Estructuración espacial en la modernidad capitalista : Debates y perspectivas recientes

Este trabajo tiene por objetivo indagar el lugar que ocupa -y la forma en que está constituida- la dimensión espacial en distintos enfoques que nutrieron o se desarrollaron como teorías de la geografía económica. Se inicia la discusión partiendo de la economía convencional (neoclásica o keynesiana) y se sigue con los enfoques institucionalistas del desarrollo regional. Con respecto a estos últimos, se estudia los conceptos básicos tomados del giro relacional de la geografía humana, sobre todo al momento de definir sus objetos de análisis y su espacialidad inherente. Se intenta así caracterizar el tratamiento del espacio descubriendo sus límites y dificultades, poniéndose de manifiesto el piso común que estos enfoques comparten con las perspectivas convencionales de la geografía económica. Finalmente, se recuperan los aportes de geógrafos críticos dedicados al estudio de la estructuración espacio-temporal de la "moderna sociedad burguesa", entablando un diálogo fructífero con el giro relacional que sirvió de fundamento al pensamiento institucionalista

El siglo XX mira al siglo XIX : La experiencia boliviana

Este trabajo analiza las miradas cambiantes con las que la historiografía boliviana del siglo XXy XXI han interpretado el siglo XIX; para ello, nos basamos en los insumos y en los debates generados en torno al libro "De la fundación de la República (1825) al Centenario (1925)", que constituye el cuarto tomo de la colección "Bolivia, su historia" (2015). Este artículo reconstruye los significados asignados en diferentes períodos y contextos históricos a ciertos acontecimientos y personajes del siglo XIX. Cuatro temas han sido analizados:las rupturas y continuidades entre el período colonial y republicano, la inestabilidad política, las razones del estancamiento económico y el regionalismo.

Estructuración espacial en la modernidad capitalista : Debates y perspectivas recientes

Este trabajo tiene por objetivo indagar el lugar que ocupa -y la forma en que está constituida- la dimensión espacial en distintos enfoques que nutrieron o se desarrollaron como teorías de la geografía económica. Se inicia la discusión partiendo de la economía convencional (neoclásica o keynesiana) y se sigue con los enfoques institucionalistas del desarrollo regional. Con respecto a estos últimos, se estudia los conceptos básicos tomados del giro relacional de la geografía humana, sobre todo al momento de definir sus objetos de análisis y su espacialidad inherente. Se intenta así caracterizar el tratamiento del espacio descubriendo sus límites y dificultades, poniéndose de manifiesto el piso común que estos enfoques comparten con las perspectivas convencionales de la geografía económica. Finalmente, se recuperan los aportes de geógrafos críticos dedicados al estudio de la estructuración espacio-temporal de la "moderna sociedad burguesa", entablando un diálogo fructífero con el giro relacional que sirvió de fundamento al pensamiento institucionalista

La fertilidad de la derrota : Identidades de frontera en Fuego en Casabindo de Héctor Tizón

Fuego en Casabindo ficcionaliza desviaciones del regionalismo argentino a partir de una programática ubicación fronteriza, geográfica y literaria, que sustenta la indagación de identidades íntimas y colectivas, complejizando las construcciones de la memoria. Ante el quiebre entre un pasado épico y un presente árido de futuro, la ficción opta por la frontera y el reconocimiento presente del otro, afirmándose como cultura de un mundo derrotado. La reconstrucción de acontecimientos violentos de la historia argentina, desde versiones orales tamizadas por una cosmovisión mítica, conforma el relato de silenciosos derrotados, fragmentados en identidades agonizantes revitalizadas por una literatura absuelta de residuos regionalistas

(Appendix A) Abundance of selected coccolithophores in sediment core DS97-2P, North Atlantic

The calcareous nannofossil assemblages from sediment core DS97-2P from the Reykjanes Ridge have been investigated to document oceanographic changes in surface water during the Holocene. The recorded variations in coccolithophore species assemblages and accumulation rates indicate that the region was subjected to rapid changes of surface water masses throughout the entire Holocene. Coccolithophore assemblages generally are of low species diversity and consist mainly of Emiliania huxleyi and Coccolithus pelagicus ssp. pelagicus. Two major events occurred at 8.5-7 ka and at 4.5-3.5 ka, showing higher coccolith accumulation rates, suggesting that the influence of relatively warm Atlantic waters via the Irminger Current was strong in the investigated area. The coccolithophore assemblages have been compared with diatom, foraminifer and sedimentological records within the same core. These data, supported by a comparison with previously published proxy records, add credit to the hypothesis that Holocene changes did not occur uniformly across the North Atlantic. The results have highlighted the Holocene pattern in the North Atlantic, as a period influenced by strong regionalism with discrepancies in the hydrographical trends and in the distribution of the planktonic proxies.

La modernidad arquitectónica en México : una mirada a través del arte y los medios impresos

Esta tesis se basa en la hipótesis de que la modernidad arquitectónica en México no es, como se ha pretendido, una historia homogénea, centrada en un puñado de figuras clave, sino una multiplicidad de narrativas complejas en las cuales el arte y los medios impresos juegan un papel esencial. Por tanto, se propone una nueva mirada sobre la arquitectura del siglo XX en México a partir de la relación con la fotografía, el dibujo, las ideas y los medios. La tesis se plantea con el fin de vincular la arquitectura con los movimientos artísticos relevantes, los autores con las publicaciones, las formas con los manifiestos. Asímismo, uno de los principales intereses es explorar los conceptos de modernidad y de identidad, como parte de la construcción misma de la arquitectura de dicha época y del concepto de “lo mexicano”. A pesar del énfasis que se ha dado en la construcción de un canon, muchas veces ligado a la noción de monumentalidad, regionalismo, y mestizaje, este trabajo parte de una mirada puesta no en las formas sino en los procesos. A partir de las conexiones entre distintas capas de información, se buscan nuevas maneras de abordar el proyecto arquitectónico. El crítico de arquitectura brasileño Hugo Segawa ha descrito la investigación sobre la arquitectura latinoamericana como “una tarea más de índole arqueológica que historiográfica”, sin embargo, también ha calificado a México como “el más vigoroso centro de debates teóricos en Latinoamérica a lo largo del siglo XX.” Ese descompas entre la ruina y el vigor, entre la abundancia de producción y la precariedad de su conservación, ha definido no solo el estudio de la arquitectura sino las propias formas de creación. Por tanto, la tesis se plantea como una nueva plataforma desde la cual sea posible reformular la arquitectura, lejos de su condición amnésica, pensada en cambio, como un sistema basado en una misma voluntad por indagar y crear. Se busca, siguiendo al crítico británico Anthony Vidler, “relacionar” la historia con el proyecto. Con el fin de quitarle lo escurridizo a una historia incompleta y sobre todo de poder entender la manera en que las ideas se convierten en forma o en objeto, la tesis se estructura a partir de 22 líneas de tiempo organizadas en tres recorridos que se cruzan: arquitectura; arte y pensamiento. A partir de referencias como el Atlas Mnemosyne de Aby Wargurg o la serie Asterisms del artista Gabriel Orozco, se crean nuevos dispositivos para ver. De tal manera, se desdoblan los distintos temas para trazar relaciones entre la ciudad, los edificios, las utopías, las publicaciones y la publicidad. El trabajo se construye como un nuevo instrumento de exploración articulado por medio de capas, como un mapa genealógico evolutivo. El objetivo es abarcar aquella arquitectura construida no sólo en la ciudad sino también en el papel. Iniciando con el trabajo de la generación que llevó la arquitectura al siglo XX, el estudio se extiende a manera de epílogo hasta la primera década del siglo XXI, reuniendo obras que normalmente se han visto de manera aislada para entenderlas en su contexto más amplio. Como escenario de búsquedas, esta tesis intenta provocar el cruce de significados, creyendo imprescindible una nueva reflexión en torno a la disciplina y a los escenarios en los cuales se inscribe. La arquitectura de México –un país que en el siglo XX pasó de tener 13 millones de habitantes a 100 millonescorresponde esencialmente a una producción anónima, o bien, fabricada a partir de estereotipos. Pero entre la mancha de desarrollo informal y el hito reconocible está un trabajo tan amplio como inexplorado. Por tanto, se ofrece una serie de nuevas constelaciones que comprenden desde la Revolución de 1910 a los Juegos Olímpicos de 1968; del terremoto de la ciudad de México en 1985 a los concursos internacionales de las últimas décadas. This thesis’ hypothesis states that architectural modernity in Mexico is not, as sometimes pretended, a homogeneous history, focused on some key figures, but rather a multiple and complex narrative, in which art and print media have played an essential role. Therefore, it proposes a new perspective on 20th century architecture in Mexico analized through the relationship between architecture and photography, art, theory and media. Its aim is to link architecture and artistic movements, authors and publications, forms and manifestos. What is intended here is to explore the concepts of ‘modernity’ and ‘identity’ as part of the construction of architecture and the concept of ‘Mexicanity’. Despite the emphasis that has been given to the construction of an architectural canon —mostly related to the notions of monumentality, regionalism and mestizaje/métissage— this thesis’ approach is focused mainly in processes and not in forms. Through connections between diverse layers of information, new ways of dealing with the architectural project are explored. Brazilian architecture critic Hugo Segawa has described the research on Latin American architecture as «more a task of archaeology than of historiography». Nonetheless, he has also described Mexico as «the most vigorous center of theoretical debates in Latin America throughout the 20th century». This acute discrepancy between decay and vigor, between abundance of production and precarious state of conservation has determined not only the ways in which architecture is studied and understood but also the process of architectural creation. This work is therefore outlined as a new platform in order to reformulate the discipline as a system based on a common will to research and create, far from the existing amnesiac attitude. Following British critic Anthony Vidler, the interest relies in the attempt to ‘relate’ History to project. In order to reduce the elusiveness of an incomplete history and, specially, to understand how ideas become forms and objects, this thesis is composed of 22 timelines organized in three intersecting itineraries: Architecture, Art and Theory. Drawing inspiration from Aby Warburg’s Atlas Mnemosyne and Gabriel Orozco’s series Asterisms, new exploration devices are created. In such a way, diverse topics unfold to draw connections between built environment, utopian projects, publications, photography and publicity. This work is developed as a new tool for exploration, articulated by layers, like an evolutionary genealogy map. Its objective is to analyze not only the architecture build in cities, but produced on paper. Starting with the work of the generation that led Mexican architecture into the 20th century, this research extends until the first decade of the 21st century (the epilogue), gathering together works which have been usually seen in isolation, and therefore making possible its understanding in a broader context. As a scenario for exploration, this work tries to prompt the crossing of meanings, in the belief that new approaches on the discipline and its context are needed. Architecture in Mexico — a country whose population grew in the 20th century form 13 to 100 million— is related essentially with an anonymous production, or else made from stereotypes. However, between the sprawl of informal urban developments and landmark buildings there is an architectural production as extensive as it is unexamined. This essay introduces a series of new constellations, ranging from the Revolution in 1910 to the Olympic Games in 1968; from the earthquake in Mexico City in 1985 to the international competitions of the last decade. These myriad perspectives present buildings that were never built, forgotten writings, iconic images and unpublished material.

Reacting and Recycling

To a certain extent what this research is proposing is a return to local principles or to regionalism, which is able to employ place-specific tools and craftsmanship (local arts and their virtues) promoting and being innovative with traditional elements which belong to a particular place, and using tectonic and stereotomic logic. You can observe this, in the face of a destructive natural event. An immediate architectural reaction is produced in cooperation with the rest of the not affected territory. The cooperation of certain non-governmental organizations with other groups in the same collaborative cycle improves the recycling of ideas and city planning forms. These organizations cooperate in the development and implementation of cities and settlements that need a fast reaction when facing an unexpected disaster.

El lugar de la mente. Sobre la capilla Sogn Benedetg de Peter Zumthor en Sumvitg/ The place of the mind. On Peter Zumthor’s Sogn Benedetg Chapel in Sumvitg

La Capilla de Sogn Benedetg en Sumvitg, parte de la obra temprana de Peter Zumthor, condensa aspectos de sus ideas, de su forma de proyectar y construir, que aún hoy siguen vigentes en él. Los recuerdos de infancia cimientan su enfoque de la arquitectura, en el que trata de reunir trazas de la vida cotidiana, sensible al lugar y utilizando materiales tratados de un modo preciso que bajo la luz adquieren su presencia. Con un lenguaje táctil y tectónico, desde una aproximación fenomenológica, persigue compartir una experiencia multisensorial, englobando percepciones complementarias que trascienden la geometría visual. Como Kahn, se apoya en el pensamiento de Heidegger, y se inspira en la pequeña cabaña que el filósofo habitaba en la Selva Negra, así como en la arquitectura religiosa de Rudolf Schwarz, cuya huella puede apreciarse tanto en el edificio como en los objetos que se encuentran en él. La tensión que genera entre interior y exterior mantiene despiertos los sentidos del visitante, a la vez que las características de la capilla enlazan con un regionalismo integrador que no se aparta de las formas abstractas contemporáneas. : Sogn Benedetg Chapel in Sumvitg, part of the early work of Peter Zumthor, condenses aspects of his ideas and his way of designing and building, which still remain valid today. Remembrances of childhood lay the foundation for his focus to architecture, which involves the collection of daily life traces, sensitive to the place and using materials treated in a precise manner, acquiring their presence under the light. With a tactile and tectonic language, from a phenomenological approach, he seeks to share a multi-sensory experience, encompassing complementary perceptions that transcend the visual geometry. As Kahn does, he relies on Heidegger?s thinking and is inspired by the little hut that the philosopher inhabited in the Black Forest, as well as by Rudolf Schwarz?s religious architecture, whose imprint can be appreciated in both the building and the objects encountered within it. The tension generated between interior and exterior keeps awake the senses of the visitor, while the characteristics of the chapel connect with an integrative regionalism that does not exclude contemporary abstract forms.

La arquitectura en la construcción del paisaje: herramientas y principios de los proyectos del Duero Internacional (1953-1964) en su relación con la Escuela de Oporto

El examen a la singular aportación de João Archer, Nunes de Almeida y Rogério Ramos a la construcción del paisaje energético a través de la arquitectura se revela hoy de gran oportunidad para el avance de nuestra disciplina. Este colectivo de arquitectos que estudian en la Escuela de Oporto en el periodo en que el maestro Carlos Ramos realiza la reforma de la enseñanza de la Arquitectura en Portugal, proyecta y construye desde el interior del oficio de proyectos de la Hidroeléctica do Douro, las tres infraestructuras hidroeléctricas y las respectivas estructuras urbanas de Picote, Miranda y Bemposta, ubicadas en el Duero Internacional. El proceso cuyos parámetros de proyecto se exponen, está comprendido entre 1953 y 1964, y representa uno de los momentos más significativos y hercúleos en términos de infraestructura, industrialización y modernización de un Portugal entonces extremamente retrasado por la política de aislamiento de la dictadura de Salazar. Esto parece ser también el primer proyecto arquitectónico de infraestructuras a la escala del territorio en el cual se reconocen trazos específicos de la Escuela de Oporto y en donde se efectúa la revisión y transición de una modernidad enmarcada por el rigor de Loos y por un racionalismo de linaje gropiano, para un regionalismo crítico apropiado a la cultura del lugar, muy vinculado a Lúcio Costa, Wright y Aalto. Así, más que los logros espaciales, técnicos o constructivos conseguidos en los edificios, se expone el proceso utilizado por sus autores, su forma de entender y hacer un paisaje industrial de dimensión social y humanista a través de una arquitectura poética y minimalista sustentada en la cultura y en el carácter del lugar, valorando los argumentos, herramientas, principios y mecanismos que pueden constituirse referencia para nuestro oficio y aportar conocimiento que oriente la arquitectura hacia la construcción del paisaje contemporáneo. ABSTRACT Examining the singular contribution of João Archer, Nunes de Almeida and Rogério Ramos to the construction of the energy landscape through architecture, presents today a great opportunity for the advancement of our discipline. This collective of architects studying at the Porto School during the period in which master Carlos Ramos reformed the education of architecture in Portugal, designed and built from the Hidroeléctrica do Douro project office itself, the three hydropower infrastructures and the respective urban structures of Picote), Miranda and Bemposta, located in the International Douro. The project parameters are set between 1953 and 1964, representing one of the most significant moments of infrastructure, industrialization and modernization in a country at the time extremely delayed by the isolation resulting from the Salazar dictatorship. This is also the first architectural project of infrastructures within the scale of territory in which specific traits of the Porto School are recognized and wherein it came into effect the revision and transition from a modernity marked by the Loos rigor and Gropius rationalism lineage to a critical regionalism appropriate to the culture of the place, connected to Lúcio Costa, Wright and Aalto. Thus, rather than space, technical or constructive achievements of the buildings, it is exposed the process used by the authors, their way of understanding and projecting an industrial landscape with a social and humanistic dimension through a poetic and minimal architecture sustained in culture and character of the place, valuing arguments, tools, principles and mechanisms that can become a reference for our profession and provide knowledge to guide architecture towards the construction of the contemporary landscape.

The European Union's promotion of regional economic integration in Southeast Asia: Norms, markets or both? Bruges Political Research Paper No. 25/May 2012

The EU‘s external action includes a preference for regional interlocutors and a tendency to promote regionalism. This work concentrates on the southeast Asian area and it aims at investigating the nature of EU‘s promotion of ASEAN regional integration. The EU‘s ideas and practices of regionalism as well as the single market experience influence the EU‘s international action. The power deriving from the EU‘s institutionalized market is used by the Union in a normative way to diffuse the EU‘s ideas and principles, advance the EU‘s interests and spread its model of economic integration through political dialogue, development cooperation and preferential trade arrangements. This action seems to result in a certain diffusion of the EU‘s ideas and practices in southeast Asia as well as in a subsequent reappropriation and redefinition of external inputs by ASEAN.

The Mercosur-EU preferential trade agreement. A view from Europe. CEPS Working Document No. 377, February 2013

This paper first aims at assessing the economic and political importance of Mercosur for the EU’s interests in the short and medium run – say for the one or two coming decades or so. As Mercosur’s size is largely determined by Brazil’s size, this paper focuses on Brazil – although the paper assumes that, from Brazil’s perspective, a Brazil–EU preferential trade agreement (PTA) is a non-starter. It then aims at positioning the Mercosur–EU (MEU) PTA in the context of the EU’s current trade policy. In particular, it tries to assess, once one takes into account all the crucial goals to be met by the EU, whether the EU is likely to find the time and the resources necessary for dealing properly with a MEU PTA; this effort is notably complicated by the very divergent views on the role of trade between Brazil on the one hand, and Argentina and Venezuela, on the other hand. Finally, the paper examines the PTA options that can be seen as reasonably feasible. It suggests that, unless there are dramatic changes in Mercosur’s present trajectory, the goal of negotiating a fully-fledged MEU PTA should be set aside for some time – at least a decade or so. This does not mean leaving the negotiating table, but rather focusing on negotiating topics that remain attractive to both sides in the current context, and manageable and flexible enough to overcome the broad general problems confronted by Mercosur and the EU.

Modelo Europeu como referencia par a integracao na American Latina do seculo XXI = Europe as a model in the integration of Latin American in the 21st century. Jon Monnet/Robert Schuman Paper Series Vol. 13 No. 5, February 2013

No abstract.

Towards a new design of South American integration? Jean Monnet/Robert Schuman Paper Series, Special Issue January 2013

The design of South American integration is becoming different. This has been quite common in the trajectory of over six decades of initiatives aimed at generating institutional frameworks to facilitate regional integration. However, even when it has become apparent that the previous design is undergoing a new process of change, it would be difficult to predict for how long the one that is beginning to take shape will remain in effect. The experience of recent decades suggests great caution in forecasts that are optimistic about any eventual longevity. Several factors are contributing to this redesign. Some are external to the region while others are endogenous. The combination of these factors will influence the future design of South American integration. If past lessons are correctly capitalized and certain advantage is derived from the leeway provided by a decentralized international system with multiple options, we can anticipate that what will predominate in the region will be multidimensional integration agreements (with political and economic objectives at the same time) and with cross-memberships and commitments. If this were the case, the actual impact on regional governance, social and productive integration and the competitive insertion at a global scale will depend largely on the following factors: the quality and sustainability of the strategy for development and global and regional insertion of each country; the combination of a reasonable degree of flexibility and predictability in the commitments made and their corresponding ground rule, and the density of the network of cross-interests that can be achieved as a result of the respective regional integration agreements, reflected in multiple transnational social and production networks.

Regional government and the "New Europe"

Introduction. Regional government in contemporary western Europe corresponds to a type of society and economy variously labeled "post-industrial", "post-bourgeois" or merely "the New Europe."l This New Europe evolved historically from the interconnected strands of capitalism; industrialism and pluralistic democracy. It resembles in many respects the type of economy and society familiar to us in North America. Regional government in such a society is thus merely an adaptation on the scale of half a continent of forms of social and economic organization which evolved historically at the national level. Regional government in the New Europe is the institutional and political recognition that societies have changed dramatically since 1945, so dramatically that they cannot be adequately described in the doctrines and ideologies made familiar by nineteenth and early twentieth century political thought. Hence the New Europe and its regional government is the future of that part of history which has also been aptly described as "the end of ideology."

The Theory of Interhybridity: Socio-political Dimensions and Migration Experiences of Post-communist Western Balkan States

The Western Balkans integration within the EU has started a legal process which is the rejection of former communist legal/political approaches and the transformation of former communist institutions. Indeed, the EU agenda has brought vertical/horizontal integration and Europeanization of national institutions (i.e. shifting power to the EU institutions and international authorities). At this point, it is very crucial to emphasize the fact that the Western Balkans as a whole region has currently an image that includes characteristics of both the Soviet socialism and the European democracy. The EU foreign policies and enlargement strategy for Western Balkans have significant effects on four core factors (i.e. Schengen visa regulations, remittances, asylum and migration as an aggregate process). The convergence/divergence of EU member states’ priorities for migration policies regulate and even shape directly the migration dynamics in migrant sender countries. From this standpoint, the research explores how main migration factors are influenced by political and judicial factors such as; rule of law and democracy score, the economic liberation score, political and human rights, civil society score and citizenship rights in Western Balkan countries. The proposal of interhybridity explores how the hybridization of state and non-state actors within home and host countries can solve labor migration-related problems. The economical and sociopolitical labor-migration model of Basu (2009) is overlapping with the multidimensional empirical framework of interhybridity. Indisputably, hybrid model (i.e. collaboration state and non-state actors) has a catalyst role in terms of balancing social problems and civil society needs. Paradigmatically, it is better to perceive the hybrid model as a combination of communicative and strategic action that means the reciprocal recognition within the model is precondition for significant functionality. This will shape social and industrial relations with moral meanings of communication.