1000 resultados para SPANISH LITERATURE


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O conflito civil espanhol (1936-1939) teve consequências desastrosas para o país. No entanto, o período do pós-guerra foi igualmente difícil pela falta de valores, fragmentação de famílias, fome e miséria generalizada. Juan Marsé, escritor catalão, aborda invariavelmente o mesmo tema nas suas obras – a Barcelona do pós-guerra –, recuperando a memória desta fratura na História de Espanha. Deste modo, este artigo pretende analisar obras como Últimas tardes con Teresa, Si te dicen que caí ou Rabos de Lagartija e identificar paisagens físicas e humanas dessa época.

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This dissertation analyses, through a rhetorical framework and a literary approach, texts written in Catalan and Castilian by four Catalan female writers (Dolors Monserdà, Maria Aurèlia Capmany, Esther Tusquets, Monserrat Roig ), whose works cover from 1900 to the 1980. Utilizing this urban feminine literature, it discusses the historical-geographical vision about the changes in Catalan society during the twentieth century with its consequences for the urban space, especially the space occupied by women. It is also established that Barcelona’s recovery and literary vindication by women has been done through the written text, as literary affirmation and as a matter of conscience in which the city could not be summed up as a backdrop, but rather as an active part of a literary creation, active in the double sense, as a socio-historical space in the novel and as characteristic of their works. The primary purpose of this dissertation is to demonstrate that the use of the city as a setting for the novels determines and characterizes those female writers’ texts. Consequently, these writings are literary material relevant and essential to the understanding of the Barcelonian women’s space. However their use of space is not arbitrary, on the contrary it corresponds to a social order established by the patriarchy where the relation of women to the world is embodied in the intentional and socially restricted space and movements of their bodies. The theoretical perspectives of this study are based on Montserrat Roig’s feminist urban space theories. Her theory advocates the right to individuality, denouncing the patriarchal and hierarchical social system present in gendered space from the outside male world to the domestic feminized space. I also turn to the writings of Maria Aurèlia Capmany, who addresses cultural aspects of women’s roles revealing a purposive controlled patriarchal society according to a historical-geographical analysis. This study of texts permits a new reading of the Catalan capital and demonstrates that Catalan women writers have consciously willed to give birth to a new history of the city: the history of women as protagonist citizens, producers, reproducers, and consumers of the space represented by the Catalan capital

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Contemporary Central American fiction has become a vital project of revision of the tragic events and the social conditions in the recent history of the countries from which they emerge. The literary projects of Sergio Ramirez (Nicaragua), Dante Liano (Guatemala), Horacio Castellanos Moya (El Salvador), and Ramon Fonseca Mora (Panama), are representative of the latest trends in Central American narrative. These trends conform to a new literary paradigm that consists of an amalgam of styles and discourses, which combine the testimonial, the historical, and the political with the mystery and suspense of noir thrillers. Contemporary Central American noir narrative depicts the persistent war against social injustice, violence, criminal activities, as well as the new technological advances and economic challenges of the post-war neo-liberal order that still prevails throughout the region. Drawing on postmodernism theory proposed by Ihab Hassan, Linda Hutcheon and Brian MacHale, I argued that the new Central American literary paradigm exemplified by Sergio Ramirez’s El cielo llora por mí, Dante Liano’s El hombre de Montserrat, Horacio Castellanos Moya’s El arma en el hombre and La diabla en el espejo, and Ramon Fonseca Mora’s El desenterrador, are highly structured novels that display the characteristic marks of postmodern cultural expression through their ambivalence, which results from the coexistence of multiple styles and conflicting ideologies and narrative trends. The novels analyzed in this dissertation make use of a noir sensitivity in which corruption, decay and disillusionment are at their core to portray the events that shaped the modern history of the countries from which they emerge. The revolutionary armed struggle, the state of terror imposed by military regimes and the fight against drug trafficking and organized crime, are among the major themes of these contemporary works of fiction, which I have categorized as perfect examples of the post-revolutionary post-modernism Central American detective fiction at the turn of the 21st century.

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This PhD thesis sets out to show, firstly, that Spanish modernist poets are lavish in their sublimation of the figure of the prostitute in their lyrical compositions. It argues that ultimately, they do not do this randomly or arbitrarily, but in response to a series of mechanisms that turn this sublimation into an investigation within the modernist movement. The need for a study such as this one seems indisputable, as not very much work has been done on this topic in Spanish literature, unlike in other literatures (particularly Latin American literature, precisely in the same turn-of-the-century period and in connection with Modernism). What little work has been published on the treatment of the figure of the prostitute in turn-of-the-century Spanish literature refers to narrative prose, notably the realist and naturalist novel, as well as the short story. Also, such work usually lacks a general theoretical framework, as it deals with one novel, one author, or in the case of greater generalisation, a specific type of novel. The study of this figure in literary texts involves studying Modernism itself, as it neatly draws together the panoply of topics so dear to Modernism, namely, the erotic, the marginal, the feminine, the cursed and Culturalism...

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In late 19th century and early 20th coexisted in time in Spain a lot of writers, many of them well known today, but many others who haven’t been rescued yet. This stage has been called the Silver Age of Spanish literature. Among the best known and most representative of Madrid’s bohemian characters were the Sawa brothers: Manuel, Alejandro, Miguel and Enrique. All of them had related to the literature or journalism, in greater or lesser extent, and were very significant figures in their time. Alejandro, who reached a high literary level, has recently been subject of various studies and biographies which have located him in his place as a outstanding writer, rescuing him from forgetting where he remained sunk until a few decades ago. But it has not happened the same with the rest of the brothers, especially with Miguel, who was also a writer. The object of the first part of this thesis is to recover the figure of the Miguel Sawa, rebuilding his biography and both journalistic and literary career. Miguel Sawa, belonging to the so-called generation of literarian bohemia, born in Seville in 1866. After moving with his family to Málaga, where he spent his childhood, settled definitively in Madrid in 1880. In Madrid lived the atmosphere of the newspapers offices and the literarian gatherings of the “cafes”. He was a friend of Valle Inclán, the Machado brothers, the Baroja brothers, and belonged to the “Gente Nueva” and to the Germinal generation. In 1901 he married María Palacio, with whom he had a son, Emilio, who died before completing one year of life, and a daughter, Carmen, who had five years when Sawa died. After spending a season in La Coruña, as director of the newspaper La Voz de Galicia, returned to Madrid at the beginning of 1910, ready to continue his literary career, but died suddenly on 1 October of that same year because of a fulminant pneumonia...

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The advancement of science and engineering projects is brewing major changes in the various phases of a project. These changes have produced more rigorous aspects of project management that tracks the research fronts of engineering and project management becomes key. However, research in engineering and project management in Spanish is hindered by access to information to enable the person concerned to ascertain the most recent and current research, limiting the exchange of information and strengthening research networks in this field interest with great implications in business, industry and scientific issues. Therefore, the article aims to present the state of the art of engineering research and project management in Spanish, using the analysis of scientific domains and network analysis of the research literature to identify and analyze relationships between authors and documents that establish the base and research fronts topic under study. The results also provide statistics on the contribution of international research in Spanish and scientific collaboration networks.

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Bibliography: p. 585-650.

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Bibliographical footnotes.

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Mode of access: Internet.

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ABSTRACT The enormous interest aroused by corporate social responsibility both in the academic and the business worlds forms the background for this study. Its objective is to analyze the relationship between corporate social responsibility and financial performance in view of the debate in the literature on the subject. The study focuses on a sample of Spanish companies taken from the IBEX 35 stock market index, using panel data methodology, which offers advantages in comparison to methodologies used in other studies. We analyzed the period from 2003 to 2010. Our findings suggest that there is no obvious relationship between corporate social responsibility and financial results, at least in the case of Spain.

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ABSTRACT Earlier studies of cross-national differences in consumer behavior in different consumption sectors have verified that cultural differences have a strong influence on consumers. Despite the importance of cross-national analysis, no studies in the literature examine the moderating effects of nationality on the construction of behavioral intentions and their antecedents among cruise line passengers. This study investigates the moderating effects of nationality on the relationships between perceived value, satisfaction, trust and behavioral intentions among Spanish and (U.S.) American passengers of cruise lines that use Barcelona as home port and port-of-call. A theoretical model was tested with a total of 968 surveys. Structural equation models (SEMs) were used, by means of a multigroup analysis. Results of this study indicated that Spaniards showed stronger relationships between trust and behavioral intentions, and between emotional value and satisfaction. Americans presented stronger relationships between service quality and satisfaction, and between service quality and behavioral intentions.

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Interest rate risk is one of the major financial risks faced by banks due to the very nature of the banking business. The most common approach in the literature has been to estimate the impact of interest rate risk on banks using a simple linear regression model. However, the relationship between interest rate changes and bank stock returns does not need to be exclusively linear. This article provides a comprehensive analysis of the interest rate exposure of the Spanish banking industry employing both parametric and non parametric estimation methods. Its main contribution is to use, for the first time in the context of banks’ interest rate risk, a nonparametric regression technique that avoids the assumption of a specific functional form. One the one hand, it is found that the Spanish banking sector exhibits a remarkable degree of interest rate exposure, although the impact of interest rate changes on bank stock returns has significantly declined following the introduction of the euro. Further, a pattern of positive exposure emerges during the post-euro period. On the other hand, the results corresponding to the nonparametric model support the expansion of the conventional linear model in an attempt to gain a greater insight into the actual degree of exposure.

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This paper will focus on some aspects of translation based on blending distinct linguistic domains such as the vocabulary of Hotel Industry, of Enology and Gastronomy in Spanish by tertiary level students (2nd year) of the course of Hotel Management. Portuguese students, most of the times, rely on a L1 (Portuguese) general language, namely using false cognates in the above mentioned areas in the Spanish and English classes in, at a first sight helpful but misleading way, hoping to succeed by using the word that seems correct to the context, when there isn’t, because: •they choose a word suitable to the context in L2, but the choice of that word is often misleading, by relying in a false L1 reality that is going to adulterate reality in the L2 domain, •but it seems that the opposite is also true, and takes place too; The difficulty in making such type of distinctions is due to: •the lack of linguistic and lexical knowledge; • the need to study the cause of these chromaticisms, by: • being in touch with specific literature; . working, not only with their peers, but also with their language teacher to develop strategies to diminish and, if possible, to eradicate this type of linguistic and, mainly translation problem, that causes so many learning constraints.