Educação na rua

O objetivo deste trabalho é lançar um "olhar pedagógico" sobre a questão dos chamados "meninos e meninas de rua". Trata-se de um estudo de caso, que focaliza um grupo de adolescentes que perambulam pelas ruas do centro da cidade do Rio de Janeiro.

Mapping of serotonin-immunoreactive neurons of Anastrepha obliqua Macquart larvae

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O corpo como matriz pedagógica

The contemporary conjuncture based on the capitalistic knowledge converges to the corporal consciousness that makes us see, feel, taste and hear, be in/to pieces. Disembodied reason legitimate and legislate ways of being and living socially and its development is the dehumanization of human relations causing pain and suffering. The objective of this work is to discuss the body as pedagogical matrix through imagistic/artistic elements: music, painting and literature. Metaphors lead to self knowledge of human subjectivity and approach us to the kaleidoscope of sensitive knowledge and enables learning to learn with the infinite combinations of images, knowledge, feelings and worldviews. The song Memória da Pele comes in the voice of Maria Betânia speak of the memories that are not mine, but are tattooed in me in the memory of skin, singing the memories of a love lived by who tries to forget rationally, but the body insists on remembering. It is password to think about what we are. The short story by Clarice Lispector, entitled Miss Algarve, narrates the life story of an unmarried and virgin woman, and her encounter with an alien called Ixtlan. Until then, she who lived as if every day were a Monday, found herself seduced by the pleasure of having a body in contact with another body, which also allowed her to give visibility to the bodies of others. She had repudiation by the immorality that her body and the other s perspired. The discovery of the body brings important lessons for nursing, involving our body and the others'. The painting the flying bed or Henry Ford Hospital, by Frida Kahlo, is our final metaphor. The traumatic experience of abortion is shown in this painting trough the picture of the artist naked in a hospital bed. This painting invites us to reflect on our work process. We need to think in multiple dimensions of the being and accept the invitation of art, so that the lightness confronts us with the weight imposed by the hegemonic ideology. I believe it is not a single view, but the many views that should justify the knowledge and practices of nursing; what matters is that they are woven into the dialogue, democracy, provided that protagonism of those individuals involved in this process, in the wandering and uncertainty, in the rewiring, solidarity, plurality. To this end, the body must be the great pedagogue that is able to be viewed not as a tapestry seen by the right view, as the logical knowledge sees, but seen by the opposite side in its singular, irregular, discontinuous weavings

Arquitetura deposicional e evolução tectono-estratigráfica das sequências pré-rifte e rifte, na porção central do Vale do Cariri, Bacia do Araripe, NE do Brasil

A complex depositional history, related to Atlantic rifting, demonstrates the geological evolution during the late Jurassic and early Neocomian periods in the Araripe Basin NE Brazil. Based on outcrop, seismic and remote sensing data, a new model of the tectono-stratigraphic evolution of the section that covers the stages Dom João, Rio da Serra and Aratu (Brejo Santo, Missão Velha and Abaiara formations) is presented in this paper. In the stratigraphic section studied, ten sedimentary facies genetically linked to nine architectural elements were described, representing depositional systems associated with fluvial, aeolian and deltaic environments. Based on the relationship between the rates of creation of accommodation space and sediment influx (A / S) it was possible to associate these depositional systems with High and Low accommodation system tracks. These system tracks represent two tectono-sequences, separated by regional unconformities. The Tectono-sequence I, which includes lithotypes from the Brejo Santo Formation and is related to the pre-rift stage, is bounded at the base by the Paleozoic unconformity. This unit represents only a High Accommodation System Track, composed by a succession of pelitic levels interbedded with sandstones and limestones, from a large fluvial floodplain origin, developed under arid climatic conditions. The Tectono-sequence II, separated from the underlying unit by an erosional unconformity, is related to the rift stage, and is composed by the Missão Velha and Abaiara Formation lithotypes. Changes in depositional style that reflect variations in the A / S ratio, and the presence of hydroplastic deformation bands, make it possible to divide this tectonosequence into two internal sequences. Sequence IIA, which includes the lower portion of the Missão Velha Formation and sequence IIB, is composed by the upper section of the Missão Velha and Abaiara Formations The Sequence IIA below, composed only by the Low Accommodation System Track, includes crossbedding sandstones interbedded with massive mudstones, which are interpreted as deposits of sandy gravel beds wandering rivers. Sequence IIB, above, is more complex, showing a basal Low Accommodation System Track and a High Accommodation System Track at the top, separated by an expansion surface. The lower System Track, related to the upper portion of the Missão Velha Formation, is composed by a series of amalgamated channels, separated by erosion surfaces, interpreted as deposits of a belt of braided channels. The High Accommodation System Track, correlated with the Abaiara Unit, is marked by a significant increase in the A / S, resulting in the progradation of a system of braided river deltas with aeolic influence. Regarding tectonic evolution, the stratigraphic study indicates that the Tectonosequence Rift in the Araripe basin was developed in two phases: first characterized by a beginning of rifting, related to Sequence IIA, followed by a phase of syndepositional deformation, represented by sequence IIB. The first phase was not influenced by the development of large faults, but was influenced by a sharp and continuous decrease of accommodation space that permitted a change in depositional patterns, establishing a new depositional architecture. In turn, the stage of syndepositional deformation allowed for the generation of enough accommodation space for the preservation of fluvial-lacustrine deposits and conditioned the progradation of a braided river-dominated delta system.

Uma proposta de material didático baseado nas espécies de Vochysiaceae existentes em uma trilha no cerrado de Bauru - SP

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

O efeito da autocorrelação no planejamento das cartas de controle de x̄ e EWMA

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Errância e normalização social: um estudo sobre andarilhos de estrada

O nomadismo contemporâneo associado à migração, pobreza, desemprego e desfiliação social é uma característica marcante de nosso tempo e se expressa com maior radicalidade no fenômeno da errância, compreendida por uma perambulação a pé do indivíduo pelas rodovias, sem rumo certo e destino definido. O presente artigo tem por objetivo analisar a relação entre a errância e a normalização social, tendo como foco de análise o caso dos andarilhos de estrada.

Predation of the Buffy-fronted Seedeater Sporophila frontalis (Aves: Emberizidae) on Merostachys neesii (Poaceae: Babusoideae) seeds during a masting event in the Atlantic forest

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Birds at Eucalyptus and other flowers in Southern Brazil: A review

In southern Brazil, I recorded 14 species of hummingbirds, one woodpecker, three Psittacidae, four Tyrannidae, one mockingbird, and 31 tanagers and relatives at eucalyptus flowers. Others have registered 3 different hummingbirds, another parrotlet, four more tyrannids, a peppershrike, a thrush, and 5 tanagers and related birds, for a total of 69 species. However, commercial plantations rarely flower, so use is local or undependable. Understory Phaethorninae are not recorded at eucalyptus, rarely at other tall and hence multiflowered trees. Bromelias and other flowers are noted in various studies, which add 89 species of flower feeders, including 14 Psittacidae, 17 Trochilidae, and 37 tanagers and relatives. Isolated low flowers and epiphytes are mostly visited by hummingbirds (some by Coereba), but some tall trees (Chorisia) also. As two times as many tanager species visit flowers as hummingbirds, researchers will have to get up early and patiently study treetop and nonpatchy habitats. However, tree plantations can attract artificially, like feeders. Bunch-flowering extrafloral nectar (Mabea, Combretum) is preferred by wandering mixed-flock treetop or edge tanagers and relatives, which often crawl over bunched flowers like parrots or woodpeckers (or marsupials and other mammals) rather than hover at separate flowers like nonflocking Trochilidae or peck from nearby like Nectariniidae and Coereba. Clamberers and petal-pullers, even nectar robbers, can cause evolution of umbels and other bunched flowers, for the bird, mammal or insect receives pollen from nearby flowers. Psittacidae, saltators and others mostly eat flowers, but can pollinate if they touch nearby flowers. Multiflowered trees can also attract hawks, causing waves of tanagers, parrots and others that move on to pollinate trees via fear and nectarivory. Certain groups, notably thrushes and tyrannids, seem to use nectar little, the latter often catching insects.

A cidade da flânerie, do vazio e da errância em Estorvo, de Chico Buarque

This article aims to perform a reading of Estorvo (1991), by Chico Buarque, trying to show that you have in the work, setting up an urban poetics of emptiness and wandering through the individual unfolded the protagonist wandering dazed and without the right direction, performs on the streets of a big city. In this respect, it is interesting to observe how a fragmented narrative - in whole and in language that conforms - is consistent with the picture of the experience of a character who, in the midst of an urban setting - with brief references to elements of the universe rural - through the experience of mutual incomprehension, violence and the impossibility of a full communication with each other, always in a dazed condition and lost flâneur.

Jogo e contrajogo: o lúdico no teatro de Antônio José da Silva, O Judeu

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Suspensões de Poisson, ergodicidade e o teorema central do limite

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Estudo do desempenho dos gráficos de controle quando a média do processo oscila de acordo com o modelo AR(1)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Uma novela infernal

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Errâncias e errantes: um estudo sobre a mobilidade do sujeito e o uso de bebidas alcoólicas na contemporaneidade

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)