sweet hour of prayer -- They crucified my Lord -- We are going down the valley -- When the mists have cleared away -- Secular. A little farm well tilled -- Brightly now the moon is beaming -- Call John -- Gideon's band -- Love -- Night wind -- Oft in the stilly night -- O, I am a merry sailor lad -- Poor old Joe -- Say so -- Sleep on thy pillow -- Stars of the summer night -- The cobbler and the crow -- The school master -- The tack -- Three crows -- Three little kittens -- Who built the ark? -- Wouldn't you like to know.

Crowning day, 1-6 combined : contains 297 numbers of the most popular songs of this famous series of gospel song books. This is a superior collection of gospel songs and hymns suitable for every department of church work. A great book for evangelists /

Contains 297 numbered hymns.

Songs of Ireland : 100 most popular Irish songs /

For voice and piano.

Musicologia latino-americana. La música popular y los músicos célebres de la América Latina,

"Instrumentos indigenas": p.56-89.

The southern harp : consisting of original sacred and moral songs adapted to the most popular melodies /

For 1-3 voices.

The Universal songster and museum of mirth: a collection of popular songs.

Without music; some tunes indicated by title.

The Lyre : a selection of popular psalm & hymn tunes, with appropiate (!) vignetts.

Mode of access: Internet.

Last words on evolution; a popular retrospect and summary,

A course of three lectures delivered at the Academy of music, Berlin, April 1905.

Popular choir collection of anthems for general use.

For chorus (SATB) with piano.

Electronic dance music culture and religion: An Overview

This article provides a comprehensive and critical overview of existing research that investigates (directly and indirectly) the religio-spiritual dimensions of electronic dance music culture (EDMC) (from disco, through house, to post-rave forms). Studies of the culture and religion of EDMC are explored under four broad groupings: the cultural religion of EDMC expressed through 'ritual' and 'festal'; subjectivity, corporeality and the phenomenological dance experience (especially 'ecstasy' and 'trance'); the dance community and a sense of belonging (the 'vibe' and 'tribes'); and EDMC as a new 'spirituality of life'. Moving beyond the cultural Marxist approaches of the 1970s, which held youth (sub)cultural expressions as 'ineffectual' and 'tragic', and the postmodernist approaches of the early 1990s, which held rave to be an 'implosion of meaning', recent anthropological and sociological approaches recognise that the various manifestations of this youth cultural phenomenon possess meaning, purpose and significance for participants. Contemporary scholarship thus conveys the presence of religiosity and spirituality within contemporary popular cultural formations. In conclusion, I suggest that this and continuing scholarship can offer useful counterpoint to at least one recent account (of clubbing) that overlooks the significance of EDMC through a restricted and prejudiced apprehension of 'religion'.

COMUNIDADES ECLESIAIS DE BASE: EDUCAÇÃO POPULAR E CONSCIENTIZAÇÃO NO ABC (1964-1985)

Esta dissertação procurou apreender que consciência, ou consciências, formaram as Comunidades Eclesiais de Base CEBs com a apropriação das orientações da Educação Popular e da Teologia da Libertação durante o Regime Militar brasileiro. Entretanto, diferente da maioria dos trabalhos que se voltam a essa experiência, o estudo elaborou uma abordagem que as colocaram em prismas diversos. Focalizou, inicialmente, o momento histórico e algumas experiências nos vinte anos de regime e, em seguida, a Educação Popular e a Teologia da Libertação (teoria e prática), objetivando compreender seus projetos político-pedagógicos. A reflexão sobre a Educação Popular e a Teologia da Libertação aliada à reconstituição histórica do período forneceram o contexto no qual se inseriu a análise pretendida: a observação do fenômeno educacional numa perspectiva de micro-análise retratando os processos sociais e as experiências vividas para conhecer a consciência que emergiu de tal experiência educacional. Neste sentido, a pesquisa inferiu, por meio da análise de uma comunidade em particular, que a consciência nascida de tal prática foi de curto alcance, uma vez que os sujeitos envolvidos nesse projeto conscientizador perceberam apenas a ausência imediata de direitos.(AU)

German pop music:a companion

The development of German pop music represents a fascinating cultural mirror to the history of post-war Germany, reflecting sociological changes and political developments. While film studies is an already established discipline, German pop music is currently emerging as a new and exciting field of academic study. This pioneering companion is the first volume to provide a comprehensive overview of the subject, charting the development of German pop music from the post-war period 'Schlager' to the present 'Diskursrock'. Written by acknowledged experts from Germany, the UK and the US, the various chapters provide overviews of pertinent genres as well as focusing on major bands such as CAN, Kraftwerk or Rammstein. While these acts have shaped the international profile of German pop music, the volume also undertakes in-depth examinations of the specific German contributions to genres such as punk, industrial, rap and techo. The survey is concluded by an interview with the leading German pop theorist Diedrich Diederichsen. The volume constitues an indispensible handbook for any student, teacher and scholar in the area of German studies interested in contemporary popular culture.