Review of Prairie Time: A Blackland Portrait by Matt White

Nowadays, the Blackland Prairies of north Texas are the kind of landscape most people think of as great for subdivisions and strip malls: generally flat, easily bulldozed, and not too far from Dallas-Fort Worth. Prairie Time: A Blackland Portrait traces a similar utilitarian vision of the prairie in 19th-century pioneer descriptions as well: good for plowing, grazing, and-once the buffalo and Native Americans are exterminated-not too far from outposts of commerce. The book serves as an environmental jeremiad for a place too easily seen as useful and thus too often ignored for preservation. Matt White gives readers a context in which to begin to value the Blackland Prairie by combining a heartfelt story with a thorough sense of its ecological wonder, our post-settlement history and its environmental impact on the land, and some remarkable stories of current preservationists working to find and save remnant gems of unplowed prairie.

Traces, Patterns, Texture: In Search of Aesthetic Teaching/Learning Encounters

This inquiry reveals the crucial guidance of teachers toward surveying the capacity and needs of students, the formation of ideas, acting upon ideas, fostering connections, seeing potential, making judgments, and arranging conditions. Each aesthetic trace causes me to wonder how teachers learn to create experiences that foster student participation in the world aesthetically. The following considerations surface: • Given the emphasis in schools on outcomes and results, how do we encourage teachers to focus on acts of mind instead of end products in their work with students? • Given the orientations toward technical rationality, to fixed sequence, how do we help teachers experience fluid, purposeful learning adventures with students in which the imagi¬nation is given room to play? • Given the tendency to conceive of planning in teaching as the deciding of everything in advance, how do we help teachers and students become attuned to making good judgments derived from within learning experiences? • How do we help teachers build dialogical multivoiced conversations instead of monolithic curriculum? • What do we do to recover the pleasure dwelling in subject matter? How do we get teachers and students to engage thoughtfully in meaningful learning as opposed to covering curriculum7 • A capacity to attend sensitively, to perceive the complexity of relationships coming together in any teaching/learning experience seems critical. How do we help teachers and students attend to the unity of a learning experience and the play of meanings that arises from such undergoing and doing? The traces, patterns, and texture evidenced locate tremendous hope and wondrous possibilities alive within aesthetic teaching/learning encounters. It is such aliveness I encountered in the grade 4 art classroom that opened this account and continues to compel my attention. Possibilities for teaching, learning, and teacher education emerge. I am convinced they are most worthy of continued pursuit.

Collaboration as a Foundation for the Project Approach in Family Child Care

Supporting children's curiosity was considered important at my family child care home. How could we best achieve this? As my assistant caregiver Deb and 1 attended professional development workshops, we began to wonder if the project approach (Helm & Katz 2001) would be an effective means of supporting inquiry and collaborative learning. Before we would commit ourselves, we wanted to learn more. We had many questions. Just what is the project approach? What does it look like? How will it support children's learning? What do we need to be successful with it? The literature suggested many examples of successful projects at child care centers and preschools (Breig-Allen et al. 1998; Harkem: 1999; Beneke 2000; Glassman & Whaley 2000). Our challenge was how to adapt the project approach to our home child care situations.

A gestão democrática em uma escola de educação de jovens e adultos

This paper addresses the democratic school management within the school organizations. For this, initially made brief remarks on labor relations, the development of administrative and organizational theories. Later, we reflect on how the se labor relations are organized in the educational environment and what education theoretical contributions to the development of school management in Brazil. Therefore, we discuss the Brazilian educational policies that postulate and legitimate democratic school management. Studies of everyday guided the theoretical basis of this work, we wonder what school subject dealing with the discourse of democratic and participative management. Forward the hypothesis that participatory management should be a prominent space in schools, the aim of this study was to investigate the school management of a municipal school of Youth and Adult Education, which brings in your organization pedagogical foundation and educational principles espoused by Paul Freire. The specific objectives of the study are: a) to investigate and describe how is the organization's management of school youth and adults; b) understand the role of managers; c) check how teachers and administrators understand the process of managing this school. From a methodological point of view the daily life of the studies led this work to procedures and qualitative analysis of ethnographic referring to practices that have occurred in adult education school along with the theoretical foundation. Participated in this research members of the school management group and four teachers of Youth and Adult Education rooms. The results obtained showed that dialogue and democracy go together, that the school is an organization with different world views, which need to be primarily present in the identity of the schools. It was also possible to find different democratic practices in the management and organization of the Educational Center that make school subjects become...

Axenic cell culture of the seagrass Cymodocea nodosa from cotyledonary tissue

[EN] Plant Tissue Culture, also called “micropropagation”, is the propagation of plants from different tissues (or explants) in a shorter time than conventional propagation, making use of the ability that many plant cells have to regenerate a whole plant (totipotency).There are two alternative mechanisms by which an explant can regenerate an entire plant, namely organogenesis and somatic embryogenesis. Since the last decades, the number of higher terrestrial plants species from which these techniques have been successfully applied has continually increased. However, few attempts have been carried out in marine plants. Previous seagrasses authors have focused their studies on i) vegetative propagation of rhizome fragments as explants in Ruppia maritima, Halophila engelmannii, Cymodocea nodosa and Posidonia oceanica; ii) culture of meristems in Heterozostera tasmanica, C. nodosa or P. oceanica; and iii) culture of germinated seeds on aseptic conditions, in Thalassia testudinum, H. ovalis, P. coriacea, P. oceanica, and H. decipiens. All these studies determine the most adequate culture medium for each species (seawater, nutrients, vitamins, carbon sources, etc...), often supplemented with different plant growth regulators and the necessary conditions for the culture maintenance, such as light and temperature. On the other hand, several studies have previously established protocols for cell or protoplast isolation in the species Zostera marina, Z. muelleri, P. oceanica, and C. nodosa, using shoots collected from natural meadows as original vegetal source, but further cell growth was never accomplished. Due to the absence of somatic embryogenesis or organogenetic studies in seagrasses we wonder: IS THE SUCCESSFUL APPLICATION OF TISSUE CULTURE TECHNIQUES POSSIBLE IN SEAGRASSES?

Estudio comparativo de medidas de distancia para histogramas en problemas de reidentificación

Máster Universitario en Sistemas Inteligentes y Aplicaciones Numéricas en Ingeniería (SIANI)

La musa bambina. 1911-2011: un secolo di letteratura mitologica per ragazzi in Italia tra storia, educazione e narrazione

Questa ricerca mostra l’evoluzione della letteratura mitologica per ragazzi in Italia. Il primo libro italiano di mitologia per bambini è stato pubblicato nel 1911 (lo stesso anno di un’importante e violenta guerra coloniale tra l’Italia e la Libia): la scrittrice italiana Laura Orvieto pubblicò allora “Storie della storia del mondo”, in cui riunì antichi racconti greci per giovani lettori. Queste storie erano ispirate al libro mitologico per bambini “Il libro delle meraviglie” di Hawthorne (titolo originale “A Wonder Book for Girls and Boys”). In seguito molti scrittori italiani scrissero libri mitologici per giovani lettori: serie importanti di libri di mitologia per bambini furono pubblicate durante il regime mussoliniano – talvolta per diffondere l’ideologia fascista della superiorità romana. Durante questo periodo, i libri mitologici spesso mostravano uno stile letterario solenne. Dopo la seconda guerra mondiale, la letteratura mitologica per bambini cambiò lentamente prospettiva: gli scrittori italiani cominciarono ad usare il mito per parlare di problemi sociali (p.e. Gianni Rodari descriveva re Mida come un capitalista) e per spiegare le diverse condizioni umane (p.e. Beatrice Masini fa riferimento alle dee e alle eroine greche per descrivere la condizione femminile). La ricerca analizza anche la relazione tra mito e scuola in Italia: i racconti mitologici hanno sempre fatto parte dei programmi scolastici italiani per bambini dagli 8 agli 11 anni. Le riforme scolastiche – deliberate negli anni ’20 e ’40 – fissarono pratiche didattiche sui miti ancora oggi in uso. I racconti mitologici erano soprattutto un supporto per gli studi storici e letterari. Tuttavia, negli ultimi decenni, i miti sono divenuti un importante aiuto per gli insegnamenti scientifici e artistici.

"All'opera ha fatto seguito il ballo": Danza e stampa nell'Italia fascista

Basata sul reperimento di un’ampia mole di testi giornalistici (come cronache, interviste, elzeviri e articoli di “Terza”) dedicati alle pratiche coreiche e pubblicati in Italia nel corso del ventennio fascista, la tesi ricostruisce i lineamenti di quello che, seppure ancora embrionale e certo non specialistico, si può comunque ritenere una sorta di “pensiero italiano” sulla danza del Primo Novecento. A partire dalla ricognizione sistematica di numerose testate quotidiane e periodiche e, pertanto, dalla costruzione di un nutrito corpus di fonti primarie, si è proceduto all’analisi dei testi reperiti attraverso un approccio metodologico che, fondamentalmente storiografico, accoglie tuttavia alcuni rudimenti interpretativi elaborati in ambito semiotico (con particolare riferimento alle teorizzazioni di Jurij Lotman e Umberto Eco), il tutto al fine di cogliere, pur nell’estrema varietà formale e contenutistica offerta dal materiale documentario, alcune dinamiche culturali di fondo attraverso le quali disegnare, da un lato, il panorama delle tipologie di danza effettivamente praticate sulle scene italiane del Ventennio,e, dall’altro, quello dell’insieme di pensieri, opinioni e gusti orbitanti attorno ad esse Ne è scaturita una trattazione fondamentalmente tripartita in cui, dopo la messa in campo delle questioni metodologiche, si passa dapprima attraverso l’indagine dei tre principali generi di danza che, nella stampa del periodo fascista, si ritenevano caratteristici della scena coreica internazionale – qui definiti nei termini di “ballo teatrale”, “ballo russo” e “danze libere” – e, successivamente, si presenta un approfondimento su tre singolari figure di intellettuali che, ognuno con un’attitudine estremamente personale, hanno dedicato alla danza un’attenzione speciale: Anton Giulio Bragaglia, Paolo Fabbri e Marco Ramperti. Un’ampia antologia critica completa il lavoro ripercorrendone gli snodi principali.

Shading Silhouettes of Smaller Ones

I am truly honored to have been given the amazing opportunity to create this original piece, this powerful journey through memory and emotive exploration of the loss of childhood. How do we feel about the loss of our child-self? Could we ever get them back? How long, how deep would one have to dig in the graveyards, the playgrounds of memory, to uncover what was buried there... to un-erase what waserased? shading silhouettes of smaller ones will ultimately encourage a reconnection with the Inner Child hidden inside all of us, as well as an intimate awareness of the adult version of the self by looking back to the smaller ones. The main inspiration for this piece is then of course, Inner Child Work. Most people may not be familiar with this therapeutic exploration of childhood... It wasimportant to me then, to present this concept in an imaginative, theatrical way, as a gift to you - a comprehensive and intensely moving gift. Speaking from experience, working on my Inner Child - my little Bianca - has been the most painful, frightening, yetrewarding and powerful experience within my personal life. Some people spend their entire lives trying to love themselves, to prove themselves, or be accepted. Some are too afraid to look back to where it all began. The characters within this piece will face thatfear... in a regression from the complexities of adulthood to the confusion of adolescence, all the way back to the wonder and bliss of childhood. They will reveal memories, of both joy and pain, love and abandonment, journeying backwards through time - through memory - through a playground - back to the beginning... We will enter a world where a push of a merry-go-round spins us to games of Truth or Dare after a high school dance at 16 - or the slam of a metal fence reminds us of the door Dad slammed in our face at 9 - where the sound of chain links swings us back to scrapping our knee by the sandbox at 5 This piece will attempt to connect everyone, both cast and audience, through a universal understanding and discussion of what it means to grow up, as well as a discovery of WHY we are the way we are - how experiences or relationships from our childhood have shaped our adult lives. We will attempt to challenge your honesty and nerve by inviting you to ask questions of yourselves, your past - to remember what it's like to have the innocence and hope of a child, to engage with and discover your Inner Child, to realize when or why you left them behind, and if you want to this magical part of yourself. It is my hope that you will join us in a collective journey - gather the courage to dig up the little kid you buried so long ago...* The creation, design, choreography, and direction for shading silhouettes of smaller ones mark the culminating experience of a year-long independent study in Theatre.

Book Review of “The Origins of Social Work: Continuity and Change”. Basingstoke: Palgrave Macmillan, 2005, by Malcolm Payne

Malcolm Payne’s latest work proposes to survey the continuity and change in social work from its inception and origins, up until the present day. In order to do justice to the theme, its author could have concentrated on developing a narrative of a national enterprise, or restricted himself to a regional analysis (Western European Social Work) or opt instead for a more narrowly focused cultural exploration, White Anglo-Saxon Social Work (WASSW). One can only infer that limiting himself in this fashion would have struck the author as parochial, or rather, that only a truly global enterprise could satisfy his capacious mind. One is left to marvel at the invocation of Darwin’s great work and wonder what was the process of the author’s “natural” selection of this material.

Beyond biofuels: jatropha’s multiple uses for farmers in East Africa

The jatropha plant produces seeds containing 25–40% oil by weight. This oil can be made into biodiesel. During the recent global fuel crisis, the price of crude oil peaked at over USD 130 per barrel. Jatropha attracted huge interest – it was touted as a wonder crop that could generate biodiesel oil on “marginal lands” in semi-arid areas. Its promise appeared especially great in East Africa. Today, however, jatropha’s value in East Africa appears to lie primarily in its multipurpose use by small-scale farmers, not in large-scale biofuel production.

Ancient Music. Monarchs, who, with Rapture wild

Hear their own Prayse with Mouths of gaping Wonder / And catch each Crotchet of the Birth-day Thunder (Peter Pindar) [[Elektronische Ressource]]

Sociología, Economía e Historia : de la división del trabajo de producción del conocimiento a la fragmentación del objeto : efectos en la carrera de Sociología

Este artículo forma parte de un trabajo de investigación más amplio cuyo objeto es analizar los problemas de la inserción social de los jóvenes desde una perspectiva sociológica y plantea que frente al abandono de líneas de investigación que abordenlos fenómenos sociales en sus múltiples realciones engarzando armónicamente trabajo de campo y producción teórica, resulta imperioso preguntarse en qué consiste la especificidad de una perspectiva de este tipo. Para responder a este interrogante se desarrolla una posición teórica y se tratan las dificultades para encontrar , en nuestra casa de estudios, los insumos teóricos que esta posición transforma en imprescindibles.

La dignidad en la diversidad : educación especial — terapia ocupacional

Es la intención de este trabajo aportar reflexiones y poner en perspectiva la complejidad de avanzar en una Educación para la Diversidad que haga posible la inclusión y con ello el derecho universal a la Educación como bien social. En este momento histórico las diversidades han tomado voz y forma, al cuestionar nuestro modo de pensar la vida social. Las culturas, los sujetos, los géneros, los lenguajes, los imaginarios y las formas de habitar un mundo diverso, encuen tran eco en la sociedad de la información, en apariencia un mundo sin fronteras. Frente a las transformaciones tecnológicas y económicas del siglo XXI cabe preguntarse cuál es nuestra sensibilidad ante la diferencia, cuanto hemos avanzado en la capacidad para reconocer a “los Otros", que sabemos de sus sueños y frustraciones, como nos estamos preparando para convivir “ Nosotros y los Otros", en un mundo polifónico. Frente a estas problemáticas el aporte interdisciplinario permitirá buscar modelos alternativos que rompan este círculo a través de dispositivos de inclusión social reduciendo los temores y mitos que han impulsado en otras ocasiones a marginar a las personas. El contenido interdisciplinar de la Educación Especial ha permitido y requiere la convergencia de disciplinas, entre ellas la Terapia Ocupacional.

Los límites de la confrontación : la Iglesia Católica y el gobierno peronista (Tucumán, 1952-1955)

Desde fines de 1954, la Iglesia católica desempeñó un rol central en el golpe de Estado que puso fin al gobierno de Perón. El proceso por el cual la institución eclesiástica pasó a integrar el espectro opositor al peronismo fue abordado teniendo en cuenta fundamentalmente el caso de la Capital Federal y la ciudad de Córdoba, lugares clave para estudiar la trama de la insurrección cívico-militar. El objetivo del artículo es analizar el itinerario de las relaciones entabladas entre la Iglesia católica y el gobierno en Tucumán entre 1952 y 1955. Se sostiene que en el escenario provincial no se registró el progresivo deterioro de las relaciones entre la Iglesia y el peronismo que fueron visibles en el escenario metropolitano y en otras diócesis del país, observándose, por el contrario, un campo de colaboración que se mantuvo en forma ininterrumpida hasta 1955. De ese modo, sin negar las tensiones que surcaron el camino de las relaciones entre la Iglesia católica y el gobierno provincial, el presente artículo sostiene que en Tucumán no se observó la escalada de violencia y el enfrentamiento abierto que surgió desde 1954 como una constante en otras zonas del país. Esto nos lleva a interrogarnos sobre los factores que se conjugaron para dar cauce al clima expectante que predominó en la sociedad tucumana y por las repercusiones de los acontecimientos que se sucedieron a nivel nacional durante los tramos finales del gobierno peronista, como así también emprender un análisis comparativo de las estrategias que siguió la jerarquía eclesiástica y el movimiento laico en la Capital Federal y en la ciudad de Córdoba.