Memoria histórica de la Compañia general de Comercio de los cinco Gremios mayores de Madrid : mandada presentar al Ministerio de Fomento por su Real Orden circular de 17 de Diciembre de 1832.

Mode of access: Internet.

Memorias de la Real Academia Médica de Madrid : tomo primero.

Mode of access: Internet.

Discursos pronunciados en la inauguración de las sesiones de la Real Academia de Medicina de Madrid, en el año de 1862 / Discursos pronunciados (...) ; por Francisco Alonso y Rubio ; [Biografía de Pedro Castelló y Ginesta]

Incluye la lista de los Señores Académicos de número que componen la Real Academia de Medicina de Madrid.

Constituciones de la Real Capilla de [sic] señor San Isidro de Madrid.

Mode of access: Internet.

Curso elemental de botánica : teórico y práctico, dispuesto para la enseñanza del Real Jardin botánico de Madrid /

Parte téorica ([xii], 226 p.)-- Parte práctica ([iv], 184 p.).

Oración fúnebre de Carlos Tercero Rey de España, que en sus exêquias celebradas en 2 de abril de 1789 por la Real Congregación de Nuestra Señora de los Desamparados del Reyno de Valencia establecida en la iglesia de Montserrat en la villa y corte de Madrid /

Mode of access: Internet.

Real cedula de S.M. y señores del Consejo : por la qual se manda observar, guardar y cumplir el Tratado de Paz y Amistad concluido entre el Rey Nuestro Señor y el Principe Regente de Portugal

Com certificado de cópia original.

Geochemical characterization of the fire-fountain fed deposits of Las Herrerias volcano (Campo de Calatrava Volcanic Field, Ciudad Real)

The Las Herrerias volcano (Bolanos de Calatrava, Campo de Calatrava Volcanic Field) is characterized by the great amount and variety of fire-fountain fed deposits. All these deposits are compositionally similar, being constituted by magnesium-rich (MgO = 11.58-4.19%), aluminium-poor (Al2O3 = 9.64-10.99%) highly sodic (Na2O = 2.24-3.81%) melanephelinites, with high contents in rare earth-elements (10x-200x chondrite), particularly in light-rare earth elements with respect to the heavy ones [(La/Lu)(N) = 32-35]. Contrary to the equivalent melanephelinites of this volcanic field, the relatively low contents in Ni (233-286 ppm), Cr (393-520 ppm) and magnesium number (Mg* = 45-54) indicate that these rocks do not correspond with primary melts. On the other hand, the variable distribution of clinopyroxene in the magma during eruption would be responsible for the slight compositional differences observed in the studied samples. Finally, we argue that these fire fountains were developed in a continental intraplate setting.

Armeria langei Boiss. ex Lange subsp. belmontei (Plumbaginaceae) subsp.nova

Se describe un nuevo taxon para la flora ibérica.

Super-villains of the "real world": the political use of the characterization of villains in Chistopher Nolan's "Dark Knight Trilogy"

It is almost a tradition that celluloid (or digital) villains are represented with some characteristics that remind us the real political enemies of the producer country of the film, or even enemies within the country according to the particular ideology that sustains the film. The case of Christopher Nolan The Dark Knight trilogy, analyzed here, is representative of this trend for two reasons. First, because it gets marked by political radicalization conducted by the US government after the attack of September 11, 2001. Secondly, because it offers a profuse gallery of villains who are outside the circle of friends as the new doctrine “either with us or against us” opened by George Bush for the XXI century. This gallery includes from the very terrorists who justify the War on Terror (Ra's al Ghul, the Joker), to the “radical left” (Bane, Talia al Ghul) including liberal politicians (Harvey Dent), and corrupt that take advantage of the softness of the law to commit crimes with impunity (Dr. Crane, the Scarecrow).

Playback Theatre: the art of being oneself. A tool for empowerment and real change for individuals and communities

This article presents the application of a theatrical technique—Playback Theatre, which was developed in the United States during the 1970s—to social intervention, as a narrative and listening space that confers value and dignity upon the person and the unique and distinct individual experiences that facilitate their social and relational integration. This art of being oneself, as the author states, uses the oral tradition and spontaneous and creative communication of psychodrama and combines them with theatrical expression. This technique has been shown to be pertinent to both community social work and support groups for persons in problematic situations. The aim of this is to celebrate some specific moment of their lives, as individuals or as a community, and to define strategies for improving living conditions or resolving or alleviating conflicts. It is also used to assess the achievements of the proposed objectives, to strengthen the motivation to change and to transform existing relationships into collaborative ones. This is possible not only owing to the participation of persons, but also to the assumption of different roles that can permit the overcoming of certain traumatic events.In addition to support groups, it is used for the training and supervision of social work professionals. The theatrical technique in question allows them to assume roles as diverse as narrator, audience or actor, whether simultaneously or successively. Taking the role of «performer» or guide to the theatrical action requires prior preparation in order for the group of participants to be able to pool their individualities and their emotions and reflect on them. The participatory methodology that Playback Theatre proposes is important in community social work and is posed in a new and transformative key.