Turismo Cultural: as Potencialidades Turísticas do Pano de Terra de Santiago em Cabo Verde

Esta dissertação resulta de um estudo de caso sobre o pano de terra de Santiago de Cabo Verde e as suas potencialidades turísticas. Com este trabalho, pretende-se avaliar as potencialidades turísticas do pano de terra e demonstrar a sua importância no desenvolvimento económico das comunidades locais. O turismo cada vez mais utiliza o património como um recurso importante, sobretudo o segmento do turismo cultural. Porém, em Cabo Verde este segmento não tem sido muito explorado apesar do potencial incomensurável existente no arquipélago. Tendo em conta as potencialidades culturais do país, o turismo cultural apresenta-se como um segmento apropriado para responder às novas exigências e preferências dos turistas, partindo do pressuposto que o perfil dos mesmos se apresenta cada vez mais exigente e diversificado. Assim, conclui-se que o pano de terra enquanto património cultural material e imaterial oferece boas condições para ser utilizado como recurso turístico. O pano de terra constitui um novo produto, susceptível de obter um valor acrescentado, e possuindo potencialidades para ser explorado de forma a complementar outros recursos. Apresenta-se, também, como um produto de grande atractividade para os turistas, capaz de gerar emprego para as comunidades locais.

Turismo Cultural e Desenvolvimento Local: um Estudo Sobre o Concelho do Tarrafal, Cabo Verde

Este trabalho tem como o objetivo central analisar o potencial do turismo cultural no Tarrafal e compreender o seu papel na valorização do património e no desenvolvimento local. Procurou-se estudar a perceção dos agentes institucionais, a perceção dos residentes, o perfil dos turistas, a perceção dos alojamentos e dos restaurantes e as suas características. Com a globalização, as diversidades culturais emergem como elementos diferenciadores e dinamizadores do turismo. O turismo cultural tem despertado cada vez mais interesse no palco internacional, revelando-se como um grande veículo estratégico que promove o desenvolvimento local através da valorização do património, mantendo-o conservado, vivo e valorizado. O Concelho do Tarrafal localiza-se na parte norte da ilha de Santiago, a uma distância de 75 quilómetros da cidade da Praia (capital de Cabo Verde). Ocupa uma superfície de 112,4 Km2, representando assim cerca de 11% da área total da ilha de Santiago e 2,8% do território nacional. Possui cerca de 18.565 habitantes, cuja maioria é representada pela população feminina. Este concelho possui um conjunto de recursos culturais de grande interesse turístico que podem contribuir para a diversificação da oferta e transformar o concelho num destino turístico de qualidade, promovendo a melhoria das condições de vida da população como também a sustentabilidade do próprio setor. Este tipo de turismo promove além da apreciação dos objetos, infraestruturas e entre outras formas culturais, a interação entre os turistas e a própria comunidade, entre o setor publico e o privado e entre o turismo e a cultura.

Propuesta para el proyecto “Sistema de gestión sostenible del patrimonio arquitectónico y cultural de la ciudad de Cuenca en Ecuador.

Projecte elaborat pel CPSV en motiu de la Convocatoria Abierta y Permanente (CAP) de la Agencia Española de Cooperación y Desarrollo.

El Patrimoni cultural entre els criteris de sostenibilitat turística : col·laboració a la Carta Europea de Turisme Sostenible al Montseny

El present projecte té el seu origen en la proposta facilitada per l’Oficina del Parc Natural del Montseny en relació a les accions a portar a terme dins els compromisos de la Carta Europea de Turisme Sostenible (CETS) al Parc durant els anys 2011 – 2015. La Carta Europea de Turisme Sostenible és una acreditació que atorga la Federació EUROPARC als espais naturals protegits que demostren el seu compromís pràctic amb el turisme sostenible, definint una estratègia i un pla d’acció adaptats a les particularitats del territori. El Parc Natural del Montseny es situa entre les demarcacions de Girona i Barcelona i s’estén per les comarques del Vallès Oriental, la Selva i Osona. El Montseny és un espai singular dotat d’alts valors culturals i naturals reconeguts mitjançant la declaració d’importants figures de protecció (Parc Natural Reserva de la Biosfera per la UNESCO i Espai de la Xarxa Natura 2000). El cas de la Carta Europea de Turisme Sostenible al Parc Natural del Montseny supera els límits del Parc i inclou altres municipis limítrofs que compten amb característiques d’identificació amb els valors del massís

Medio siglo de cambios paisajísticos en la montaña mediterránea. Percepción y valoración social del paisaje en la alta Garrotxa (Girona)

Rural depopulation and abandonment of farming activities have resulted in an intense transformation of the characteristic landscapes of Mediterranean mountains. A dynamic characterized by an intense process of expansion of forested cover in detriment to livestock and agricultural areas. This process, which produces effects such as biodiversity and cultural heritage loss and contributes to the spread of wildfires, can be mapped, quantified and described with high accuracy through the means of digital mapping, geographic information systems and landscape indexes. But what is the perception and valuation of these changes by the stakeholders involved in the management of these territories? This article attempts to answer this question in the protected area of Alta Garrotxa (Girona), where a strong correlation between landscape dynamics and their perception by the stakeholders is revealed. On the other hand, the valuation and future prospects produce diverse and often contradictory points of views that illustrate the existing difficulties to management

Entre la gestió cultural i la gestió turística

Les relacions entre cultura i turisme son cada cop mes estretes i les fronteres conceptuals mes difoses. Una possible metodologia d'anàlisi consisteix a posar en comú els punts d'intersecció a partir dels aspectes mes rellevants de la gestió de cada un deis sectors

Turisme cultural en un espai rural

En els darrers quinze anys hem pogut constatar un lent creixement del turisme en els espais naturals i en els espais culturals. Ara, els escenaris rurals, els paisatges de muntanya mitjana, els nuclis rurals, els museus etnogràfics o les petites esglésies romàniques s'integren en el catàleg de productes turístics contemporanis, juntament amb les colònies Industrials, alguns centres comercials, espais d'oci programats o centres de producció

Action Research : the first steps to start up a pilot experiment in heritage education

Peer-reviewed

La Història oral com a patrimoni cultural immaterial: estudi de cas

En aquest treball es parteix de la concepció que la història oral i les històries de vida són elements del patrimoni cultural immaterial i com a tals caldria conservar i protegir. S’exposa el testimoni d’un ciutadà de Girona, Narcís Lecha, el meu avi matern, durant el període de la Segona República, la Guerra Civil i l’exili. A partir del qual extraurem diferents aspectes col•lectivament rellevants. L’objectiu principal d’aquest treball és l’estudi i la difusió d’una història de vida que ens aporta coneixement sobre un període cabdal de la nostra història

La Història oral com a patrimoni cultural immaterial: estudi de cas

En aquest treball es parteix de la concepció que la història oral i les històries de vida són elements del patrimoni cultural immaterial i com a tals caldria conservar i protegir. S’exposa el testimoni d’un ciutadà de Girona, Narcís Lecha, el meu avi matern, durant el període de la Segona República, la Guerra Civil i l’exili. A partir del qual extraurem diferents aspectes col•lectivament rellevants. L’objectiu principal d’aquest treball és l’estudi i la difusió d’una història de vida que ens aporta coneixement sobre un període cabdal de la nostra història

Database Rights in Safe European Home: The Path to More Rigorous Protection of Information

1. Introduction "The one that has compiled ... a database, the collection, securing the validity or presentation of which has required an essential investment, has the sole right to control the content over the whole work or over either a qualitatively or quantitatively substantial part of the work both by means of reproduction and by making them available to the public", Finnish Copyright Act, section 49.1 These are the laconic words that implemented the much-awaited and hotly debated European Community Directive on the legal protection of databases,2 the EDD, into Finnish Copyright legislation in 1998. Now in the year 2005, after more than half a decade of the domestic implementation it is yet uncertain as to the proper meaning and construction of the convoluted qualitative criteria the current legislation employs as a prerequisite for the database protection both in Finland and within the European Union. Further, this opaque Pan-European instrument has the potential of bringing about a number of far-reaching economic and cultural ramifications, which have remained largely uncharted or unobserved. Thus the task of understanding this particular and currently peculiarly European new intellectual property regime is twofold: first, to understand the mechanics and functioning of the EDD and second, to realise the potential and risks inherent in the new legislation in economic, cultural and societal dimensions. 2. Subject-matter of the study: basic issues The first part of the task mentioned above is straightforward: questions such as what is meant by the key concepts triggering the functioning of the EDD such as presentation of independent information, what constitutes an essential investment in acquiring data and when the reproduction of a given database reaches either qualitatively or quantitatively the threshold of substantiality before the right-holder of a database can avail himself of the remedies provided by the statutory framework remain unclear and call for a careful analysis. As for second task, it is already obvious that the practical importance of the legal protection providedby the database right is in the rapid increase. The accelerating transformationof information into digital form is an existing fact, not merely a reflection of a shape of things to come in the future. To take a simple example, the digitisation of a map, traditionally in paper format and protected by copyright, can provide the consumer a markedly easier and faster access to the wanted material and the price can be, depending on the current state of the marketplace, cheaper than that of the traditional form or even free by means of public lending libraries providing access to the information online. This also renders it possible for authors and publishers to make available and sell their products to markedly larger, international markets while the production and distribution costs can be kept at minimum due to the new electronic production, marketing and distributionmechanisms to mention a few. The troublesome side is for authors and publishers the vastly enhanced potential for illegal copying by electronic means, producing numerous virtually identical copies at speed. The fear of illegal copying canlead to stark technical protection that in turn can dampen down the demand for information goods and services and furthermore, efficiently hamper the right of access to the materials available lawfully in electronic form and thus weaken the possibility of access to information, education and the cultural heritage of anation or nations, a condition precedent for a functioning democracy. 3. Particular issues in Digital Economy and Information Networks All what is said above applies a fortiori to the databases. As a result of the ubiquity of the Internet and the pending breakthrough of Mobile Internet, peer-to-peer Networks, Localand Wide Local Area Networks, a rapidly increasing amount of information not protected by traditional copyright, such as various lists, catalogues and tables,3previously protected partially by the old section 49 of the Finnish Copyright act are available free or for consideration in the Internet, and by the same token importantly, numerous databases are collected in order to enable the marketing, tendering and selling products and services in above mentioned networks. Databases and the information embedded therein constitutes a pivotal element in virtually any commercial operation including product and service development, scientific research and education. A poignant but not instantaneously an obvious example of this is a database consisting of physical coordinates of a certain selected group of customers for marketing purposes through cellular phones, laptops and several handheld or vehicle-based devices connected online. These practical needs call for answer to a plethora of questions already outlined above: Has thecollection and securing the validity of this information required an essential input? What qualifies as a quantitatively or qualitatively significant investment? According to the Directive, the database comprises works, information and other independent materials, which are arranged in systematic or methodical way andare individually accessible by electronic or other means. Under what circumstances then, are the materials regarded as arranged in systematic or methodical way? Only when the protected elements of a database are established, the question concerning the scope of protection becomes acute. In digital context, the traditional notions of reproduction and making available to the public of digital materials seem to fit ill or lead into interpretations that are at variance with analogous domain as regards the lawful and illegal uses of information. This may well interfere with or rework the way in which the commercial and other operators have to establish themselves and function in the existing value networks of information products and services. 4. International sphere After the expiry of the implementation period for the European Community Directive on legal protection of databases, the goals of the Directive must have been consolidated into the domestic legislations of the current twenty-five Member States within the European Union. On one hand, these fundamental questions readily imply that the problemsrelated to correct construction of the Directive underlying the domestic legislation transpire the national boundaries. On the other hand, the disputes arisingon account of the implementation and interpretation of the Directive on the European level attract significance domestically. Consequently, the guidelines on correct interpretation of the Directive importing the practical, business-oriented solutions may well have application on European level. This underlines the exigency for a thorough analysis on the implications of the meaning and potential scope of Database protection in Finland and the European Union. This position hasto be contrasted with the larger, international sphere, which in early 2005 does differ markedly from European Union stance, directly having a negative effect on international trade particularly in digital content. A particular case in point is the USA, a database producer primus inter pares, not at least yet having aSui Generis database regime or its kin, while both the political and academic discourse on the matter abounds. 5. The objectives of the study The above mentioned background with its several open issues calls for the detailed study of thefollowing questions: -What is a database-at-law and when is a database protected by intellectual property rights, particularly by the European database regime?What is the international situation? -How is a database protected and what is its relation with other intellectual property regimes, particularly in the Digital context? -The opportunities and threats provided by current protection to creators, users and the society as a whole, including the commercial and cultural implications? -The difficult question on relation of the Database protection and protection of factual information as such. 6. Dsiposition The Study, in purporting to analyse and cast light on the questions above, is divided into three mainparts. The first part has the purpose of introducing the political and rationalbackground and subsequent legislative evolution path of the European database protection, reflected against the international backdrop on the issue. An introduction to databases, originally a vehicle of modern computing and information andcommunication technology, is also incorporated. The second part sets out the chosen and existing two-tier model of the database protection, reviewing both itscopyright and Sui Generis right facets in detail together with the emergent application of the machinery in real-life societal and particularly commercial context. Furthermore, a general outline of copyright, relevant in context of copyright databases is provided. For purposes of further comparison, a chapter on the precursor of Sui Generi, database right, the Nordic catalogue rule also ensues. The third and final part analyses the positive and negative impact of the database protection system and attempts to scrutinize the implications further in the future with some caveats and tentative recommendations, in particular as regards the convoluted issue concerning the IPR protection of information per se, a new tenet in the domain of copyright and related rights.

Ebrebiosfera: el paper del patrimoni cultural en la Reserva de la Biosfera

El present estudi pretén posar en valor part del paper de l’Home del Programa MaB (Men and Biosphere). En concret, pretén descobrir la importància i el paper que pot tenir (o que té realment) l’anomenat patrimoni cultural per a la consecució dels objectius de la Reserva de la Biosfera, i les pròpies potencialitats que ofereix aquest patrimoni per al consum del turisme cultural

Més enllà de la costa: l'oferta turístic cultural a Palafrugell

Aquest treball pretén analitzar l’oferta cultural al municipi de Palafrugell i la seva projecció turística, per tal de formular propostes de millora i contribuir així a augmentar la presència turística en aquest tipus de recursos

El Gestor del patrimoni cultural com a generador de dinàmiques econòmiques, responsables i cooperatives en el territori a partir de la recuperació d’oficis: estudi de cas: el gestor del patrimoni cultural en el projecte Carbó d’Ardenya i Gavarres (2013-2014)

L’objectiu general d’aquest treball és definir les competències i limitacions del perfil del gestor del patrimoni cultural en el context de nous projectes de gestió del patrimoni que tenen l’objectiu de dinamitzar econòmica i socialment el territori. Per a fer-ho es parteix de l’avaluació del paper del gestor patrimonial en un projecte concret de recuperació d’oficis

Gestió del turisme cultural a les comarques de Girona: anàlisis i propostes dels Consells Comarcals i les oficines de turisme municipals

L’objectiu principal d’aquest treball és analitzar el model de gestió actual dels Consells Comarcals i de les oficines de turisme municipals de les diferents comarques gironines pel què fa al turisme cultural